Illustrated in a stark and simple style, this collection of outrageous cartoons follows over 100 bunnies as they find ever more outlandish ways to do themselves in.
The Book of Bunny Suicides and Return of the Bunny Suicides have introduced millions of people around the world to those cute bunnies always looking for new ways to end it all. Published for the first time in a unique paperback format, with a dozen new cartoons, this is the ultimate collection for fans of the fluffy little bunnies who just don't want to live any more.
The bestselling series of twisted comic strip collections returns, packed with even more self-destructive rabbits. The bunnies are back and there’s only one thing on their minds. From the author of the bestselling The Book of Bunny Suicides and Return of the Bunny Suicides comes a whole new batch of fluffy little rabbits who just don’t want to live anymore. Twice as long as the previous books (over 150 deaths!), this volume offers more bunny for your buck than ever before! Whether they’re getting stomped, stabbed, or sautéed, impaled by pink flamingos, or done in by heavy metal drummers, this collection of rabbit-related self-destruction has it all. Dark, twisted, and perfectly irresistible, it will be a must have for new and old Bunny Suicide fans alike. “Wonderfully deviant.” —The Washington Post “All this sick humor is reminiscent of Gary Larson’s The Far Side . . . . A deadly combination of funny and just naughty enough.” —Publishers Weekly
Fatherhood is full of ups and downs, quirks and crises. But there is always humor to be found! Featuring 60 all-new cartoons from Andy Riley, Beer Makes Daddy Strong shows the world just how great dads can be: Daddy knows all the best car games ("Who can stay quiet the longest?"), likes to show off his scars (that he may or may not have obtained while running with the bulls in Spain), and is a great cook (when Spaghetti Bolognese is on the menu). Witty and wise, this affectionate tribute is a celebration of fatherhood and all of its joys, confusion, humor, and, of course, beer.
NOW A MAJOR MOTION PICTURE • “[Dunthorne’s] precocious talent and cheerful fondness for the teenage male are showcased in Submarine. . . . Oliver’s voice is funny and dead-on.”—The New York Times Book Review(Editors’ Choice) At once a self-styled social scientist, a spy in the baffling adult world, and a budding, hormone-driven emotional explorer, Oliver Tate is stealthily nosing his way forward through the murky and uniquely perilous waters of adolescence. His objectives? Uncovering the secrets behind his parents’ teetering marriage, unraveling the mystery that is his alluring and equally quirky classmate Jordana Bevan, and understanding where he fits in among the mystifying beings in his orbit. Struggling to buoy his parents’ wedded bliss, deep-six his own virginity, and sound the depths of heartache, happiness, and the business of being human, what’s a lad to do? Poised precariously on the cusp of innocence and experience, Oliver Tate aims to damn the torpedoes and take the plunge. BONUS: This edition contains an excerpt from Joe Dunthorne's Wild Abandon. Praise for Submarine “[Joe Dunthorne is] probably destined to be compared with Mark Haddon and Roddy Doyle.”—The Miami Herald “This absolutely winning debut novel isn’t so much a coming-of-age tale as it is a reflection on what it means to be a certain age and of an uncertain mind.”—Los Angeles Times “A brilliant first novel by a young man of ferocious comic talent.”—The Times (London) “Preternaturally wise, slightly devious and highly entertaining.”—USA Today
It takes the beaks of seven penguins to make a Penguin biscuit'; 'All wind is made by wind farms'; 'Wine makes mummy clever'; 'Milk feels pain'. These are just some of the great lies that Andy Riley had you telling your kids last Christmas, in the Sunday Times bestseller GREAT LIES TO TELL SMALL KIDS. Now here are LOADS MORE LIES, to bamboozle more kids and entertain wicked adults everywhere... A brilliant sequel to the Sunday Times Top Ten bestseller.
“When Tadpole was born, I spent a sleepless night on the maternity ward gazing intently into her inky, newborn eyes, grappling to come to terms with the indisputable fact that this was an actual person looking back at me, not just a version of Mr. Frog, or me, or both, in miniature. From the outset she seemed to know what she wanted, and I realized I could have no inkling of the paths she would choose to follow. But if I watch her life unfold carefully enough, perhaps I will see clear signposts pointing to who or what she will become. Because when I look backward, ransacking my own past for clues with the clarity that only hindsight can bring, a series of defining moments do stand out. Moments charged with significance; snapshots of myself which, if I join the dots together, lead me unswervingly to where I stand today: from French, to France, to Paris, and to Petite Anglaise.” [ed. note - excerpted from Petite Anglaise, p.4] Catherine Sanderson has a beautiful bilingual daughter, an authentic French boyfriend, and a Paris apartment with bohemian charm. She has what she has always wanted — a life in France. Growing up in Yorkshire amidst a traditional family, Catherine had set her sights on a different life — a life that would immerse her in an exotic language and culture. From grammar school French lessons to teaching English in Normandy and finally to a permanent job in Paris, she was determined that France would be the place she would call home. But now that she does, things are not so idyllic. Catherine wonders just when her life in Paris turned from wine to vinegar: She’s stuck in a dead-end administrative job, her relationship with her boyfriend has settled into a dreary routine, and the birth of their daughter has not helped to reignite the dying fire of her relationship. The remedy to her dissatisfaction arrives in the morning headlines. While scanning the news of the day, Catherine becomes intrigued by a story profiling an internet diarist. After exploring one blog after another, and in one exhilarating moment, Catherine decides to create her own online persona, her jardin secret. At that moment, she is transformed from Catherine to Petite Anglaise, her boyfriend to Mr. Frog, her daughter to Tadpole, and her life to something she could never have predicted. What begins as a lighthearted diversion, a place to discuss the fish-out-of water challenges of ex-pat life in Paris, soon gives way to a raw forum for her to bare her most intimate secrets and impulsive desires. Thousands of readers log-on to the blog and are witness to the ever-widening gulf between Petite Anglaise and Mr. Frog. Those public revelations of her growing frustrations, which play out in each successive post, begin to surreptitiously yet irrevocably erode their relationship.
By the New York Times bestselling author of The Bone Clocks and Cloud Atlas | Longlisted for the Man Booker Prize Selected by Time as One of the Ten Best Books of the Year | A New York Times Notable Book | Named One of the Best Books of the Year by The Washington Post Book World, The Christian Science Monitor, Rocky Mountain News, and Kirkus Reviews | A Los Angeles Times Book Prize Finalist | Winner of the ALA Alex Award | Finalist for the Costa Novel Award From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new. Black Swan Green tracks a single year in what is, for thirteen-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in a dying Cold War England, 1982. But the thirteen chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissingeresque realpolitik enacted in boys’ games on a frozen lake; of “nightcreeping” through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigré who is both more and less than she appears; of Jason’s search to replace his dead grandfather’s irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher’s recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons. Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell’s subtlest and most effective achievement to date. Praise for Black Swan Green “[David Mitchell has created] one of the most endearing, smart, and funny young narrators ever to rise up from the pages of a novel. . . . The always fresh and brilliant writing will carry readers back to their own childhoods. . . . This enchanting novel makes us remember exactly what it was like.”—The Boston Globe “[David Mitchell is a] prodigiously daring and imaginative young writer. . . . As in the works of Thomas Pynchon and Herman Melville, one feels the roof of the narrative lifted off and oneself in thrall.”—Time