Could the dodo make a comeback? What does science tell us about the sex in Fifty Shades of Grey? Is giving up meat really the greenest option? Can you use tweets to spot a psychopath? Do birds make art? What do the Cold War and climate science have in common? And can a psychologist interpret your farts? The Best Australian Science Writing 2013 brings together great writing about life and the universe, including contributions from poets and psychologists, comedians and climate commentators, neuroscientists and novelists, star-gazers and science journalists. With a foreword by superstar comedian, musician and self-confessed science-nerd, Tim Minchin, this provocative collection is chock-full of intrigue, curiosity and controversy. Read this. Your brain will love you for it.
Why We Can’t Sleep meets Furiously Happy in this hilarious, heartfelt memoir about one woman’s midlife obsession with Benedict Cumberbatch, and the liberating power of reclaiming our passions as we age, whatever they may be. Tabitha Carvan was a new mother, at home with two young children, when she fell for the actor Benedict Cumberbatch. You know the guy: strange name, alien face, made Sherlock so sexy that it became one of the most streamed shows in the world? The force of her fixation took everyone—especially Carvan herself—by surprise. But what she slowly realized was that her preoccupation was not about Benedict Cumberbatch at all, as dashing as he might be. It was about finally feeling passionate about something, anything, again at a point in her life when she had lost touch with her own identity and sense of self. In This Is Not a Book About Benedict Cumberbatch, Carvan explores what happens to women's desires after we leave adolescence…and why the space in our lives for pure, unadulterated joy is squeezed ever smaller as we age. She shines a light onto the hidden corners of fandom, from the passion of the online communities to the profound real-world connections forged between Cumberbatch devotees. But more importantly, she asks: what happens if we simply decide to follow our interests like we used to—unabashedly, audaciously, shamelessly? After all, Carvan realizes, there’s true, untapped power in finding your “thing” (even if that thing happens to be a British-born Marvel superhero) and loving it like your life depends on it.
Are you wishing you knew how to better communicate science, without having to read several hundred academic papers and books on the topic? Luckily Dr Craig Cormick has done this for you! This highly readable and entertaining book distils best practice research on science communication into accessible chapters, supported by case studies and examples. With practical advice on everything from messages and metaphors to metrics and ethics, you will learn what the public think about science and why, and how to shape scientific research into a story that will influence beliefs, behaviours and policies.
Good science writing makes us feel. It makes us delight in the discovery of a black hole munching on a star, laugh at the image of aliens puzzling over golf balls on the Moon, wonder at the mystery of the Spanish influenza’s deadly rampage, grieve for baby shearwater chicks dying with plastic-filled stomachs, rage at the loss of the Great Barrier Reef and cheer for the clitoris’ long-overdue scientific debut. This ninth edition of The Best Australian Science Writing showcases the most powerful, insightful and brilliant essays and poetry from Australian writers and scientists. It roams the length and breadth of science, revealing how a ceramic artist is helping to save the handfish, what is so dangerous about the hype around artificial intelligence and whether too much exercise is bad for the heart. It makes us think, feel and hopefully act.
The annual collection celebrating the finest Australian science writing of the year. Why are Sydney’s golden orb weaver spiders getting fatter and fitter? Could sociology explain the recent upsurge in prostate cancer diagnoses? Why were Darwinites craving a good storm during ‘The Angry Summer’? Is it true that tuberculosis has become deadlier over time? And are jellyfish really taking over the world? Now in its fourth year, this popular and acclaimed anthology steps inside the nation’s laboratories and its finest scientific and literary minds. Featuring prominent authors such as Tim Flannery, Jo Chandler, Frank Bowden and Iain McCalman, as well as many new voices, it covers topics as diverse and wondrous as our ‘lumpy’ universe, the creation of dragons and the frontiers of climate science.
In The Best Australian Humorous Writing, Andrew O’Keefe and Steve Vizard corral our funniest minds and canniest observers into one entertaining anthology. The writers bring a unique antipodean mirth to everything that has touched our lives in recent times-from Sir Ian McKellen disrobing on stage to busting up the Logies, from the privatisation of Telstra to the curves of Nigella Lawson, from the perils of entertaining children to the perennial outrage that modern telecommunications offers. Among the contributors: Phillip Adams * David Astle * Graeme Blundell * The Chaser Kaz Cooke * Ian Cuthbertson * Mark Dapin * Catherine Deveny Frank Devine *Alexander Downer * Dame Edna Everage * Charles Firth Germaine Greer * Gideon Haigh * Marieke Hardy * Wendy Harmer Clive James * Danny Katz * Malcolm Knox * John Lethlean * Mungo MacCallum * Shane Maloney * Shaun Micallef * Paul Mitchell * Les Murray * Guy Rundle * Roy Slaven * Tony Wilson * Julia Zemiro
Winner of the 2020 Andrew Carnegie Medal for Excellence in Nonfiction * Finalist for the 2020 Kirkus Prize for Nonfiction * Finalist for the PEN/E.O. Wilson Literary Science Writing Award A “delving, haunted, and poetic debut” (The New York Times Book Review) about the awe-inspiring lives of whales, revealing what they can teach us about ourselves, our planet, and our relationship with other species. When writer Rebecca Giggs encountered a humpback whale stranded on her local beachfront in Australia, she began to wonder how the lives of whales reflect the condition of our oceans. Fathoms: The World in the Whale is “a work of bright and careful genius” (Robert Moor, New York Times bestselling author of On Trails), one that blends natural history, philosophy, and science to explore: How do whales experience ecological change? How has whale culture been both understood and changed by human technology? What can observing whales teach us about the complexity, splendor, and fragility of life on earth? In Fathoms, we learn about whales so rare they have never been named, whale songs that sweep across hemispheres in annual waves of popularity, and whales that have modified the chemical composition of our planet’s atmosphere. We travel to Japan to board the ships that hunt whales and delve into the deepest seas to discover how plastic pollution pervades our earth’s undersea environment. With the immediacy of Rachel Carson and the lush prose of Annie Dillard, Giggs gives us a “masterly” (The New Yorker) exploration of the natural world even as she addresses what it means to write about nature at a time of environmental crisis. With depth and clarity, she outlines the challenges we face as we attempt to understand the perspectives of other living beings, and our own place on an evolving planet. Evocative and inspiring, Fathoms “immediately earns its place in the pantheon of classics of the new golden age of environmental writing” (Literary Hub).
The annual collection celebrating the finest Australian science writing of the year. How does dust connect the cosmos with our bed sheets? Why do lobsters do the Mexican Wave backwards? And what makes us feel ‘wetness’ when there’s no such thing as ‘wet’ nerve receptors? Now in its fifth year, The Best Australian Science Writing 2015 draws on the knowledge and insight of Australia’s brightest thinkers in examining the world around us. From our obsession with Mars to the mating habits of fish, this lively collection covers a range of topics and delights in challenging our perceptions of the planet we think we know.
