The writers and artists described in this book are joined by a desire to embrace 'Eastern' aesthetics as a means of redeeming 'Western' technoculture. The assumption they all share is that at the core of modern Western culture there lies an originary and all-encompassing philosophical error - and that Asian art offers a way out of that awful matrix. That desire, this book attempts to demonstrate, has informed Anglo- and even Asian-American debates about technology and art since the late nineteenth century and continues to skew our responses to our own technocultural environment.
Dr. Mori explores Buddhism through his perspective as a robot engineer. He even postulates that robots have the buddha-nature. He confronts Buddhist themes such as the notion of ego as if they were engineering problems and comes to surprisingly clear resolutions. Along the way, he poses many interesting questions that perhaps only a robot engineer would think of. Why do we have two nostrils -- not just one? Why don't we have "earlids" similar to eyelids? His inquiries are highly engaging.
Artificial intelligence is the most discussed and arguably the most powerful technology in the world today. The very rapid development of the technology, and its power to change the world, and perhaps even ourselves, calls for a serious and systematic thinking about its ethical and social implications, as well as how its development should be directed. The present book offers a new perspective on how such a direction should take place, based on insights obtained from the age-old tradition of Buddhist teaching. The book argues that any kind of ethical guidelines for AI and robotics must combine two kinds of excellence together, namely the technical and the ethical. The machine needs to aspire toward the status of ethical perfection, whose idea was laid out in detail by the Buddha more than two millennia ago. It is this standard of ethical perfection, called “machine enlightenment,” that gives us a view toward how an effective ethical guideline should be made. This ideal is characterized by the realization that all things are interdependent, and by the commitment to alleviate all beings from suffering, in other words by two of the quintessential Buddhist values. The book thus contributes to a concern for a norm for ethical guidelines for AI that is both practical and cross-cultural.
The very idea that the teachings can be mastered will arouse controversy within Buddhist circles. Even so, Ingram insists that enlightenment is an attainable goal, once our fanciful notions of it are stripped away, and we have learned to use meditation as a method for examining reality rather than an opportunity to wallow in self-absorbed mind-noise. Ingram sets out concisely the difference between concentration-based and insight (vipassana) meditation; he provides example practices; and most importantly he presents detailed maps of the states of mind we are likely to encounter, and the stages we must negotiate as we move through clearly-defined cycles of insight. Its easy to feel overawed, at first, by Ingram's assurance and ease in the higher levels of consciousness, but consistently he writes as a down-to-earth and compassionate guide, and to the practitioner willing to commit themselves this is a glittering gift of a book.In this new edition of the bestselling book, the author rearranges, revises and expands upon the original material, as well as adding new sections that bring further clarity to his ideas.
Razor-Wire Dharma is an eloquent, enlightening, and utterly inspiring personal story how one man found Buddhism—and real, transformative meaning for his life—despite being in one of the world's harshest environments.
NATIONAL BESTSELLER • PEN/FAULKER AWARD WINNER • The acclaimed author of The Swimmers and When the Emperor Was Divine tells the story of a group of young women brought from Japan to San Francisco as “picture brides” a century ago in this "understated masterpiece ... that unfolds with great emotional power" (San Francisco Chronicle). In eight unforgettable sections, The Buddha in the Attic traces the extraordinary lives of these women, from their arduous journeys by boat, to their arrival in San Francisco and their tremulous first nights as new wives; from their experiences raising children who would later reject their culture and language, to the deracinating arrival of war. Julie Otsuka has written a spellbinding novel about identity and loyalty, and what it means to be an American in uncertain times.
30th Anniversary Edition with a new introduction by the author Robert Pendleton is a chemical genius with a fertilizer worth a fortune to whoever controls the formula. Not surprisingly, the Bank, his notoriously exclusive backer, wants to keep an eye on its investment. But so does the CIA. And the Chinese government. And a few shadier organizations. So when Pendleton disappears from a conference in San Francisco, along with all of his research, Neal Carey enters the picture. Neal knows the Bank is calling in its chips in return for paying his grad school bills. He thinks this assignment will be a no-brainer until he meets the beguiling Li Lan and touches off a deadly game of hide-and-seek that will lead him from San Francisco’s Chinatown to the lawless back streets of Hong Kong, and finally into the dark heart of China. In a world where no one is what they seem, Neal must unravel the mystery of a beautiful woman and reach the fabled Buddha’s Mirror, a mist-shrouded lake where all secrets are revealed.
Some twenty-five centuries after the Buddha started teaching, his message continues to inspire people across the globe, including those living in predominantly secular societies. What does it mean to adapt religious practices to secular contexts? Stephen Batchelor, an internationally known author and teacher, is committed to a secularized version of the Buddha’s teachings. The time has come, he feels, to articulate a coherent ethical, contemplative, and philosophical vision of Buddhism for our age. After Buddhism, the culmination of four decades of study and practice in the Tibetan, Zen, and Theravada traditions, is his attempt to set the record straight about who the Buddha was and what he was trying to teach. Combining critical readings of the earliest canonical texts with narrative accounts of five members of the Buddha’s inner circle, Batchelor depicts the Buddha as a pragmatic ethicist rather than a dogmatic metaphysician. He envisions Buddhism as a constantly evolving culture of awakening whose long survival is due to its capacity to reinvent itself and interact creatively with each society it encounters. This original and provocative book presents a new framework for understanding the remarkable spread of Buddhism in today’s globalized world. It also reminds us of what was so startling about the Buddha’s vision of human flourishing.
Illustrated with over thirty-six colour reproductions, the essays and interviews in One For Me and Once To Share: Artists' Multiples and Editions addresses artists' multiples as a new means of reproduction, circulations, and reception.
Still going strong after more than a decade, the Los Angeles-based Machine Project is profiled in this encyclopedic book that explores unconventional ways of seeing and thinking about the world. New essays and images capture the quirky essence of Machine Project, where vacations for plants, concerts for dentists, and operas for dogs are a few of the typical offerings produced at the informal, non-profit, educational institution in Los Angeles. Designed in collaboration with Kimberly Varella, this book reflects on Machine Project's ongoing artistic practice, featuring an extensive selection of photographs of past projects and documentation of new performance projects at the Tang Museum by Haruko Tanaka, Krystal Krunch, Hana van der Kolk, Carmina Escobar, Kamau Patton, Dawn Kasper, Joshua Beckman, Asher Hartman, and Chris Kallmyer among others.
