The Blues Bag is both a songbook and an instruction book. It is, first of all, an anthology of blues songs, some of which are very well known; others have (as far as I know) never been in print before. As such, it can be used simply as a vehicle for learning new songs, and providing the words and guitar chords for songs you already know. In addition, it provides for the learning guitarist fills, introductions, and turnarounds for the songs, as well as complete instrumental breaks for the majority of the blues presented in this collection. These breaks are written out both in standard music notation and guitar tablature.
An anthology of traditional blues songs and instrumentals as played by the great country blues guitarists. Written in both tablature and standard notation with photographs by David Gahr. Songs include: Back Water Blues * Bad Luck Blues * Betty and Dupree * Blood Red River * Boogie Woogie Blues * Careless Love * Come Back Baby * Corinna * Diddy Wah Diddy * Down and Out Blues * Gamblers Blues (St. James Infirmary) * Good Mornin' Blues * In the Evening When the Sun Goes Down * K.C. Moan * Kansas City Blues * Make Me a Pallet * Matchbox Blues * My Little Woman's So Sweet * New Stranger Blues * Rock Me Mama * Se Se Rider * Sportin' Life Blues * Step It Up and Go * The Blues Ain't Nothin' * The House of the Risin' Sun * Titanic Blues * Wanderin' * Worried Blues * You're Gonna Quit Me, Baby.
A comprehensive dictionary of blues lyrics invites listeners to interpret what they hear in blues songs and blues culture, including excerpts from original interviews with Dr. John, Bonnie Raitt, Hubert Sumlin, Buddy Guy, and many others.
The first full and authoritative biography of an American—indeed a world-wide—musical and cultural legend “No one worked harder than B.B. No one inspired more up-and-coming artists. No one did more to spread the gospel of the blues.”—President Barack Obama “He is without a doubt the most important artist the blues has ever produced.”—Eric Clapton Riley “Blues Boy” King (1925-2015) was born into deep poverty in Jim Crow Mississippi. Wrenched away from his sharecropper father, B.B. lost his mother at age ten, leaving him more or less alone. Music became his emancipation from exhausting toil in the fields. Inspired by a local minister’s guitar and by the records of Blind Lemon Jefferson and T-Bone Walker, encouraged by his cousin, the established blues man Bukka White, B.B. taught his guitar to sing in the unique solo style that, along with his relentless work ethic and humanity, became his trademark. In turn, generations of artists claimed him as inspiration, from Jimi Hendrix and Eric Clapton to Carlos Santana and the Edge. King of the Blues presents the vibrant life and times of a trailblazing giant. Witness to dark prejudice and lynching in his youth, B.B. performed incessantly (some 15,000 concerts in 90 countries over nearly 60 years)—in some real way his means of escaping his past. Several of his concerts, including his landmark gig at Chicago’s Cook County Jail, endure in legend to this day. His career roller-coasted between adulation and relegation, but he always rose back up. At the same time, his story reveals the many ways record companies took advantage of artists, especially those of color. Daniel de Visé has interviewed almost every surviving member of B.B. King’s inner circle—family, band members, retainers, managers, and more—and their voices and memories enrich and enliven the life of this Mississippi blues titan, whom his contemporary Bobby “Blue” Bland simply called “the man.”
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
A wild, “entertaining—slick and cool and savvy” novel of the sixties drug culture from the #1 bestselling author of Jurassic Park and his brother (The New York Times). The suitcase looks like a standard weekend bag. But like the man who carries it, it isn’t what it seems. Lined with tinfoil to mask the smell, it is a smuggler’s bag and will soon be filled to the brim with marijuana bricks. The smuggler is a Harvard student who has come to California to make his fortune. He hopes to score not just with his connection but with his new girlfriend, a Golden State beauty with an appetite for fine weed. When the deal goes south, she takes the fall, and a crooked FBI agent swipes half the stash. To free his girl, this pothead will have to make the deal of a lifetime. This ebook features an illustrated biography of Michael Crichton including rare images from the author’s estate.
How do you love and not like the same thing at the same time? This was the riddle that met Mississippi writer B. Brian Foster when he returned to his home state to learn about Black culture and found himself hearing about the blues. One moment, Black Mississippians would say they knew and appreciated the blues. The next, they would say they didn't like it. For five years, Foster listened and asked: "How?" "Why not?" "Will it ever change?" This is the story of the answers to his questions. In this illuminating work, Foster takes us where not many blues writers and scholars have gone: into the homes, memories, speculative visions, and lifeworlds of Black folks in contemporary Mississippi to hear what they have to say about the blues and all that has come about since their forebears first sang them. In so doing, Foster urges us to think differently about race, place, and community development and models a different way of hearing the sounds of Black life, a method that he calls listening for the backbeat.
