Bonfire Night, observed annually to memorialize the Gunpowder Plot, is one of England's most festive occasions. Why has the memory of this act of treason and terrorism persisted for 400 years? Sharpe unravels the web of religion and politics that gave rise to the plot, and wittily shows how celebration of that night has changed over the centuries.
"Guy" and "guys" are used so ubiquitously in daily conversation, we scarcely notice them. But both derive from the name of England's greatest terrorist, Guy Fawkes. Acclaimed expert on words Allan Metcalf dives deep into the strange and unprecedented history of America's favorite and most controversial pronoun. Along the way, a cast of characters as interesting as Guy Fawkes himself make an appearance, including kings and queens of England, popes, George Washington, show tunes' crooners, and today's Occupy protesters.
This book considers the relevance of ritual theatre in contemporary life and describes how it is being used as a highly cathartic therapeutic process. With contributions from leading experts in the field of dramatherapy, the book brings together a broad spectrum of approaches to ritual theatre as a healing system.
Gebannt verbringt Guy Stunden vor seinem Computer: Dank seiner neuen CD-Rom ist er in das Jahr 1605 zurückversetzt und erfährt von den spannenden Ereignissen, die zu dem Tag führen, der heute noch in England als Guy Fawkes Day gefeiert wird. (Quelle: www.klett.de).
Guy Fawkes is amongst the most celebrated figures in English history and Bonfire Night is a remarkably long lived and very English tradition. But why is it that in a modern, multicultural society people still turn out every November to commemorate a planned act of treason and terrorism which was defeated four hundred years ago? Had the Gunpowder Plot succeeded and the Catholics managed to blow up the king, the royal family and Parliament, English history would have been shaped by a terrorist act of unprecedented proportions, shattering in terms of both the damage inflicted and its propaganda value. James Sharpe examines the fateful night of 5 November 1605 and the tangled web of religion and politics which gave rise to the plot. He uncovers how celebration of the event, and of Guy Fawkes, the one gunpowder plotter everyone remembers, has changed over the centuries. Today, although most of the religious connotations have long been ignored, the bonfires remain. The festival created in 1605 by the state and church to commemorate a failed act of Catholic terrorism, now provides an annual raison d'être for the firework industry and an annual source of concern for Britain's cat owners. Every year the crowds gather, the bonfires are lit and the firework displays dazzle again. Interestingly however, the tradition is fast changing and reverting to the pre-Gunpowder Plot festival (now much Americanised) of Halloween.
"Follow the adventures of the real-life Martin family told through conversations between writer Sara and her wise, slightly impatient, black Labrador, Nell. Full of warmth and often laugh-out-loud funny; come along as the Martin's navigate a year of fantastic escapades with the odd scone thrown in of course"--
The first fully-rounded portrait of the man behind the Gunpowder Plot For hundreds of years Guy Fawkes has been portrayed as perhaps too extreme a figure—a rabid, bloodthirsty Catholic who not only tried to bomb British Parliament but threatened the English way of life. This biography reveals that he was much more than an evil, shadowy conspirator with an axe to grind. John Paul Davis delves into the evidence and makes a convincing case for new thinking on one of English history's greatest enigmas. Not only is the Gunpowder Plot of 1605 thrillingly reteold, but Guy Fawkes can now be seen as a multi-faceted figure—husband, soldier, lover, adveturer, spy, and possibly the most misunderstood of English villains.
Pensioner Robert thinks that growing up is for boring people. Dragons, TV Crews, household disasters - everything can be fixed with duct tape. When Robert falls ill, his serious daughter Laura remembers her chaotic childhood and Robert fights common sense as the hero in his own stories.
The Pantomime of Life is a short stories by Charles Dickens.Charles John Huffam Dickens (7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's most memorable fictional characters and is generally regarded as the greatest novelist of the Victorian period. During his life, his works enjoyed unprecedented fame, and by the twentieth century his literary genius was broadly acknowledged by critics and scholars. His novels and short stories continue to be widely popular.Born in Portsmouth, England, Dickens was forced to leave school to work in a factory when his father was thrown into debtors' prison. Although he had little formal education, his early impoverishment drove him to succeed. Over his career he edited a weekly journal for 20 years, wrote 15 novels, five novellas and hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms.Dickens sprang to fame with the 1836 serial publication of The Pickwick Papers. Within a few years he had become an international literary celebrity, famous for his humour, satire, and keen observation of character and society. His novels, most published in monthly or weekly installments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. The installment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her disabilities, Dickens went on to improve the character with positive features. Fagin in Oliver Twist apparently mirrors the famous fence Ikey Solomon; His caricature of Leigh Hunt in the figure of Mr Skimpole in Bleak House was likewise toned down on advice from some of his friends, as they read episodes. In the same novel, both Lawrence Boythorne and Mooney the beadle are drawn from real life—Boythorne from Walter Savage Landor and Mooney from 'Looney', a beadle at Salisbury Square. His plots were carefully constructed, and Dickens often wove in elements from topical events into his narratives. Masses of the illiterate poor chipped in ha'pennies to have each new monthly episode read to them, opening up and inspiring a new class of readers.