This fascinating full-color book tells the complete story behind the most spectacular and innovative Roman mosaic ever found in Britain. The Boxford Mosaic, dating from around 350AD, is one of just three mosaics of its kind in the world - a masterpiece of Roman artistry and a beautifully preserved link to the past. Yet it lay hidden beneath a field in Boxford, England, for some 1,600 years until is was fully uncovered in the summer of 2019. The book reveals the inside story of its rediscovery, excavation and the myths depicted on it.
A fascinating look at the history and legacy of Roman gardens, focusing on Great Britain. The author is a board member of the Association for Roman Archaeology and a prolific writer of papers on Roman art and architecture and has lectured on the subject of Roman gardens.
Antiquarian interest in the Roman period mosaics of Britain began in the 16th century. This book is the first to explore responses and attitudes to mosaics, not just at the point of discovery but during their subsequent history. It is a field which has received scant attention and provides a compelling insight into the agency of these remains.
The stories illustrated in the mosaic pavements that have survived from Roman Britain graphically link us to the world of the Romans in a way that literature, with its nuances of interpretation, cannot. After explaining how and why mosaic pavements were made, Dr. Patricia Witts looks at many of the 200 figured Roman mosaics that can be enjoyed in museums and sites throughout the country. Most portray mythological characters, and the author explains the underlying myths; others are taken from daily life or depict animals, birds, and marine creatures. This lavishly illustrated study is accompanied by a full glossary of technical terms and a gazetteer of relevant sites and museums.
"Based on an extraordinarily rich and varied collection of diaries, letters, and autobiographies of European Americans and African Americans, this book presents the voices and views of unpropertied, unprivileged people and sensitively probes the commonalities and differences in their experiences and perspectives. Hansen persuasively argues that recognizing the 'social' domain illuminates the agency of working people and dissolves the stereotypically gendered public/private dichotomy."—Nancy Grey Osterud, author of Bonds of Community "It is a pleasure to welcome Karen Hansen into the first rank of historical sociologists. In this superb model of scholarship, she leads us on an illuminating tour of the social life of literate working people in antebellum New England. Her arena is 'the social'—the territory that overlaps with private and public, where the dynamics of friendship, visiting, gossip, and collective worship combine to fashion many of life's great joys and sorrows. Best of all, she tells her story through the experiences of the people themselves. In a clear and honest way, Hansen manages to raise fundamental questions about perceived conceptions of gender, class, and the public-private dichotomy."—Neil J. Smelser, University of California, Berkeley "This wonderful book makes a real contribution to our understanding of the lives of women and men in antebellum New England. With its focus on people of modest means and its meticulous and insightful exploration of friendship, visiting, gossip, and church-going, Hansen's work refines and concretizes how we conceive the 'social.'"—Mary Ann Clawson, Wesleyan University "How refreshing it is to see someone address the big issues in sociology based on the experience of real people. Karen Hansen has valuable things to say about the limits of the public/private distinction and the importance of the social. Her book moves the discussion of these issues to a new level."—Alan Wolfe, author of The Human Difference
Forming pots by hand and then baking them in a fire is one of the simplest and oldest of crafts. The author unfolds both the durable craft and the enduring art of pottery in this book, and provides a volume which is both instructional and inspirational in approach. Tips, techniques and design ideas are all covered, as well as the author's own special millefiori method of pottery. Illustrations from both past and contemporary potters elucidate the text.
