Nothing defies cultured Australia's sense of itself more than the bogan - that boorish, racist, drunken, sexist, bethonged, Barnesy-loving embarrassment out there in the back blocks. Part travelogue, part social critique, The Bogan Delusion explores the culture and social landscape of Australia in the 21st century. It reveals that the bogan so widely feared is nothing more than a bogey: a convenient reason for many to never venture beyond the cafe-lined cocoon of the inner city.
2011 was a tumultuous year in terms of social protest movements. The Occupy movement spread across the globe with unprecedented support of an enormity not seen since 1968, while revolutions in Egypt, Tunisia, Morocco, Syria and Libya caught the attention of the global media and brought the word “revolution” back into public discussions on social justice and governance. For many people worldwide, it appears that it is time for social, political and economic change. And it is precisely time, in all its forms, which cannot be ignored in this context. As something that surrounds us and affects every aspect of our lives, time is at once a tool for control, for order, for emancipation, for understanding the future and the past, and measuring degrees of freedom and quality of life in the present. This book brings together essays from fields such as politics, cultural studies and philosophy in order to reinterpret and reorient current thinking on the possibilities for new understandings of concepts of time to bring about social change. History as the passing of time, clock time, the exchange value of time, qualitative time, and alternative or marginal notions of temporality are analysed through the lens of various theoretical thinkers and applied to a multitude of political and social case studies. Breaking away from traditional notions of time as linear, and against common socially-constructed understandings of time, these essays suggest that new conceptions of time can have a major influence on creating a more just, tolerant world.
David Nichols tells the story of Australian rock and pop music from 1960 to 1985 – formative years in which the nation cast off its colonial cultural shackles and took on the world. Generously illustrated and scrupulously researched, Dig combines scholarly accuracy with populist flair. Nichols is an unfailingly witty and engaging guide, surveying the fertile and varied landscape of Australian popular music in seven broad historical chapters, interspersed with shorter chapters on some of the more significant figures of each period. The result is a compelling portrait of a music scene that evolves in dynamic interaction with those in the United States and the UK, yet has always retained a strong sense of its own identity and continues to deliver new stars – and cult heroes – to a worldwide audience. Dig is a unique achievement. The few general histories to date have been highlight reels, heavy on illustration and short on detail. And while there have been many excellent books on individual artists, scenes and periods, and a couple of first-rate encylopedias, there’s never been a book that told the whole story of the irresistible growth and sweep of a national music culture. Until now . . .
This book is the second in a three-volume set that celebrates the career and achievements of Cliff Goddard, a pioneer of the Natural Semantic Metalanguage approach in linguistics. It focuses on meaning and culture, with sections on "Words as Carriers of Cultural Meaning" and "Understanding Discourse in Cultural Context". Often considered the most fully developed, comprehensive and practical approach to cross-linguistic and cross-cultural semantics, Natural Semantic Metalanguage is based on evidence that there is a small core of basic, universal meanings (semantic primes) that can be expressed in all languages. It has been used for linguistic and cultural analysis in such diverse fields as semantics, cross-cultural communication, language teaching, humour studies and applied linguistics, and has reached far beyond the boundaries of linguistics into ethnopsychology, anthropology, history, political science, the medical humanities and ethics.
The concept of everyday struggles can enliven our understanding of the lives of young people and how social class is made and remade. This book invokes a Bourdieusian spirit to think about the ways young people are pushed and pulled by the normative demands directed at them from an early age, whilst they reflexively understand that allegedly available incentives for making the ‘right’ choices and working hard – financial and familial security, social status and job satisfaction – are a declining prospect. In Youth, Class and Everyday Struggles, the figures of those classed as 'hipsters' and 'bogans' are used to analyse how representation works to form a symbolic and moral economy that produces and polices fuzzy class boundaries. Further to this, the practices of young people around DIY cultures are analysed to illustrate struggles to create a satisfying and meaningful existence while negotiating between study, work and creative passions. By thinking through different modalities of struggles, which revolve around meaning making and identity, creativity and authenticity, Threadgold brings Bourdieu’s sociological practice together with theories of affect, emotion, morals and values to broaden our understanding of how young people make choices, adapt, strategise, succeed, fail and make do. Youth, Class and Everyday Struggles will appeal to undergraduate and postgraduate students, as well as postdoctoral researchers, of fields including: Youth Studies, Class and Inequality, Work and Careers, Subcultures, Media and Creative Industries, Social Theory and Bourdieusian Theory.
