Discusses sound and light, including how the waves travel through different forms of matter, how human senses detect and analyze them, and describes electromagnetic radiation, echolocation, and optics.
The study of matter is the study of all material things, as well as their ability to transform from one state to another. All matter assumes one of several basic statessolid, liquid, gas, and plasma being the most common. Under varying conditions, each state can be altered to form new substances or adopt new characteristics. This insightful book covers the various structures and elements of different types of matter, while examining the physical and chemical properties that allow for permutation and change.
Many of the worlds most common processes and interactions are governed by the laws of thermodynamics and mechanics. While the transfer, release, or absorption of heat often accompany chemical reactions or seem inherent to mechanical systems, they are also familiar to anyone who has ever spent time outdoors on a warm day or touched a hot plate. Likewise, any physical bodylarge or small, solid or fluidis subject to a wide range of forces that trigger motion. This detailed compendium explores the foundations and laws of both thermodynamics and mechanics as well as the lives of those individuals who helped advance these fundamental areas of physics.
Emphasising the artistry behind the decisions made by theatrical sound designers, this guide is for anyone seeking to understand the nature of sound and how to apply it to the stage. Through tried-and-tested advice and lessons in practical application, The Art of Theatrical Sound Design allows developing artists to apply psychology, physiology, sociology, anthropology and all aspects of sound phenomenology to theatrical sound design. Structured in three parts, the book explores, theoretically, how human beings perceive the vibration of sound; offers exercises to develop support for storytelling by creating an emotional journey for the audience; considers how to collaborate and communicate as a theatre artist; and discusses how to create a cohesive sound design for the stage.
Building on ideas from cognitive metaphor theory, Making Sense of Recordings offers a new perspective on record production, music perception, and the aesthetics of recorded sound. It shows how the language about sound is intimately connected to sense-making - both as a reflection of our internal cognitive capacities and as a component of our extended cognitive system. In doing so, the book provides the foundation for a broader understanding of the history of listening, discourses of sound quality, and artistic practices in the age of recorded music. The book will be of interest to anyone who asks how recorded music sounds and why it sounds as it does, and it will be a valuable resource for musicology students and researchers interested in the analysis of sound and the history of listening and record production. Additionally, sound engineers and laptop musicians will benefit from the book's exploration of the connection between embodied experiences and our cognitively processed experiences of recorded sound. The tools provided will be useful to these and other musicians who wish to intuitively interact with recorded or synthesized sound in a manner that more closely resembles the way they think and that makes sense of what they do.
The dynamism of the natural world means that it is constantly changing, sometimes rapidly, sometimes gradually. By mathematically interpreting the continuous change that characterizes so many natural processes, analysis and calculus have become indispensable to bridging the divide between mathematics and the sciences. This comprehensive volume examines the key concepts of calculus, providing students with a robust understanding of integration and differentiation. Biographies of important figures will leave readers with an increased appreciation for the sometimes competing theories that informed the early history of the field.