(Play It Like It Is). From rockabilly Stray Cat to swingster hepcat, Brian Setzer still struts his musical stuff. This great collection includes guitar transcriptions with tab for 10 songs from his super swingin' big band: The Dirty Boogie * Hoodoo Voodoo Doll * Jump, Jive An' Wail * Let's Live It Up * Rock This Town * Rumble in Brighton * Since I Don't Have You * Sleepwalk * Switchblade 327 * This Cat's on a Hot Tin Roof.
(Bass Instruction). Learn the tricks and tehnique of playing rockabilly bass from one of the world's foremost masters, Johnny Hatton. In this book, along with video lessons online, he will teach you: the snap * the slap * the hand positions * stragith eighths * the double slap * the swing slap * the triple slap * slap patterns * mambo * alternate slap techniques * two-beat swing slap. Plus, you'll learn about jazz notation, scales and music theory.
(Guitar Educational). The Legendary Licks series presents the music of a band or artist in a comprehensive play-along package. Each book contains note-for-note transcriptions and detailed performance notes on how to play a multitude of classic licks, fills, riffs, and solos complete with recorded demonstrations of each exercise and gear setup tips. This edition includes instruction on playing 12 Satriani classics: Always with Me, Always with You * Andalusia * Crowd Chant * Cryin' * Flying in a Blue Dream * Friends * Littleworth Lane * The Mystical Potato Head Groove Thing * Satch Boogie * Summer Song * Super Colossal * Surfing with the Alien.
(Hot Licks). The legendary Hot Licks guitar instruction video series is being made available in book format with online access to all the classic video footage. This volume provides a unique chance to learn from guitarist Brian Setzer. Get one-on-one insights on his approach to rockabilly, blues, jazz, and country, including wild string-bending techniques, slap-echo effects, and hot solos. You'll learn Setzer's favorite: rockabilly rhythms; single-string "bop" runs; double-stop riffs; chord substitutions; rockabilly fingerpicking; and much more.
In the late ’90s, third-wave ska broke across the American alternative music scene like a tsunami. In sweaty clubs across the nation, kids danced themselves dehydrated to the peppy rhythms and punchy horns of bands like The Mighty Mighty Bosstones and Reel Big Fish. As ska caught fire, a swing revival brought even more sharp-dressed, brass-packing bands to national attention. Hell of a Hat dives deep into this unique musical moment. Prior to invading the Billboard charts and MTV, ska thrived from Orange County, California, to NYC, where Moon Ska Records had eager rude girls and boys snapping up every release. On the swing tip, retro pioneers like Royal Crown Revue had fans doing the jump, jive, and wail long before The Brian Setzer Orchestra resurrected the Louis Prima joint. Drawing on interviews with heavyweights like the Bosstones, Sublime, Less Than Jake, and Cherry Poppin' Daddies—as well as underground heroes like Mustard Plug, The Slackers, Hepcat, and The New Morty Show—Kenneth Partridge argues that the relative economic prosperity and general optimism of the late ’90s created the perfect environment for fast, danceable music that—with some notable exceptions—tended to avoid political commentary. An homage to a time when plaids and skankin’ were king and doing the jitterbug in your best suit was so money, Hell of a Hat is an inside look at ’90s ska, swing, and the loud noises of an era when America was dreaming and didn’t even know it.
Color x Color: The Sperry Poster Archive illustrates the 40 year career arc of renowned rock poster artist and master screen printer, Chuck Sperry. The 750+ page tome features over 800 color reproductions of Sperry's work, from his early years creating posters for Bill Graham's legendary Fillmore Auditorium, to his eye-arresting work for The Who, Eric Clapton, Pearl Jam, and the Black Keys. Sperry Introduces each chapter of Color x Color with fresh and insightful autobiographical detail, shedding light on his colorful art, life and career. As the artist prefaces his book: To show you everything, well, that's exactly what I set out to do two years ago. This book brings together every poster I have created. The impetus to create this exhaustively complete book originates with the creation of an extensive special permanent collection of Sperry's art to enter the archives of the Fort Wayne Museum of Art.
