The human desire for patterned language is as strong as the need for narrative.—Geoff Page In The Best Australian Poems 2015, you will find the who’s who of contemporary poets and the pick of new voices. Sometimes satirical, sometimes erotic, covering family, religion, war and mortality, Geoff Page’s selection celebrates the vital, the vigorous and the graceful voices that populate our poetry scene. Robert Adamson • Jordie Albiston • Judith Beveridge • Eileen Chong • Joe Dolce • Lin Van Hek • Nigel Roberts • Robyn Rowland • Jennifer Compton • Kevin Hart • Lisa Gorton • Clive James • Rozanna Lilley • Tony Page • Michael Sharkey • Chris Wallace-Crabbe • Fiona Wright • Jakob Ziguras • Les Murray • Fay Zwicky • Jamie Grant • Lucy Dougan • Ali Cobby Eckermann • Kevin Brophy • Billy Marshall Stoneking • Bruce Dawe • Anne Elvey • Geoff Goodfellow • Jennifer Maiden • AND MANY MORE . . .
This anthology of the year's best investigative business writing explores the secret dealings of an elite Wall Street society and uncovers the crimes and misadventures of the young founder of Silk Road, the wildly successful online illegal goods site known as the "eBay of vice." It reveals how the Fed dithered while the financial crisis unfolded and explains why the leaders of a two-trillion-dollar bond fund went to war with each other. Articles from the best newspapers and magazines in the country delve into how junk-food companies use science to get you to eat more and how Amazon dodges the tax man how J.Crew revitalized itself by transforming its creative process and Russell Brand went deep on media and marketing after his GQ Awards speech went haywire. Best Business Writing 2014 includes provocative essays on the NFL's cover-ups and corporate welfare, Silicon Valley's ultralibertarian culture, and the feminist critique of Sheryl Sandberg's career-advice book for women, Lean-In. Stories about toast, T-shirt making, and the slow death of the funeral business show the best writers can find worthy tales in even the most mundane subjects.
David Foster is the most original, challenging, contradictory, risk-taking and infuriating Australian novelist of his generation. To date he has published twelve novels, three collections of novellas and short stories, two books of poetry, and a collection of essays, with several produced radio plays. Foster writes in an Australian tradition of idiosyncratic satire and comedy that may be traced through the work of Joseph Furphy, Miles Franklin, Xavier Herbert and David Ireland. His novels are the most wide-ranging and fearless of the Australian novels that have contributed to the late twentieth-century re-examination of Western ideologies and the literary forms in which they are expressed. In this first critical study of David Foster's works, Professor Susan Lever steers us into penetrating the mysteries of Foster's fiction, and provides guidance to readers willing to approach them. The book examines the contradictory nature of his commitments and interests as expressed mainly in his novels. Each of his works of fiction and poetry in the order of publication (except for The Adventures of Christian Rosy Cross and The Pale Blue Crochet Coathanger Cover which are discussed with similar novels) are discussed. The development of Foster's philosophical ideas and technique as a novelist over the 35 years of his writing life to date is followed. The book also examines Foster's letters to Geoffrey Dutton early in his career; his interviews and essays provide some of the background to these novels. The book also furnishes a sense of the Australian context for his work. A brief biography of Foster's early life and a discussion of his approach to satire is also included.
The best of the best This essential book takes a decade of Best Australian Stories and selects the most outstanding short fiction by the country's finest writers. These stories range widely in style and subject matter: there is drama and comedy, subtlety and extravagance, tales of suspense, love, fantasy, grief and revenge. Together they showcas...
Could the dodo make a comeback? What does science tell us about the sex in Fifty Shades of Grey? Is giving up meat really the greenest option? Can you use tweets to spot a psychopath? Do birds make art? What do the Cold War and climate science have in common? And can a psychologist interpret your farts? The Best Australian Science Writing 2013 brings together great writing about life and the universe, including contributions from poets and psychologists, comedians and climate commentators, neuroscientists and novelists, star-gazers and science journalists. With a foreword by superstar comedian, musician and self-confessed science-nerd, Tim Minchin, this provocative collection is chock-full of intrigue, curiosity and controversy. Read this. Your brain will love you for it.
