Prepare to be shocked. From the man The Wall Street Journal hailed as a "Swiftean satirist" comes the most shocking book ever written! The Borowitz Report: The Big Book of Shockers, by award-winning fake journalist Andy Borowitz, contains page after page of "news stories" too hot, too controversial, too -- yes, shocking -- for the mainstream press to handle. Sample the groundbreaking reporting from the news organization whose motto is "Give us thirty minutes -- we'll waste it."
NEW YORK TIMES BESTSELLER * WALL STREET JOURNAL BESTSELLER *WASHINGTON POST BESTSELLER * Andy Borowitz, “one of the funniest people in America” (CBS Sunday Morning), brilliantly “chronicles our embrace of anti-intellectualism” (Walter Isaacson) in American politics, from Ronald Reagan to Dan Quayle, from George W. Bush to Sarah Palin, to its apotheosis in Donald J. Trump. Andy Borowitz has been called a “Swiftian satirist” (The Wall Street Journal) and “one of the country’s finest satirists” (The New York Times). Millions of fans and New Yorker readers enjoy his satirical news column “The Borowitz Report.” Now, in Profiles in Ignorance, he delivers “a wittily alarming polemic that tracks the evolution of American politics from grounds for gravitas to festival of idiocy” (The New York Times). Borowitz argues that over the past fifty years, American politicians have grown increasingly allergic to knowledge, and mass media have encouraged the election of ignoramuses by elevating candidates who are better at performing than thinking. Starting with Ronald Reagan’s first campaign for governor of California in 1966 and culminating with the election of Donald J. Trump to the White House, Borowitz shows how, during the age of twenty-four-hour news and social media, the US has elected politicians to positions of great power whose lack of the most basic information is terrifying. In addition to Reagan, Quayle, Bush, Palin, and Trump, Borowitz covers a host of congresspersons, senators, and governors who have helped lower the bar over the past five decades. Profiles in Ignorance aims to make us both laugh and cry: laugh at the idiotic antics of these public figures, and cry at the cataclysms these icons of ignorance have caused. But most importantly, the book delivers a call to action and a cause for optimism: History doesn’t move in a straight line, and we can change course if we act now.
THE TERMINATOR'S TERM, TOTALLY RECALLED! The real story of Governor Arnold Schwarzenegger's first one hundred days in office comes to life in vivid two-color photographs and completely fictitious captions. Governor Arnold tells the story of Schwarzenegger's historic first days in office, in pictures that are evocative, dramatic, and sometimes truly frightening -- especially the ones in which he is wearing no shirt. New Yorker humorist Andy Borowitz, creator of the award-winning website BorowitzReport.com, travels to Sacramento for an up-close, exclusive look at a man with a mission: to reshape California in his own monstrous, bulging-veined image. It's a book for history buffs...about the buffest man in history! Governor Arnold is guaranteed to make the Governator stop groping women...and start groping for superlatives!
The Jewish Moral Virtues is a book of musar - practical ethical wisdom applied to contemporary life. In form and purpose, it is parallel to William Bennett's bestselling Book of Virtues. Authors Borowitz and Schwartz synthesize traditional scholarship from a wide range of Jewish sources with personal insights into modern ethical dilemmas. Traditionally, Jewish ethical teachers have been concerned with law or general guidance for a good life, i.e., virtue, rather than philosophical meditations upon specific issues. This collection is structured upon the twenty-four virtues selected by a thirteenth-century Roman Jew, Yehiel ben Yekutiel, including trustworthiness, lovingkindness, compassion, generosity, charity, humility, and pure-heartedness, among others, and expands to include wisdom from the ancient rabbis, medieval philosophers, and Yehiel's successors over the past seven centuries.
