Written by 18th-century Moroccan scholar and mystic Ahmad ibn 'Ajiba, this book defines Sufic terminology. Based on four published Arabic editions of the Mi'raj and two manuscript versions, this translation is supplemented by excerpts from some of Ibn 'Ajiba's other works, which offer insights about the essential notions of Sufism: repentance, integrity, love, patience, gratitude, and the Eternal Wine. A comprehensive compilation, this bilingual edition--Arabic and English--celebrates Ahmad ibn 'Ajiba's belief that coming to know and reflect upon these notions could be, in itself, a sort of ascending meditative journey.
The three previously untranslated works presented here originate from the pens of two of the most eminent figures of the Khorasanian tradition, Hakim Tirmidhi and Abu 'Abd al-Rahman al-Sulami al-Naysaburi.
Islam is often described as abstract, ascetic, and uniquely disengaged from the human body. Scott Kugle refutes this assertion in the first full study of Islamic mysticism as it relates to the human body. Examining Sufi conceptions of the body in religious writings from the late fifteenth through the nineteenth century, Kugle demonstrates that literature from this era often treated saints' physical bodies as sites of sacred power. Sufis and Saints' Bodies focuses on six important saints from Sufi communities in North Africa and South Asia. Kugle singles out a specific part of the body to which each saint is frequently associated in religious literature. The saints' bodies, Kugle argues, are treated as symbolic resources for generating religious meaning, communal solidarity, and the experience of sacred power. In each chapter, Kugle also features a particular theoretical problem, drawing methodologically from religious studies, anthropology, studies of gender and sexuality, theology, feminism, and philosophy. Bringing a new perspective to Islamic studies, Kugle shows how an important Islamic tradition integrated myriad understandings of the body in its nurturing role in the material, social, and spiritual realms.
Ibn 'Ajiba wrote his "fahrasa," or autobiography, not for the pleasure of talking about himself but "to celebrate God's kindness." It details his travels in search of both secular and spiritual knowledge, his entrance on a Sufi path strongly based within the Islamic tradition, and the social, intellectual, and spiritual struggles he encountered. This new English translation by David Streight is based on a contemporary French translation from the Arabic by the Swiss scholar Jean-Louis Michon.
The origin of Sufism -- Self criticism; Reflection; Privacy and seclusion; Heart; Hope or expectation; Asceticism. People follow the Sufi path when they sense that Islam has a deeper dimension. The resulting self-purification leads to this inner dimension of Islamic rituals, a deeper understanding of the Divine acts, and a greater knowledge and love of Him. After this, God draws the novice to Himself. With the help of a spiritual guide, the novice begins the life-long journey back to God. This continual process of spiritual development along a path of the innate human poverty, helplessness, and powerlessness before God is undertaken in the knowledge that everything comes from God. Each novice does what is necessary to grow spiritually, and God bestows the appropriate blessings and stations. "The highest aim of creation and its most sublime result is belief in God. The most exalted rank of humanity is knowledge of God. The most radiant happiness and sweetest bounty for jinn and humanity is love of God contained within the knowledge of God; the purest joy for the human spirit and the purest delight for the human heart is spiritual ecstasy contained within the love of God. Indeed, all true happiness, pure joy, sweet bounties, and unclouded pleasure are contained within the knowledge and love of God." And Sufism is the school where people can realise the highest aim of creation.
This is the first English translation of Miftah al-falah, a thirteenth century Sufi text, written by Ibn Ata Allah, one of the great masters of the Shadhili Sufi order. It is considered to be one of his most important works because it sets out the principles of actual Sufi mystical practices, shedding light on the sacred invocations, and associated practices, such as the spiritual retreat. Written in a clear, lucid style, it offers a glimpse into the Sufi world of the 7th Islamic century and allows us to see almost at first hand how the novice was guided by the Sufi Shaykh and, above all, the purpose and preparation involved in engaging in the invocation, dhikhru'llah. Ibn Ata' Allah sets out to define it, to explain its nature and power, to show its results and to prove that it is part of the Prophet's Sunna, or practice. The author goes to great lengths to point out many Qur'anic verses where dhikru'llah is mentioned and cites many noted authorities.
The Fetishists, originally published in Arabic as Al Majus, is considered the masterpiece of Ibrahim al-Koni, one of the most prolific and important writers in Arabic today. In The Fetishists, Al-Koni explores what happens when a writer asks the novel to speak of and for the Sahara, when rival cultures clash, and when communities seek to build a utopia on Earth as individuals struggle between a desire for material well-being (represented by gold dust) and a need for spiritual meaning. As the story opens, Sultan Oragh of Timbuktu, who has already lost most of his power to Fetishist Bambara leaders of the forestlands, fears he will lose his only daughter, Tenere, as a human sacrifice to their god Amnay. The sultan sends Tenere to seek refuge with fellow Tuareg nomads in the plain. But even in their traditional, nomadic community, a competition rages between jihadi militant Islam; moderate Anhi Islam, which is the ancient Tuareg Law; and the cults of gold dust and of traditional African folk religions. In this epic novel, Al-Koni blends Tuareg folklore and history with intense, fond descriptions of daily life in the desert, creating a mirror for life anywhere. Through its tragic rendering of a clash between the Tuareg and traditional African civilizations, the novel profoundly probes the contradictions of the human soul as it takes the reader on a unique spiritual adventure inside the Tuareg world.
This book is an in-depth, comparative study of two of the most popular and influential intellectual and spiritual traditions of West Africa: Tijani Sufism and Ifa. Employing a unique methodological approach that thinks with and from—rather than merely about—these traditions, Oludamini Ogunnaike argues that they contain sophisticated epistemologies that provide practitioners with a comprehensive worldview and a way of crafting a meaningful life. Using theories belonging to the traditions themselves as well as contemporary oral and textual sources, Ogunnaike examines how both Sufism and Ifa answer the questions of what knowledge is, how it is acquired, and how it is verified. Or, more simply: What do you know? How did you come to know it? How do you know that you know? After analyzing Ifa and Sufism separately and on their own terms, the book compares them to each other and to certain features of academic theories of knowledge. By analyzing Sufism from the perspective of Ifa, Ifa from the perspective of Sufism, and the contemporary academy from the perspective of both, this book invites scholars to inhabit these seemingly “foreign” intellectual traditions as valid and viable perspectives on knowledge, metaphysics, psychology, and ritual practice. Unprecedented and innovative, Deep Knowledge makes a significant contribution to cross-cultural philosophy, African philosophy, religious studies, and Islamic studies. Its singular approach advances our understanding of the philosophical bases underlying these two African traditions and lays the groundwork for future study.
A new understanding of the transformation of Anatolia to a Muslim society in the thirteenth-fourteenth centuries based on previously unpublished sources.
