In 1890, the University of Oklahoma Press published a ten-book series titled Newcomers to a New Land that described and analyzed the role of the major ethnic groups that have contributed to the history of Oklahoma. The series was part of Oklahoma Image, a project sponsored by the Oklahoma Department of Libraries and the Oklahoma Library Association and made possible by a grant from the National Endowment for the Humanities. In response to numerous requests, the University of Oklahoma Press has reissued all ten volumes in the series. Published unaltered from the original editions, these books continue to have both historical and cultural value for reasons the series editorial committee stated as well. ?Though not large in number as compared to those in some states, immigrants from various European nations left a marked impact on Oklahoma's history. As in the larger United States, they worked in many economic and social roles that enriched the state's life. Indians have played a crucial part in Oklahoma's history, even to giving the state her name. Blacks and Mexicans have also fulfilled a special set of roles, and will continue to affect Oklahoma's future. The history of each of these groups is unique, well worth remembering to both their heirs and to other people in the state and nation. Their stories come from the past, but continue on the future.”
A Companion to the British and Irish Short Story provides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present. Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880 to the present Includes essays on topics and genres, as well as on individual texts and authors Comprises chapters on women’s writing, Irish fiction, gay and lesbian writing, and short fiction by immigrants to Britain
Bestselling Irish author Michelle Jackson returns with a new name, Michelle Walsh Jackson and a fresh voice. After travel writing for the last eight years she has written a road trip book set in Oklahoma, Dublin and Oxford. This spiritual journey into America's Heartland brings the reader on "A thought provoking Odyssey to fill the soul and grip the reader," according to Niamh Greene, Irish Author. This is the story of the fragile love between Roz Waters and her visually impaired father, Patrick, a love that is revived on an extraordinary road trip through Oklahoma in America's heartland. The journey is an opportunity for Patrick to impart knowledge and wisdom that Roz is finally ready to hear.Unexpectedly, Roz's world is rocked when she meets an army officer, Michael Williams, along the way. But his wedding band isn't the only obstacle that makes their love forbidden. The prairies pale in comparison to the touching journey into each other's hearts.As time unfolds Roz discovers that she and her father are intrinsically linked to Michael and together maybe they will all find the real Heartland.
In 1980, the University of Oklahoma Press published a ten-book series titled Newcomers to a New Land that described and analyzed the role of the major ethnic groups that have contributed to the history of Oklahoma. The series was part of Oklahoma Image, a project sponsored by the Oklahoma Department of Libraries and the Oklahoma Library Association and made possible by a grant from the National Endowment for the Humanities. In response to numerous requests, the University of Oklahoma Press has reissued all ten volumes in the series. Published unaltered from the original editions, these books continue to have both historical and cultural value for reasons the series editorial committee stated so well: "Though not large in number as compared to those in some other states, immigrants from various European nations left a marked impact on Oklahoma's history. As in the larger United States, they worked in many economic and social roles that enriched the state's life. Indians have played a crucial part in Oklahoma's history, even to giving the state her name. Blacks and Mexicans have also fulfilled a special set of roles, and will continue to affect Oklahoma's future. The history of each of these groups is unique, well worth remembering to both their heirs and to other people in the state and nation. Their stories come from the past, but continue on to the future." Editorial Committee H. Wayne Morgan, Chair University of Oklahoma Douglas Hale Oklahoma State University Rennard Strickland University of Tulsa
In his first work of nonfiction, bestselling novelist James Webb tells the epic story of the Scots-Irish, a people whose lives and worldview were dictated by resistance, conflict, and struggle, and who, in turn, profoundly influenced the social, political, and cultural landscape of America from its beginnings through the present day. More than 27 million Americans today can trace their lineage to the Scots, whose bloodline was stained by centuries of continuous warfare along the border between England and Scotland, and later in the bitter settlements of England’s Ulster Plantation in Northern Ireland. Between 250,000 and 400,000 Scots-Irish migrated to America in the eighteenth century, traveling in groups of families and bringing with them not only long experience as rebels and outcasts but also unparalleled skills as frontiersmen and guerrilla fighters. Their