Cover -- Title Page -- Copyright Page -- Contents -- List of Figures, Maps, and Tables -- Preface -- Introduction -- 1 Facing East from Miami Country -- 2 The National Trinity -- 3 Prophetstown for Their Own Purposes -- 4 Vincennes, the Politics of Slavery, and the Indian "Threat" -- 5 The Battles of Tippecanoe -- Conclusion -- Notes -- Bibliography -- Index
Published through the Early American Places initiative, supported by the Andrew W. Mellon Foundation. The Ohio River Valley was a place of violence in the nineteenth century, something witnessed on multiple stages ranging from local conflicts between indigenous and Euro-American communities to the Battle of Tippecanoe and the War of 1812. To describe these events as simply the result of American expansion versus Indigenous nativism disregards the complexities of the people and their motivations. Patrick Bottiger explores the diversity between and among the communities that were the source of this violence. As new settlers invaded their land, the Shawnee brothers Tenskwatawa and Tecumseh pushed for a unified Indigenous front. However, the multiethnic Miamis, Kickapoos, Potawatomis, and Delawares, who also lived in the region, favored local interests over a single tribal entity. The Miami-French trade and political network was extensive, and the Miamis staunchly defended their hegemony in the region from challenges by other Native groups. Additionally, William Henry Harrison, governor of the Indiana Territory, lobbied for the introduction of slavery in the territory. In its own turn, this move sparked heated arguments in newspapers and on the street. Harrisonians deflected criticism by blaming tensions on indigenous groups and then claiming that antislavery settlers were Indian allies. Bottiger demonstrates that violence, rather than being imposed on the region's inhabitants by outside forces, instead stemmed from the factionalism that was already present. The Borderland of Fear explores how these conflicts were not between nations and races but rather between cultures and factions.
Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta
In 1787, the Northwest Ordinance made the Ohio River the dividing line between slavery and freedom in the West, yet in 1861, when the Civil War tore the nation apart, the region failed to split at this seam. In Slavery's Borderland, historian Matthew Salafia shows how the river was both a physical boundary and a unifying economic and cultural force that muddied the distinction between southern and northern forms of labor and politics. Countering the tendency to emphasize differences between slave and free states, Salafia argues that these systems of labor were not so much separated by a river as much as they evolved along a continuum shaped by life along a river. In this borderland region, where both free and enslaved residents regularly crossed the physical divide between Ohio, Indiana, and Kentucky, slavery and free labor shared as many similarities as differences. As the conflict between North and South intensified, regional commonality transcended political differences. Enslaved and free African Americans came to reject the legitimacy of the river border even as they were unable to escape its influence. In contrast, the majority of white residents on both sides remained firmly committed to maintaining the river border because they believed it best protected their freedom. Thus, when war broke out, Kentucky did not secede with the Confederacy; rather, the river became the seam that held the region together. By focusing on the Ohio River as an artery of commerce and movement, Salafia draws the northern and southern banks of the river into the same narrative and sheds light on constructions of labor, economy, and race on the eve of the Civil War.
Borderland Churches is a call to embrace the pluralistic, post Christian and postmodern culture with a sense of opportunity and hope. The author uses the image of the church crossing over into an "in -between time", a place where faith is lived outside the walls of the church engaging the community in incarnational ways. To live in that "precarious but exhilarating place where faith and other faiths and no faith meet." Only individuals and congregations that accept this new reality will be able to carry on Christian ministry in this new cultural situation. A TCP Leadership Series title.
Taking on the neglected issue of the short story's relationship to literary Modernism, Claire Drewery examines works by Katherine Mansfield, Dorothy Richardson, May Sinclair, and Virginia Woolf. Drewery argues that the short story as a genre is preoccupied with transgressing boundaries, and thus offers an ideal platform from which to examine the Modernist fascination with the liminal. Embodying both liberation and restriction, liminal spaces on the one hand enable challenges to traditional cultural and personal identities, while on the other hand they entail the inevitable negative consequences of occupying the position of the outsider: marginality, psychosis, and death. Mansfield, Richardson, Sinclair, and Woolf all exploit this paradox in their short fiction, which typically explores literal and psychological borderline states that are resistant to rational analysis. Thus, their short stories offered these authors an opportunity to represent the borders of unconsciousness and to articulate meaning while also conveying a sense of that which is unsayable. Through their concern with liminality, Drewery shows, these writers contribute significantly to the Modernist aesthetic that interrogates identity, the construction of the self, and the relationship between the individual and society.
Addresses the evolution of consciousness, describing the emergence of the Borderland consciousness and the challenge this presents to the Western medicine's concept of pathology.
