The Best of Uncanny features some of the uncanniest stories and poetry in Science Fiction/Fantasy today, by its current leading voices. Immerse yourself in 44 original science fiction and fantasy stories and poems from the first 22 issues of Uncanny Magazine.
The May/June 2021 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Fran Wilde, José Pablo Iriarte, Rachel Swirsky, Eugenia Triantafyllou, Emma Törzs, and Shveta Thakrar. Reprint fiction by Sheree Renée Thomas. Essays by E. Lily Yu, Andrew Liptak, Ada Palmer and Jo Walton, and C.J. Linton, poetry by Nnadi Samuel, Tiffany Morris, Abu Bakr Sadiq, and Vivian Li, interviews with José Pablo Iriarte and Shveta Thakrar by Caroline M. Yoachim, a cover by Galen Dara, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Elsa Sjunneson. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019 & 2020 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, and Chimedum Ohaegbu and Elsa Sjunneson, each issue of Uncanny includes new stories, poetry, articles, and interviews.
The March/April 2020 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Kelly Robson, Alix E. Harrow, Christopher Caldwell, Nicole Kornher-Stace, L. Tu, and Natalia Theodoridou. Reprint fiction by Rebecca Roanhorse. Essays by Suzanne Walker, Michi Trota, Bonnie Jo Stufflebeam, and John Wiswell, poetry by Beth Cato, Millie Ho, D.A. Xiaolin Spires, and Eva Papasoulioti, interviews with Alix E. Harrow and Natalia Theodoridou by Caroline M. Yoachim, a cover by Galen Dara, and editorials by Lynne M. Thomas and Michael Damian Thomas, and Elsa Sjunneson.
The September/October 2019 Disabled People Destroy Fantasy special issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Sarah Gailey, Lane Waldman, Jei D. Marcade, Tochi Onyebuchi, Karlo Yeager Rodríguez, and Aysha U. Farah. Essays by Kari Maaren, Gwendolyn Paradice, Day Al-Mohamed, A.T. Greenblatt, Cara Liebowitz and Dominik Parisien, poetry by Roxanna Bennett, Toby MacNutt, Shweta Narayan, R.B. Lemberg, Tamara Jerée, and Julian K. Jarboe, interviews with Lane Waldman and Karlo Yeager Rodríguez by Sandra Odell, a cover by Julie Dillon, and editorials by Lynne M. Thomas and Michael Damian Thomas, and guest editors Katharine Duckett, Nicolette Barischoff, and Lisa M. Bradley.
The March/April 2021 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Catherynne M. Valente, Dominica Phetteplace, Caroline M. Yoachim, Carrie Vaughn, Rati Mehotra, and Sarah Pinsker. Reprint fiction by Alaya Dawn Johnson. Essays by Tansy Rayner Roberts, Sid Jain, Marieke Nijkamp, and Jay Edidin, poetry by Tamara Jerée, Brandon O'Brien, Terese Mason Pierre, and Ali Trotta, interviews with Caroline M. Yoachim by Tina Connolly, and Sarah Pinsker by Caroline M. Yoachim, a cover by Paul Lewin, and editorials by Lynne M. Thomas and Michael Damian Thomas. Uncanny Magazine is a bimonthly science fiction and fantasy magazine first published in November 2014. Edited by 2016, 2017, 2018, 2019 & 2020 Hugo award winners for best semiprozine, and 2018 Hugo award winners for Best Editor, Short Form, Lynne M. Thomas and Michael Damian Thomas, and Chimedum Ohaegbu and Elsa Sjunneson, each issue of Uncanny includes new stories, poetry, articles, and interviews.
NEW YORK TIMES BESTSELLER • From the bestselling author of Dark Matter and the Wayward Pines trilogy comes a relentless thriller about time, identity, and memory—his most mind-boggling, irresistible work to date, and the inspiration for Shondaland’s upcoming Netflix film. “Gloriously twisting . . . a heady campfire tale of a novel.”—The New York Times Book Review NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time • NPR • BookRiot Reality is broken. At first, it looks like a disease. An epidemic that spreads through no known means, driving its victims mad with memories of a life they never lived. But the force that’s sweeping the world is no pathogen. It’s just the first shock wave, unleashed by a stunning discovery—and what’s in jeopardy is not our minds but the very fabric of time itself. In New York City, Detective Barry Sutton is closing in on the truth—and in a remote laboratory, neuroscientist Helena Smith is unaware that she alone holds the key to this mystery . . . and the tools for fighting back. Together, Barry and Helena will have to confront their enemy—before they, and the world, are trapped in a loop of ever-growing chaos. Praise for Recursion “An action-packed, brilliantly unique ride that had me up late and shirking responsibilities until I had devoured the last page . . . a fantastic read.”—Andy Weir, #1 New York Times bestselling author of The Martian “Another profound science-fiction thriller. Crouch masterfully blends science and intrigue into the experience of what it means to be deeply human.”—Newsweek “Definitely not one to forget when you’re packing for vacation . . . [Crouch] breathes fresh life into matters with a mix of heart, intelligence, and philosophical musings.”—Entertainment Weekly “A trippy journey down memory lane . . . [Crouch’s] intelligence is an able match for the challenge he’s set of overcoming the structure of time itself.”—Time “Wildly entertaining . . . another winning novel from an author at the top of his game.”—AV Club
From one of contemporary literature’s bestselling, critically acclaimed, and beloved authors: a “luminous” novel (Jennifer Egan, The New York Times Book Review) about a fiercely compelling young widow navigating grief, fear, and longing, and finding her own voice—“heartrendingly transcendant” (The New York Times, Janet Maslin). Set in Wexford, Ireland, Colm Tóibín’s magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven—herself. Nora Webster “may actually be a perfect work of fiction” (Los Angeles Times), by a “beautiful and daring” writer (The New York Times Book Review) at the zenith of his career, able to “sneak up on readers and capture their imaginations” (USA TODAY). “Miraculous...Tóibín portrays Nora with tremendous sympathy and understanding” (Ron Charles, The Washington Post).
From its launch in 2005 to its final issue in 2014, "Subterranean" magazine published stories by the leading lights of science fiction and fantasy literature. From Hugo and Nebula winners to Pulitzer and Booker Prize finalists to "New York Times" bestsellers, this anthology collects 30 pieces of "Subterranean's" best, representing diverse, breathtaking short fiction from today's modern masters. In "Last Breath" Joe Hill spins the tale of a man who collects the breaths of the dying for his haunting museum. Catherynne M. Valente's "White Lines on a Green Field" chronicles what might happen if Coyote became a small town high school quarterback. Karen Joy Fowler's "Younger Women" finds a woman confronting her daughter's new boyfriend, who happens to be a vampire. Visit the Twilight Zone via George R.R. Martin in the script "The Toys of Caliban." In Ted Chiang's "The Truth of Fact, the Truth of Feeling" the narratives of a journalist and a young man are told in contrast, both impacted by technology and literacy. And in Kelley Armstrong's "The Screams of Dragons" a boy is declared a changeling and things only get stranger from there. Other pieces visit far-flung space and intimate sick rooms, the futuristic pyramids of the rich and a jungle where a man-eating tiger stalks a village. "The Best of Subterranean," edited by William Schafer, is a must-have anthology that brings together more than 700 pages of stories as varied and distinguished as their authors, and which are utterly unforgettable.