cultural identity reflected acute individualism, dislike of aristocracy and a military tradition, and, over time, the Scots-Irish defined the attitudes and values of the military, of working class America, and even of the peculiarly populist form of American democracy itself. Born Fighting is the first book to chronicle the full journey of this remarkable cultural group, and the profound, but unrecognized, role it has played in the shaping of America. Written with the storytelling verve that has earned his works such acclaim as “captivating . . . unforgettable” (the Wall Street Journal on Lost Soliders), Scots-Irishman James Webb, Vietnam combat veteran and former Naval Secretary, traces the history of his people, beginning nearly two thousand years ago at Hadrian’s Wall, when the nation of Scotland was formed north of the Wall through armed conflict in contrast to England’s formation to the south through commerce and trade. Webb recounts the Scots’ odyssey—their clashes with the English in Scotland and then in Ulster, their retreat from one war-ravaged land to another. Through engrossing chronicles of the challenges the Scots-Irish faced, Webb vividly portrays how they developed the qualities that helped settle the American frontier and define the American character. Born Fighting shows that the Scots-Irish were 40 percent of the Revolutionary War army; they included the pioneers Daniel Boone, Lewis and Clark, Davy Crockett, and Sam Houston; they were the writers Edgar Allan Poe and Mark Twain; and they have given America numerous great military leaders, including Stonewall Jackson, Ulysses S. Grant, Audie Murphy, and George S. Patton, as well as most of the soldiers of the Confederacy (only 5 percent of whom owned slaves, and who fought against what they viewed as an invading army). It illustrates how the Scots-Irish redefined American politics, creating the populist movement and giving the country a dozen presidents, including Andrew Jackson, Teddy Roosevelt, Woodrow Wilson, Ronald Reagan, and Bill Clinton. And it explores how the Scots-Irish culture of isolation, hard luck, stubbornness, and mistrust of the nation’s elite formed and still dominates blue-collar America, the military services, the Bible Belt, and country music. Both a distinguished work of cultural history and a human drama that speaks straight to the heart of contemporary America, Born Fighting reintroduces America to its most powerful, patriotic, and individualistic cultural group—one too often ignored or taken for granted.
" ... provides updated county and town listings within the same overall state-by-state organization ... information on records and holdings for every county in the United States, as well as excellent maps from renowned mapmaker William Dollarhide ... The availability of census records such as federal, state, and territorial census reports is covered in detail ... Vital records are also discussed, including when and where they were kept and how"--Publisher decription.
No scholarly reference library is complete without a copy of Ancestry's Red Book. In it, you will find both general and specific information essential to researchers of American records. This revised 3rd edition provides updated county and town listings within the same overall state-by-state organization. Whether you are looking for your ancestors in the northeastern states, the South, the West, or somewhere in the middle, ""Ancestry's Red Book has information on records and holdings for every county in the United States, as well as excellent maps from renowned mapmaker William Dollarhide. In short, the ""Red Book is simply the book that no genealogist can afford not to have. The availability of census records such as federal, state, and territorial census reports is covered in detail. Unlike the federal census, state and territorial census were taken at different times and different questions were asked. Vital records are also discussed, including when and where they were kept and how""
Ask anyone the world over to identify a figure in buckskins with a feather bonnet, and the answer will be “Indian.” Many works of art produced by non-Native artists have reflected such a limited viewpoint. In American Indians in British Art, 1700–1840, Stephanie Pratt explores for the first time an artistic tradition that avoided simplification and that instead portrayed Native peoples in a surprisingly complex light. During the eighteenth century, the British allied themselves with Indian tribes to counter the American colonial rebellion. In response, British artists produced a large volume of work focusing on American Indians. Although these works depicted their subjects as either noble or ignoble savages, they also represented Indians as active participants in contemporary society. Pratt places artistic works in historical context and traces a movement away from abstraction, where Indians were symbols rather than actual people, to representational art, which portrayed Indians as actors on the colonial stage. But Pratt also argues that to view these images as mere illustrations of historical events or individuals would be reductive. As works of art they contain formal characteristics and ideological content that diminish their documentary value.
