Presented here are two volumes of apocryphal writings reflecting the life and time of the Old and New Testaments. Stories told by contemporary fiction writers of historical Bible times in fascinating and beautiful style.
The fifth novel about Nodd's Ridge, Maine, chronicles the life of the popular Reuben Styles, who survives an abuse-filled childhood and seems to find the American dream, only to have it crumble away from him
"Reuben Reuben "is set in mid 1950s suburbia in Connecticut and starts out being told from the point of view of a grumpy but corruptible chicken farmer. The novel s second part recounts what happens when a womanizing poet from Wales (clearly Dylan Thomas) visits this new-to-him world of tidy lawns and cocktail parties and liberated lady poets. In the final third, a British poet/agent named Mopworth continues the story of the confused suburban literati. Fast-paced, devastating, energetic, and laugh-out-loud funny, it also has a manic note to it, as if the author were Scheherazade-like; being compulsively entertainingscrambling to amuse the reader with stories and jokes lest serious questions arise."
A "persuasive and essential" (Matthew Desmond) work that will forever change how we look at life after prison in America through Miller's "stunning, and deeply painful reckoning with our nation's carceral system" (Heather Ann Thompson). Each year, more than half a million Americans are released from prison and join a population of twenty million people who live with a felony record. Reuben Miller, a chaplain at the Cook County Jail in Chicago and now a sociologist studying mass incarceration, spent years alongside prisoners, ex-prisoners, their friends, and their families to understand the lifelong burden that even a single arrest can entail. What his work revealed is a simple, if overlooked truth: life after incarceration is its own form of prison. The idea that one can serve their debt and return to life as a full-fledge member of society is one of America's most nefarious myths. Recently released individuals are faced with jobs that are off-limits, apartments that cannot be occupied and votes that cannot be cast. As The Color of Law exposed about our understanding of housing segregation, Halfway Home shows that the American justice system was not created to rehabilitate. Parole is structured to keep classes of Americans impoverished, unstable, and disenfranchised long after they've paid their debt to society. Informed by Miller's experience as the son and brother of incarcerated men, captures the stories of the men, women, and communities fighting against a system that is designed for them to fail. It is a poignant and eye-opening call to arms that reveals how laws, rules, and regulations extract a tangible cost not only from those working to rebuild their lives, but also our democracy. As Miller searchingly explores, America must acknowledge and value the lives of its formerly imprisoned citizens. PEN America 2022 John Kenneth Galbraith Award for Nonfiction Finalist Winner of the 2022 PROSE Award for Excellence in Social Sciences 2022 PROSE Awards Finalist 2022 PROSE Awards Category Winner for Cultural Anthropology and Sociology An NPR Selected 2021 Books We Love As heard on NPR’s Fresh Air
Reuben Wells was once the most powerful locomotive in the world, pushing instead of pulling train cars up Madison Hill in southern Indiana, the steepest railroad grade in the United States. In this fictionalized story, Reuben laments being replaced by more powerful engines, but instead of going to scrap he eventually winds up as an exhibit in The Children's Museum in Indianapolis.
Based on extensive research at eight universities - Harvard, Yale, Columbia, Johns Hopkins, Chicago, Stanford, Michigan, and California at Berkeley - Reuben examines the aims of university reformers in the context of nineteenth-century ideas about truth. She argues that these educators tried to apply new scientific standards to moral education, but that their modernization efforts ultimately failed.
In this cold case murder investigation from “a powerful, confident voice in the new true crime memoir genre” (James Renner, author of True Crime Addict), one of America’s most notorious sprees is cracked open. With a foreword by Catherine Broad, sister of victim Timothy King, this is a deftly crafted true story set amid the decaying sprawl of Detroit. Four children were abducted and murdered outside of Detroit during the winters of 1976 and 1977, their bodies eventually dumped in snow banks around the city. J. Reuben Appelman was only six years old when the murders began and even evaded an abduction attempt during that same period, fueling a lifelong obsession with what became known as the Oakland County Child Killings. Autopsies showed that the victims had been fed while in captivity, reportedly held with care. And yet, with equal care, their bodies had allegedly been groomed post-mortem, scrubbed-free of evidence that might link to a killer. There were few credible leads, and equally few credible suspects. That’s what the cops had passed down to the press, and that’s what the city of Detroit, and Appelman, had come to believe. When the abductions mysteriously stopped, a task force operating on one of the largest manhunt budgets in history shut down without an arrest. Although no more murders occurred, Detroit remained haunted. Eerily overlaid upon the author’s own decades-old history with violence, The Kill Jar tells the gripping story of Appelman’s ten-year investigation into buried leads, apparent police cover-ups, con men, child pornography rings, and high-level corruption saturating Detroit’s most notorious serial killer case. “Always deft, often sublime, Appelman uses his investigation to draw us into his personal journey through darkness, to light and life” (Chip Johannessen, producer of Dexter).