When Harold Ross founded The New Yorker in 1925, he called it a “comic weekly.” And although it has become much more than that, it has remained true in its irreverent heart to the founder’s description, publishing the most illustrious literary humorists in the modern era—among them Robert Benchley, Dorothy Parker, Groucho Marx, James Thurber, S. J. Perelman, Mike Nichols, Woody Allen, Calvin Trillin, Garrison Keillor, Ian Frazier, Roy Blount, Jr., Steve Martin, and Christopher Buckley. Fierce Pajamas is a treasury of laughter from the magazine W. H. Auden called the “best comic magazine in existence.”
From a longtime New Yorker staff cartoonist, an evocative family memoir, a love letter to New York City, and a delightful exploration of the origins of creativity—richly interleaved with the author’s witty, beloved cartoons A wry and brilliantly observed portrait of the budding young cartoonist and his Upper West Side Jewish family in the age of JFK and Sputnik. Sipress, a dreamer and obsessive drawer, goes hazy when it comes to the ceaselessly imparted lessons-on-life from his father, the meticulous, upwardly mobile proprietor of Revere Jewelers, and in the face of the angsty expectations of his migraine-prone mother. With self-deprecation, wit, and artistry, Sipress paints his hapless place in his indelibly dysfunctional family, from the time he was tricked by his unreliable older sister into rocketing his pet turtle out his twelfth-floor bedroom window, to the moment he walks away from a Harvard PhD program in Russian history to begin his journey as a professional cartoonist. In What’s So Funny?—reminiscent of the masterly, humane recall of Roger Angell and the brainy humor of Roz Chast—Sipress's cartoons appear with spot-on precision, inducing delightful Aha moments in answer to the perennial question aimed at cartoonists: Where do you get your ideas?
Digital technologies have fundamentally altered the nature and function of media in our society. This book critically examines digital innovations and their positive and negative implications.
In this timely study of the roots of terrorism, author Albert Borowitz deftly assesses the phenomenon of violent crime motivated by a craving for notoriety or self-glorification. He traces this particular brand of terrorism back to 356 BCE and the destruction of the Temple of Artemis at Ephesus by arsonist Herostratos and then examines similar crimes through history to the present time, detailing many examples of what the author calls the Herostratos Syndrome, such as the attempted explosion of the Greenwich Observatory in 1894, the Taliban's destruction of the giant Buddhas in Afghanistan, the assassination of John Lennon, the Unabomber strikes, and the attacks on the World Trade Center buildings. terrorism cannot be the exclusive focus of a single field of scholarship, Borowitz presents this complex subject using sources based in religion, philosophy, history, Greek mythology, and world literature, including works of Chaucer, Cervantes, Mark Twain, and Jean-Paul Sartre. Terrorism for Self-Glorification, written in clear and direct prose, is original, thorough, and thought provoking. Scholars, specialists, and general readers will find their understanding of terrorism greatly enhanced by this book.
Prepare yourself for a journey through the world of Patton Oswalt, one of the most creative, insightful, and hysterical voices on the entertainment scene today. Widely known for his roles in the films Big Fan and Ratatouille, as well as the television hit The King of Queens, Patton Oswalt—a staple of Comedy Central—has been amusing audiences for decades. Now, with Zombie Spaceship Wasteland, he offers a fascinating look into his most unusual, and lovable, mindscape. Oswalt combines memoir with uproarious humor, from snow forts to Dungeons & Dragons to gifts from Grandma that had to be explained. He remembers his teen summers spent working in a movie Cineplex and his early years doing stand-up. Readers are also treated to several graphic elements, including a vampire tale for the rest of us and some greeting cards with a special touch. Then there’s the book’s centerpiece, which posits that before all young creative minds have anything to write about, they will home in on one of three story lines: zombies, spaceships, or wastelands. Oswalt chose wastelands, and ever since he has been mining our society’s wasteland for perversion and excess, pop culture and fatty foods, indie rock and single-malt scotch. Zombie Spaceship Wasteland is an inventive account of the evolution of Patton Oswalt’s wildly insightful worldview, sure to indulge his legion of fans and lure many new admirers to his very entertaining “wasteland.”
