Taking advantage of the January doldrums in the catering business, Faith goes undercover at Mansfield Academy, after learning about some racist attacks against a senior there. When a dead body turns up, Faith realises she's in a struggle to save not just the school, but her own life.
Sometimes the most compelling landscapes are the ones where worlds collide: where a desert meets the sea, a civilization, no-man’s land. Here in Bonfire Opera, grief and Eros grapple in the same domain. A bullet-hole through the heart, a house full of ripe persimmons, a ghost in a garden. Coyotes cry out on the hill, and lovers find themselves kissing, “bee-stung, drunk” in the middle of road. Here, the dust is holy, as is the dark, unknown. These are poems that praise the impossible, wild world, finding beauty in its wake. Excerpt from “Bonfire Opera” In those days, there was a woman in our circle who was known, not only for her beauty, but also for taking off all her clothes and singing opera. And sure enough, as the night wore on and the stars emerged to stare at their reflections on the sea, and everyone had drunk a little wine, she began to disrobe, loose her great bosom and the tender belly, pale in the moonlight, the Viking hips, and to let her torn raiment fall to the sand as we looked up from the flames.
Vintage Tom Wolfe, The Bonfire of the Vanities, the #1 bestseller that will forever define late-twentieth-century New York style. "No one has portrayed New York Society this accurately and devastatingly since Edith Wharton" (The National Review) “A page-turner . . . Brilliant high comedy.” (The New Republic) Sherman McCoy, the central figure of Tom Wolfe's first novel, is a young investment banker with a fourteen-room apartment in Manhattan. When he is involved in a freak accident in the Bronx, prosecutors, politicians, the press, the police, the clergy, and assorted hustlers high and low close in on him, licking their chops and giving us a gargantuan helping of the human comedy, of New York in the 1980s, a city boiling over with racial and ethnic hostilities and burning with the itch to Grab It Now. Wolfe's novel is a big, panoramic story of the metropolis that reinforces the author's reputation as the foremost chronicler of the way we live in America. Adapted to film in 1990 by director Brian De Palma, the movie stars Tom Hanks, Bruce Willis, Melanie Griffith, and Morgan Freeman.
A “savory” mystery featuring a crime-solving caterer and a murder at an art museum, from the Agatha Award–winning author (Publishers Weekly). Faith’s catering business has been slow with the downturn of the economy, so when her friend Patsy Avery proposes that she take over the café at Aleford’s Ganley Art Museum, it seems like a not-to-be-missed opportunity. And Patsy has an ulterior motive—she discovers that the Romare Bearden piece she lent the museum has been switched with a fake and wants Faith to snoop around to find the culprit. Faith is soon enmeshed in the Ganley’s murky past and present as she struggles to make connections among apparently disparate items: the fake Bearden, Pepperidge Farm Goldfish crackers, and a Jane Doe corpse that turns up as an unintended part of an art installation. At home, her son, now in the hell known as middle school, becomes involved in a cyberbullying escapade, and her husband wants her to morph into June Cleaver. Her investigation takes her into Boston’s art scene and historic Beacon Hill, as well as into the lives behind the façade of the Ganley’s very proper board of trustees. But she is at her wit's—and almost dead—end, as the killer strikes again, and again . . . “Intellect and wit shine through in every line of The Body in the Gallery . . . Hungry readers, enjoy!” —Diane Mott Davidson Includes recipes!
In the wake of violent outbursts over the creation of a new local government area by the then military regime, two warring tribes, the Ijaws and the Itsekiris with an age-old ax to grind come head to head in a bloody and brutal battle for land ownership throwing a once peaceful and lovable city into chaos. Set in March of 1997 in the war-torn city of Warri, Nigeria, BONFIRES OF THE GODS tell heartrending fictitious accounts of real-life experiences of people who had suffered great losses during the violent outrage. It tells a story of love and hate, of life and death, and of a quest for survival in one's own homeland.
“Katherine Hall Page is my favorite writer of the traditional mystery. Not only is The Body in the Sleigh a gripping whodunit, but it’s a classic tale of hope.” —Harlan Coben Caterer and minister’s wife Faith Fairchild is back to solve her eighteenth deadly mystery in The Body in the Sleigh—the latest perfect puzzler in author Katherine Hall Page’s multiple Agatha Award-winning series. Set on Sanpere Island in Maine’s Penobscot Bay, this atmospheric holiday whodunit is chock-full of suspense, surprises, real heart, and small miracles. And, as always, the mystery comes with recipes for delectable holiday treats from Faith Fairchild’s kitchen.
Caterer Faith Fairchild and family are living in one of historic Cambridge, Massachusetts', venerable Brattle Street houses while the Reverend Tom teaches a course at the Harvard Divinity School and does some soul searching -- is his Aleford parish his true calling? One night in downtown Boston, Faith is startled by a face from her past. It's Richard Morgan, a former boyfriend from her life as a single woman in Manhattan. Their heady, whirlwind affair in the waning days of the self-indulgent 1980s ended abruptly. Now he's back, as exciting as ever. Then something occurs that turns a pleasant sabbatical into a nightmare -- Faith discovers a diary, written in 1946 and hidden in the attic, that reveals an unspeakable horror. Suddenly dark secrets seem to permeate every room. And with Richard guarding strange secrets of his own, Faith is soon caught up in solving more than one troubling mystery ... with a murderer lurking a little too close to home.
Nancy Drew and her friends are going to New Orleans for a vacation -- she even promises not to solve any mysteries while she's down there! But, when she runs into Frank and Joe Hardy, there can't be a mystery too far away. Nancy and the Hardys begin to investigate a crooked real estate scheme admist the glitz and splendor of New Orleans during party season. Throw in a dead body and intrigue, and there's no time for a vacation.
Jay Watson argues that southern literary studies has been overidealized and dominated by intellectual history for too long. In Reading for the Body, he calls for the field to be rematerialized and grounded in an awareness of the human body as the site where ideas, including ideas about the U.S. South itself, ultimately happen. Employing theoretical approaches to the body developed by thinkers such as Karl Marx, Colette Guillaumin, Elaine Scarry, and Friedrich Kittler, Watson also draws on histories of bodily representation to mine a century of southern fiction for its insights into problems that have preoccupied the region and nation alike: slavery, Jim Crow, and white supremacy; the marginalization of women; the impact of modernization; the issue of cultural authority and leadership; and the legacy of the Vietnam War. He focuses on the specific bodily attributes of hand, voice, and blood and the deeply embodied experiences of pain, illness, pregnancy, and war to offer new readings of a distinguished group of literary artists who turned their attention to the South: Mark Twain, Jean Toomer, Zora Neale Hurston, William Faulkner, Richard Wright, Katherine Anne Porter, Bobbie Ann Mason, and Walker Percy. In producing an intensely embodied U.S. literature these writers, Watson argues, were by turns extending and interrogating a centuries-old tradition in U.S. print culture, in which the recalcitrant materiality of the body serves as a trope for the regional alterity of the South. Reading for the Body makes a powerful case for the body as an important methodological resource for a new southern studies.