Al-Jahiz, a Afro-Iraqi scholar of the 9th century, demonstrate that the original man (Black African) is to be honored for the many outstanding and unique attributes they posses over other races. A firsthand account of the achievements of the native African.
Return to Glory will challenge everything you were ever taught about human history Beginning with a careful documentation of the ways God entrusted people of African descent with the initial development of civilized societies, Return to Glory then directs its readers on a magnificent tour of life in America through the triumphant stories of contemporary African-Americans. These pages are filled with the glorious contributions to the development and enhancement of world culture by the black race.
* The story of the "Negro Speed King" and the African American racing car circuit* Chronicles the tragedies and triumphs of a dedicated group of individuals who overcame tremendous odds to chase their dreams
THE INSTANT NEW YORK TIMES BESTSELLER. From Kahran and Regis Bethencourt, the dynamite husband and wife duo behind CreativeSoul Photography, comes GLORY, a photography book that shatters the conventional standards of beauty for Black children. Featuring a foreword by Amanda Seales With stunning images of natural hair and gorgeous, inventive visual storytelling, GLORY puts Black beauty front and center with more than 100 breathtaking photographs and a collection of powerful essays about the children. At its heart, it is a recognition and celebration of the versatility and innate beauty of black hair, and black beauty. The glorious coffee-table book pays homage to the story of our royal past, celebrates the glory of the here and now, and even dares to forecast the future. It brings to life past, present, and future visions of black culture and showcases the power and beauty of recognizing and celebrating oneself. Beauty as an expression of who you are is power. When we define our own standards of beauty, we take back that power. GLORY encourages children around the world to feel that power and harness it.
Ten African-American leaders in the church tell their stories of how they embraced Reformed theology and what effect it has had on their lives and ministries. The ten men who have contributed to this book are often asked, "How did you come to embrace Reformed theology?" With the recent surge in popularity of Reformed theology in the broader evangelical world and the growing interest among African-Americans, it shouldn't seem curious that more and more African-American churchmen are embracing Reformed theology. But the question remains, and Glory Road provides an answer, using personal accounts tracing their conversion to Christianity, their introduction to and embrace of Reformed theology, and this theology's effect on their lives and ministries. Ultimately, Glory Road is about the glory of God in providentially bringing men and women to the truths of salvation. In addition to the book's editor, Anthony J. Carter, Glory Road includes contributions from such notable pastors as Thabiti Anyabwile, Ken Jones, Michael Leach, and Eric Redmond.
"Shaffer chronicles the postwar transition of black veterans from the Union army, as well as their subsequent life patterns, political involvement, family and marital life, experiences with social welfare, comradeship with other veterans, and memories of the war itself. He draws on such sources as Civil War pension records to fashion a collective biography - a social history of both ordinary and notable lives - resurrecting the words and memories of many black veterans to provide an intimate view of their lives and struggles."--BOOK JACKET.
In poems, stories, memoirs, and essays about color and culture, prejudice and love, and feminine trials, dozens of African-American women writers--some famous, many just discovered--give us a sense of a distinct inner voice and an engagement with their larger double culture. Harlem's Glory unfolds a rich tradition of writing by African-American women, hitherto mostly hidden, in the first half of the twentieth century. In historical context, with special emphasis on matters of race and gender, are the words of luminaries like Zora Neale Hurston and Georgia Douglas Johnson as well as rare, previously unpublished writings by figures like Angelina Weld Grimké, Elise Johnson McDougald, and Regina Andrews, all culled from archives and arcane magazines. Editors Lorraine Elena Roses and Ruth Elizabeth Randolph arrange their selections to reveal not just the little-suspected extent of black women's writing, but its prodigious existence beyond the cultural confines of New York City. Harlem's Glory also shows how literary creativity often coexisted with social activism in the works of African-American women. This volume is full of surprises about the power and diversity of the writers and genres. The depth, the wit, and the reach of the selections are astonishing. With its wealth of discoveries and rediscoveries, and its new slant on the familiar, all elegantly presented and deftly edited, the book will compel a reassessment of writing by African-American women and its place in twentieth-century American literary and historical culture.
Long considered the lifeblood of black urban neighborhoods, churches are thought to be dedicated to serving their surrounding communities. But Omar McRoberts's work in Four Corners, a tough Boston neighborhood containing twenty-nine congregations, reveals a very different picture.
How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.