“I have read pretty much every rock 'n' roll biography there is worth reading, and you never know what to expect when you pick up a new book. Well, let me tell you Mark Weiss has raised the bar for rock 'n' roll books with The Decade That Rocked. Mark has always been at the top of his field, and the level of detail and quality put into this book is the ultimate testament to his rock n' roll photographic legacy.” – Sebastian Bach “Mark is the real deal. He may not play the guitar, but that camera is his guitar. He’s a rockstar.” – Gene Simmons "Mark’s energy, his creativity, his drive, his positive attitude and his enthusiasm that make him one of the legends of rock photography. It’s why his work—both old and new—is still so in demand today. Mark Weiss inspires greatness in all he turns his camera lens on. But don’t take my word for it. Just look at the pictures in this book." – Dee Snider “His pictures say as much as the music” – Rob Halford “He was one of the guys. He wasn’t one of the 18 photographers you’d work with that day.” – Alice Cooper “He had that instinct, to recognize our energy and use his technical talent to capture it.” – Joe Perry “The Decade That Rocked breaches a level of intimacy that so many music photographers are lacking today. Each and every photo exemplifies the trust and the synergy between photographer and subject. You can feel the essence of the music in the live shots, just as vibrantly as you can feel the spirit and the essence of the musicians behind the scenes.” – Screamer Magazine Mark “Weissguy” Weiss set an unmatched standard for rock photography. Starting out as a teenager by sneaking into concerts with a neighbor’s 35mm camera, he embarked on a legendary career that took him around the globe and onto some of the most memorable album and magazine covers in rock history– featuring the likes of Van Halen, Ozzy Osbourne, Aerosmith, and Mötley Crüe to Metallica, Guns N’ Roses, Bon Jovi, and KISS, and so many more. With 700+ photos, brand new interviews, and stories from Mark himself, Decade that Rocked is a monument to the photography, friendships, and legacy of an artist that helped define one of rock’s most iconic eras. This career-spanning collection features: A unique lens on the golden age of rock: Never-before or rarely seen photos of legends like Van Halen, Ozzy Osbourne, Aerosmith, and Mötley Crüe to Metallica, Guns N’ Roses, Bon Jovi, and KISS, as well as countless others whose sound and image defined the era. Exclusive interviews: Ozzy Osbourne, Dee Snider, Nikki Sixx, Joe Perry, Rob Halford, and many more recall their memories of this era-defining decade. Untold Stories: Relive Mark’s unbelievable journey through rock history, from getting arrested for selling photos outside of Kiss concert to touring with legends like Van Halen, to photographing Bon Jovi’s infamous “Slippery When Wet” shoot, shooting backstage at Live Aid with Black Sabbath, and so many more. Definitive Lens: Creem magazine readers ranked Mark Weiss as rock’s top photographer of the 80s. His work has appeared on some of the most iconic album and magazine covers of all time. Captured from the unique vantage point of a photographer who lived and breathed the ’80s in all its grit and glory, The Decade That Rocked brings to life the no-holds-barred sounds and sights that changed the world of hard rock and metal forever.
A Boston music journalist-turned-corporate writer investigates the suspicious death of a friend from her punk past in this noir mystery. The Boston club scene may be home to a cast of outsiders and misfits, but it’s where Tara Winton belongs—the world she’s been part of for the past twenty years. Now, one of the old gang is dead, having fallen down the basement stairs at his home. With her journalist’s instincts, Tara senses there’s something not quite right about Frank’s supposedly accidental death. When she asks questions, she begins to uncover some disturbing truths about the club scene in its heyday. Beneath the heady, sexually charged atmosphere lurked something darker. Twenty years ago, there was another death. Could there be a connection? Is there a killer still at large…and could Tara herself be at risk? “[A] a fascinating reminiscence of sex, drugs, and rock and roll.”—Kirkus Reviews “Simon writes with authority and affection about a lost world. Highly recommended”—Catriona McPherson, award-winning author of Strangers at the Gate “World Enough, is steeped in the 1980s Boston rock scene, with its sticky-floored clubs, radio stations dusted in coke, stars and hangers-on, seedy barbacks, and all the attendant sin and debauch that emerges after midnight when you can still hear the show ringing in your ears.”—Boston Globe “Simon's dark story shimmers with brilliance—and stands as her finest.”—Richmond Times-Dispatch
Longlisted for the 2020 Andrew Carnegie Medals for Excellence This blazingly intimate biography of Janis Joplin establishes the Queen of Rock & Roll as the rule-breaking musical trailblazer and complicated, gender-bending rebel she was. Janis Joplin’s first transgressive act was to be a white girl who gained an early sense of the power of the blues, music you could only find on obscure records and in roadhouses along the Texas and Louisiana Gulf Coast. But even before that, she stood out in her conservative oil town. She was a tomboy who was also intellectually curious and artistic. By the time she reached high school, she had drawn the scorn of her peers for her embrace of the Beats and her racially progressive views. Her parents doted on her in many ways, but were ultimately put off by her repeated acts of defiance. Janis Joplin has passed into legend as a brash, impassioned soul doomed by the pain that produced one of the most extraordinary voices in rock history. But in these pages, Holly George-Warren provides a revelatory and deeply satisfying portrait of a woman who wasn’t all about suffering. Janis was a perfectionist: a passionate, erudite musician who was born with talent but also worked exceptionally hard to develop it. She was a woman who pushed the boundaries of gender and sexuality long before it was socially acceptable. She was a sensitive seeker who wanted to marry and settle down—but couldn’t, or wouldn’t. She was a Texan who yearned to flee Texas but could never quite get away—even after becoming a countercultural icon in San Francisco. Written by one of the most highly regarded chroniclers of American music history, and based on unprecedented access to Janis Joplin’s family, friends, band mates, archives, and long-lost interviews, Janis is a complex, rewarding portrait of a remarkable artist finally getting her due.