For Australian teenagers of the 1980s and 90s, Smash Hits magazine provided a fortnightly fix of fun, glamour and pop. It had more fizz than a sherbet bomb, and hundreds of thousands of Australian teenagers were hooked. Pop Life is an insiders' view of the Australian pop lovers' bible, from its bubbly beginnings to digital demise. Three former Smash Hits writers and editors take an affectionate and irreverent jaunt down memory lane. And reveal how they, Australia and readers have changed along the way.
This book is the first in a three-volume set that celebrates the career and achievements of Cliff Goddard, a pioneer of the Natural Semantic Metalanguage approach in linguistics. In addition, it explores ethnopragmatics and conversational humour, with a further focus on semantic analysis more broadly. Often considered the most fully developed, comprehensive and practical approach to cross-linguistic and cross-cultural semantics, Natural Semantic Metalanguage is based on evidence that there is a small core of basic, universal meanings (semantic primes) that can be expressed in all languages. It has been used for linguistic and cultural analysis in such diverse fields as semantics, cross-cultural communication, language teaching, humour studies and applied linguistics, and has reached far beyond the boundaries of linguistics into ethnopsychology, anthropology, history, political science, the medical humanities and ethics.
When Robert Forster and Grant McLennan formed the Go-Betweens in Brisbane in 1977, they were determined to be different. They were angular, spare, and poetic when crashing directness was the prevailing style. Their heroes were Dylan, Creedence, and Television, when it was more fashionable to cite the Stooges and the New York Dolls. Their attitude was as punk as anyone’s, but their lyrical guitar pop stood in sharp contrast to the trends of the day. The Go-Betweens story is a fascinating one. With cornerstone drummer Lindy Morrison – and, later, additional members Robert Vickers and Amanda Brown – the band recorded six albums in the 1980s that are among the finest work of the decade, and earned them a reputation as “the ultimate cult band.” And as one reviewer of the original 1997 edition of this book noted, “Unlike most rock groups, the Go-Betweens had personalities as well as talent”—which makes for a compelling read, even if you’re not yet a fan. David Nichols relates the Go-Betweens story with wit and verve, and for this edition he completely updated the book, adding chapters on the members’ subsequent solo careers in the 1990s, the subsequent reuniting of Forster and McLennan under the Go-Betweens name, and the band’s flourishing second life in the new millennium, tragically cut short by the sudden death of Grant McLennan in 2005.
Now includes new material, MAXTREME UPDATED EPILOGUE. It is time to bring to the world’s attention the modern Australian bogan. The word is still associated with flannelette, VB, utes and mullets. This is WRONG. The word bogan needs to be reassessed. Meet the nouveau-bogue. The modern bogan. Today’s bogan defies income, class, race, creed, gender, religion and logic. For better or worse, Australia is contending with a different beast from the Paul Hogan bogan. This is a bogan with money. A bogan with aspirations. A bogan with Ed Hardy t-shirts. The new bogan will not rest until it owns a plasma TV so large that Two and a Half Men gets rounded up to three. Things Bogans Like is a landmark sociological publication and, far more importantly, essential reading for anyone who has ever bought a Buddhist-themed water feature, a four-litre energy drink or watched Today Tonight. This book is judge and jury of what it is to be a bogan in the twenty-first century. Brace your ego for some tough love. 'Most comics are worried about looking like snobs and so this rich vein has been largely untapped. These blokes dive in fearlessly and the result is the funniest thing in Australia right now.' Tony Martin
From blue collar to billionaire ... Hunter Valley mine electrician Nathan Tinkler borrowed big in 2005, made a fortune from several speculative coal plays, and by 2011 was a self-made billionaire. He had gambled and won, but his volatility and reluctance to pay his debts were making him enemies. He lived the high life as only a young man would, buying luxury homes, private jets, sports cars and football teams, and splurging massively to build a horseracing empire. But Tinkler’s dreams had extended beyond even his resources, and his business model worked only in a rising market. When coal prices slumped in 2012, Tinkler had no cash flow to service his massive borrowings and no allies to help him recover. Within months he was trying desperately to stave off his creditors, large and small, and fighting to save his businesses and his fortune. In this impressive new biography, leading business writer Paddy Manning tells the story of Tinkler’s meteoric rise to wealth, and captures the drama of his equally rapid downfall.
