Imperialism is strikingly represented in its buildings. This work illuminates the dispersal of colonial culture and religious forms, social classes, and racial divisions over two centuries, from the establishment of colonial rule to a post-colonial world. It will be a vital reading for all students of imperial history and global material culture.
A comprehensive overview of the architectural and urban transformations that took place across the British Empire between the seventeenth and mid-twentieth centuries, exploring the built heritage of Britain's former colonial empire as a fundamental part of how we negotiate our postcolonial identities.
An exciting journey to thirteen buildings that capture the essence of the British imperial experience, painting an intimate portrait of the biggest empire the world has ever seen: the people who made it and the people who resisted it, as well as the legacy of the imperial project throughout the world.
They built some of the first communal structures on the empire's frontiers. The empire's most powerful proconsuls sought entrance into their lodges. Their public rituals drew dense crowds from Montreal to Madras. The Ancient Free and Accepted Masons were quintessential builders of empire, argues Jessica Harland-Jacobs. In this first study of the relationship between Freemasonry and British imperialism, Harland-Jacobs takes readers on a journey across two centuries and five continents, demonstrating that from the moment it left Britain's shores, Freemasonry proved central to the building and cohesion of the British Empire. The organization formally emerged in 1717 as a fraternity identified with the ideals of Enlightenment cosmopolitanism, such as universal brotherhood, sociability, tolerance, and benevolence. As Freemasonry spread to Europe, the Americas, Asia, Australasia, and Africa, the group's claims of cosmopolitan brotherhood were put to the test. Harland-Jacobs examines the brotherhood's role in diverse colonial settings and the impact of the empire on the brotherhood; in the process, she addresses issues of globalization, supranational identities, imperial power, fraternalism, and masculinity. By tracking an important, identifiable institution across the wide chronological and geographical expanse of the British Empire, Builders of Empire makes a significant contribution to transnational history as well as the history of the Freemasons and imperial Britain.
The attitude of the British to India was compounded partly of arrogance, but partly also of homesickness, and it shows in their constructions. Georgian terraces were adapted to tropical conditions, Victorian railway stations were elaborately orientalised, and seaside villas were adjusted to suit Himalayan conditions. This book, now reissued with a new introduction by Simon Winchester, is the first to describe the whole range of British constructions in India. Stones of Empire charts an enterprise in architecture, engineering, and social adaptation unique in human history.
While imperial blockbusters fly off the shelves, there is no comprehensive history dedicated to resistance in the 19th and 20th century British Empire. The Trouble with Empire is the first volume to fill this gap, offering a brief but thorough introduction to the nature and consequences of resistance to British imperialism. Historian Antoinette Burton's study spans the 19th and 20th centuries, when discontented subjects of empire made their unhappiness felt from Ireland to Canada to India to Africa to Australasia, in direct response to incursions of military might and imperial capitalism. The Trouble with Empire offers the first thoroughgoing account of what British imperialism looked like from below and of how tenuous its hold on alien populations was throughout its long, unstable life. By taking the long view, moving across a variety of geopolitical sites and spanning the whole of the period 1840-1955, Burton examines the commonalities between different forms of resistance and unveils the structural weaknesses of the British Empire.0.
