There has been an increase in research activities on music perception and performance and their correlates in the human brain. The increase in scientific work has been motivated by the idea that music offers a unique opportunity to better understand brain organisation. This volume brings together leading scientists that use a wide range of different methodologies from the cognitive sciences and neurosciences.
This title includes the following features: The first book to describe the neural bases of music; Edited and written by the leading researchers in this field; An important addition to OUP's acclaimed list in music psychology
The contributions to this collection assess the progress of cognitive science. The questions addressed include: What have we learned or not learned about language, brain, and cognition? Where are we now? Where have we failed? Where have we succeeded?
"The study of language is pertinent to many fields of inquiry. It is relevant to psychology, anthropology, philosophy, and medicine. It encroaches upon the humanities, as well as upon the social and natural sciences. We may pursue investigations that concentrate on what man has done with or to specific languages; or we may regard language as a natural phenomenon- an aspect of his biological nature, to be studied in the same manner as, for instance, his anatomy. Which of these approaches is to be chosen is entirely a matter of personal curiosity. This book is concerned with the biological aspects of language." -- Preface
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Much recent thought on the ethics of new biomedical technologies, and work in ethics and political philosophy more generally, is committed to hidden and contestable views about the nature of biological reality. This selection of essays by Tim Lewens, a leading expert in the field, teases out these biological foundations of bioethical writing and subjects them to scrutiny. The topics covered include human enhancement, the risks of technical progress, the alleged moral threat of synthetic biology, the reality of human nature, the relevance of evolutionary psychology to social policy, the nature of the distinction between health and disease, and justice in healthcare decision-making.
Interdisciplinary perspectives on the evolutionary and biological roots of syntax, describing current research on syntax in fields ranging from linguistics to neurology. Syntax is arguably the most human-specific aspect of language. Despite the proto-linguistic capacities of some animals, syntax appears to be the last major evolutionary transition in humans that has some genetic basis. Yet what are the elements to a scenario that can explain such a transition? In this book, experts from linguistics, neurology and neurobiology, cognitive psychology, ecology and evolutionary biology, and computer modeling address this question. Unlike most previous work on the evolution of language, Biological Foundations and Origin of Syntax follows through on a growing consensus among researchers that language can be profitably separated into a number of related and interacting but largely autonomous functions, each of which may have a distinguishable evolutionary history and neurological base. The contributors argue that syntax is such a function.The book describes the current state of research on syntax in different fields, with special emphasis on areas in which the findings of particular disciplines might shed light on problems faced by other disciplines. It defines areas where consensus has been established with regard to the nature, infrastructure, and evolution of the syntax of natural languages; summarizes and evaluates contrasting approaches in areas that remain controversial; and suggests lines for future research to resolve at least some of these disputed issues. Contributors Andrea Baronchelli, Derek Bickerton, Dorothy V. M. Bishop, Denis Bouchard, Robert Boyd, Jens Brauer, Ted Briscoe, David Caplan, Nick Chater, Morten H. Christiansen, Terrence W.Deacon, Francesco d'Errico, Anna Fedor, Julia Fischer, Angela D. Friederici, Tom Givón, Thomas Griffiths, Balázs Gulyás, Peter Hagoort, Austin Hilliard, James R. Hurford, Péter Ittzés, Gerhard Jäger, Herbert Jäger, Edith Kaan, Simon Kirby, Natalia L. Komarova, Tatjana Nazir, Frederick Newmeyer, Kazuo Okanoya, Csaba Plèh, Peter J. Richerson, Luigi Rizzi, Wolf Singer, Mark Steedman, Luc Steels, Szabolcs Számadó, Eörs Szathmáry, Maggie Tallerman, Jochen Triesch, Stephanie Ann White
