In this “strikingly imaginative” sequel to The Waterborn, an emperor’s daughter flees into the wasteland, pursued by an angry god (Kirkus Reviews). The daughter of the emperor, Hezhi has been blessed with untold strength: powers that could change the world. Fearful of this teenage upstart, the god known as the River demands that she be brought in line—or put to death, as all who challenge the River must be. He sends an assassin to follow her, but with the help of a barbarian named Perkar, Hezhi fights back—and nearly destroys the River altogether. She flees the city, striking out into the wilderness in hopes of finding a safe haven beyond the reach of the River’s agents. But no matter where she goes, Hezhi cannot find peace. When she meets the River’s brother, the trickster known as the Blackgod, he offers a way to destroy the River at the source. Caught between two warring deities, Hezhi must learn to master her power—or watch as the world is consumed by water.
Rising science fiction and fantasy star P. Djèlí Clark brings an alternate New Orleans of orisha, airships, and adventure to life in his immersive debut novella The Black God's Drums. Alex Award Winner! In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air--in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie’s trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God’s Drums. But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations. Soon, Creeper, Oya, and the crew of the Midnight Robber are pulled into a perilous mission aimed to stop the Black God’s Drums from being unleashed and wiping out the entirety of New Orleans. “A sinewy mosaic of Haitian sky pirates, wily street urchins, and orisha magic. Beguiling and bombastic!”—New York Times bestselling author Scott Westerfeld At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"Moses is a fine writer deserving of success, and I think that it will follow ... Personally, I really enjoyed Moses's work." -David Farland, NYT Bestselling Author of The Runelords "The Black God's War is, to date, the finest example of quality independent fantasy I've seen."--IndieFantasyReview "An inventive tale with high command of craft." -Scott Nicholson, Bestselling Kindle Author of The Red Church ________ Against the backdrop of epic warfare and the powers of ten mysterious gods, Lucia struggles to understand The Black One. Her father-king wants war. Her messianic brother wants peace. The black god wants his due. She suffers all the consequences. King Vieri is losing his war against the lands of Pawelon. Feeling abandoned by his god, he forces his son Caio, the kingdom's holy savior, to lead his army. Victory ought to come soon. To counter Caio's powers, Pawelon's prince enters the conflict. Rao is a gifted sage, a master of spiritual laws. He joins the rajah to defend their citadel against the invaders. But Rao's ideals soon clash with his army's general. The Black One tortures Lucia nightly with visions promising another ten years of bloodshed. She can no longer tell the difference between the waking world and her nightmares. Lucia knows the black god too well. He entered her bed and dreams when she was ten. The Black One watches, waiting to see Lucia confront an impossible decision over the fates of two men-and two lands. ________ "The writing is tight, the characters well-drawn and deep, and the world feels alive and many-layered." -W. Brondtkamffer's Blog "Siregar's prose is smooth and he has his sense of pacing nailed down ... More like this, please." -Signal dot Noise blog "If you want to read a talented new author with a flair for storytelling, you should definitely pick up this story." -Debra L. Martin's Review, Two Ends of the Pen Blog ..". excellent storytelling in this debut, a tale spun with a degree of elegance I did not fully." -Ron C. Nieto's Blog "Siregar's strongest suit may be the character development on display, as the royal siblings and a few other characters exude their personalities and frailties in a believable fashion." -Skull Salad Reviews "'The Black God's War' has all the right ingredients ... His characters are as passionate as his descriptive prose. The pacing is perfect ... This is a work epic fantasy fans don't want to miss." -Bryan Thomas Schmidt's blog
A comparative study of the Afroasiatic traditional religions of northern Africa and Arabia. The author argues that there is a common Afroasiatic language in those regions, so is there a common family of religions. He compares traditions as diverse as those in Yemen and Nigeria.
In this amalgam of fantasy and alternative history, Sir Isaac Newton turns his mind to alchemy and successfully unleashes Philosopher's Mercury, the key to manipulating the four elements. Powerful kings will battle to control it, until London itself is threatened with destruction by a hellish device.
Wending his way home after a bender one evening, master moocher and game programmer Keita Ibuki decides to satisfy a craving for ramen at a noodle stand. Instead of slurping soup, though, he surrenders his meal to a manic girl who, unbeknownst to Keita, is a Mototsumitama, a guardian of the coexistence equilibrium. When his new acquaintance is attacked, Keita gets caught in the crossfire and loses an arm. Awakening from the shock, Keita finds himself back in his apartment, arm intact! But just whose arm is it?!
"The introduction to this edition by Cornel West was originally published in Dwight N. Hopkins, ed., Black Faith and Public Talk: Critical Essays on James H. Cone's Black Theology & Black Power (Maryknoll, NY: Orbis Books, 1999; reprinted 2007 by Baylor University Press)."
Meet “the first lady of sword-and-sorcery, Jirel of Joiry . . . in all her ferocious mailed glory and defiance” in these classic tales from a sci-fi pioneer (Tor.com). Originally published in the legendary magazine Weird Tales in 1934, C. L. Moore’s Jirel of Joiry is fantasy’s first true strong female protagonist, as well as one of the most striking and memorable characters to come out of the golden age of science fiction and fantasy. Published alongside landmark stories by H. P. Lovecraft and Robert E. Howard, the six classic stories included in this volume prove that C. L. Moore’s Jirel is a rival to Conan the Barbarian and Elric of Melniboné, making Black God’s Kiss an essential addition to any fantasy library. “I was looking for tales of dire conflict, hot-blooded honor and impetuosity, leadership and courage—all the qualities that my culture told me were reserved for males . . . what a joy it was to run across Jirel, who at some levels of my soul I longed desperately to be.” —Suzy McKee Charnas, Hugo and Nebula Award–winning author
"Man Know Thyself."Did you know that the Gods and Goddesses of ancient Ethiopia, Egypt, "Middle East," India, and Asia were Black? What is God? What color is God? What is the substance of God? Does it matter what color God is? Are the images, and symbols of a White God death to us? What is the Self? What does Self and God share in common? How is God, Self, and Ancestors related? To know the Self involves knowing God. We must obtain knowledge of Self. The Self is the life force, and it is not an isolated event captured within an impenetrable physical body. The Self is rather, an extensive spiritual entity that permeates each of us, and back to our first ancestors. The circle of Self that unites us with one another; to our ancestors, and God has been disconnected. consequently, we have become estranged from our essence (God). We must find continuity again. The information and suggestions in this book are intended to motivate and point out one of the roads Black people can travel towards becoming what God intended them to be; that is, unique and personal manifestations of God in this splintered and oppressive world.