The British as Art Collectors

The British as Art Collectors

Author: James Stourton

Publisher: Scala Arts Publishers Incorporated

Published: 2012

Total Pages: 0

ISBN-13: 9781857597493

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To see the great art galleries, stately homes and museums up and down Britain today is to witness the rich story of the British as art collectors, a narrative that mirrors the history of the country. In this remarkable new book, James Stourton and Charles Sebag-Montefiore present a comprehensive survey of British art collectors down the centuries. The major collecting landmarks covered include Henry VIII, who harnessed the arts in the service of the crown, Charles I and the Whitehall Circle, the Grand Tour and the country house boom, the bonanza created by the Napoleonic Wars and the Industrial Revolution, French taste, the collecting of Spanish art, the passion for Florence, the 19th-century heyday for the creation of museums, the private collectors who sparked the belated British love affair with Impressionism, the State's role in patronage and collecting after World War II, and the manner in which London has recently become a metropolis of contemporary art. Yet the authors' strengths lie not only in these grand themes, but also in their mastery of detail through the different eras. They write with equal authority about the royal patronage and collecting of the Tudor period, with which they begin, and the collectors of today. Includes over 300 illustrations, including many of the greatest works of art to have featured in British collections. AUTHOR: James Stourton is Chairman of Sotheby's UK. He is the author of Great Collectors of Our Time and Great Smaller Museums of Europe and frequently writes on the history of collecting. Charles Sebag-Montefiore has spent 40 years creating the definitive library on British patronage and collecting, a unique resource that has enabled the research for this book. He is a Director of Ludgate Investments Ltd and other companies and Treasurer of the Friends of the National Libraries, the Friends of Lambeth Palace Library, the Walpole Society and of other charities. He was a Trustee of the National Art Collections Fund between 2000 and 2011. 320 colour & 30 b/w illustrations


The Art Collector's Handbook

The Art Collector's Handbook

Author: Mary Rozell

Publisher: Lund Humphries Publishers Limited

Published: 2020

Total Pages: 0

ISBN-13: 9781848224018

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With the rapid and unprecedented global expansion of the art market, new collectors are emerging every day. When buying art, whether for pure enjoyment, for investment or some other motive, few art collectors consider the practical and financial implications of owning and maintaining art, and many do not have a plan for how they might eventually dispose of it. This book, probing a number of resources and incorporating advice from top experts in the field, offers guidance on collection management and care, and serves as an important reference guide for collectors and those charged with managing.


Collecting Art for Love, Money and More

Collecting Art for Love, Money and More

Author: Ethan Wagner

Publisher: Phaidon Press

Published: 2013-04-02

Total Pages: 0

ISBN-13: 9780714849775

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"This book offers clear advice on how to navigate the contemporary art world, from assessing sales information and dealing with galleries to discovering new talent and accessing the best work."--P. [4] of cover.


British Models of Art Collecting and the American Response

British Models of Art Collecting and the American Response

Author: Dr Inge Reist

Publisher: Ashgate Publishing, Ltd.

Published: 2014-10-28

Total Pages: 289

ISBN-13: 147243806X

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This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.


The House of Fragile Things

The House of Fragile Things

Author: James McAuley

Publisher: Yale University Press

Published: 2021-03-23

Total Pages: 327

ISBN-13: 0300252544

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A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siècle. Weaving together narratives of various figures, some familiar from the works of Marcel Proust and the diaries of Jules and Edmond Goncourt—the Camondos, the Rothschilds, the Ephrussis, the Cahens d'Anvers—McAuley shows how Jewish art collectors contended with a powerful strain of anti-Semitism: they were often accused of “invading” France’s cultural patrimony. The collections these families left behind—many ultimately donated to the French state—were their response, tragic attempts to celebrate a nation that later betrayed them.


Private Collectors of Islamic Art in Late Nineteenth-Century London

Private Collectors of Islamic Art in Late Nineteenth-Century London

Author: Isabelle Gadoin

Publisher: Routledge

Published: 2021-09-09

Total Pages: 232

ISBN-13: 1000437000

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This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.


Collecting the Past

Collecting the Past

Author: Toby Burrows

Publisher: Routledge

Published: 2018-10-03

Total Pages: 154

ISBN-13: 1351208543

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Today’s libraries and museums are heavily indebted to the passions and obsessions of numerous individual collectors who devoted their lives to amassing collections of books, manuscripts, artworks, and other culturally significant objects. Collecting the Past brings together the latest research on a wide range of significant British collectors from the eighteenth to the twentieth centuries, including Hans Sloane, Sarah Sophia Banks, Thomas Phillipps, Sydney Cockerell, J. P. Morgan Jr., Alfred Chester Beatty and R. E. Hart. Contributors to the volume examine the phenomenon of collecting in a variety of settings and across a range of different materials. Considering the aims and motives that led these collectors to assemble such remarkable collections, the book also examines the history of these collections after the collector’s death. Particular attention is given to the often complicated relationship between collectors and the public institutions that subsequently came to house their collections. Situated within the framework of cultural collecting more generally, this book offers an authoritative series of essays on key collectors. Collecting the Past should be most interesting to researchers, academics and postgraduate students engaged in the study of museum studies, book history, manuscript studies, museum history, library history and the history of collecting. Professionals in libraries, museums and galleries will also find the volume of great interest.