In modern Australia, productivity is all that matters, our leaders tell us. Economic growth above all else. But is this really what we, the people, want? Does it make our lives and our communities better? If the high priests of economics want the credit for Australia’s economic growth over the last three decades, they must also wear the blame for the social destruction that has accompanied it – the devastation of once prosperous industrial centres and the suburbs they sustained, as factories closed and workers were forced to abandon their trades. The social costs of this ‘economic modernisation’ have been immense, but today are virtually ignored. The fracturing of communities continues apace. An Economy Is Not a Society is a passionate and personal J’accuse against the people whose abandonment of moral policy making has ripped the guts out of Australia’s old industrial communities, robbed the country of manufacturing knowhow, reversed our national ethos of egalitarianism and broken the sense of common purpose that once existed between rulers and ruled. Those in power, Dennis Glover argues, must abandon the idea that a better society is purely about offering individuals more dollars in their pockets. What we desperately need is a conversation about the lives, working conditions, jobs and communities we want for ourselves and our families – and we need to choose a future that is designed to benefit all the Australian people, not just some. Dennis Glover is the son and brother of Dandenong factory workers. He grew up in Doveton before studying at Monash University and King’s College, Cambridge, where he was awarded a PhD in history. He has worked for two decades as an academic, newspaper columnist, political adviser and speechwriter to Labor leaders and senior ministers.
What do you do when your husband claims to be madly in love with you, but doesn’t desire you sexually? When your therapist is more interested in opening an online sex-toy shop with your husband than in saving your marriage? Do you try yet another counsellor, get divorced or settle for a sexless marriage? Lee Kofman, rebellious daughter of ultra-orthodox Jews, has always sought her own way. True to her Bohemian dream where love can coexist with sexual freedom, she decided to experiment with an open marriage . . . despite the fact that her previous non-monogamous relationship ended in disaster. Our cultural mores suggest that love without monogamy is impossible, but Lee hoped she could do better the second time round and embarked on a personal exploration to find out whether she could save her marriage while being non-monogamous in an ethical way. For several months she talked to swingers, polyamorists, cross-dressers, suburban families, artists and migrants—in short, to anyone who has ever been involved in an unconventional relationship. Set during Lee's first years in Australia, it is also the story of migration, and an exploration of the eternal conflict between our desire for security, but also for foreign places—in love and elsewhere. The Dangerous Bride tells the story of her quest.
In The Best Australian Stories, acclaimed writer Maxine Beneba Clarke brings together our country’s leading literary talents. Herself an award-winning short-story writer, Beneba Clarke selects exceptional stories that resonate with experience and truth, and celebrate the art of storytelling. Previous contributors include Kate Grenville, Tony Birch, David Malouf, Kirsten Tranter, Anna Krien, Georgia Blain, Peter Goldsworthy, Fiona McFarlane, Elizabeth Harrower, Ryan O’Neill and Romy Ash. Maxine Beneba Clarke is an Australian writer of Afro-Caribbean descent. In 2015 her short fiction collection Foreign Soil won the ABIA for Best Literary Fiction and the Indie Award for Best Debut Fiction, and was shortlisted for the Stella Prize. Her critically acclaimed memoir, The Hate Race (2016), was shortlisted for the Victorian Premier's Literary Award, the Indie Award for Non-Fiction and the Stella Prize. She is also the author of a picture book, The Patchwork Bike (2016), several poetry collections, and is a contributor to the Saturday Paper.
The writer explores his beloved Australia in a memoir that is “a delight to read [and] a call to arms . . . It beseeches us to revere the land that sustains us” (Guardian). From boyhood, Tim Winton’s relationship with the world around him?rock pools, sea caves, scrub, and swamp?has been as vital as any other connection. Camping in hidden inlets, walking in high rocky desert, diving in reefs, bobbing in the sea between surfing sets, Winton has felt the place seep into him, and learned to see landscape as a living process. In Island Home, Winton brings this landscape?and its influence on the island nation’s identity and art?vividly to life through personal accounts and environmental history. Wise, rhapsodic, exalted?in language as unexpected and wild as the landscape it describes?Island Home is a brilliant, moving portrait of Australia from one of its finest writers, the prize-winning author of Breath, Eyrie, and The Shepherd’s Hut, among other acclaimed titles.
Winner of the Stella Prize, 2014. The Eureka Stockade. It's one of Australia's foundation legends yet the story has always been told as if half the participants weren't there. But what if the hot-tempered, free-spirited gold miners we learned about at school were actually husbands and fathers, brothers and sons? What if there were women and children right there beside them, inside the Stockade, when the bullets started to fly? And how do the answers to these questions change what we thought we knew about the so-called 'birth of Australian democracy'? Who, in fact, were the midwives to that precious delivery? Ten years in the research and writing, irrepressibly bold, entertaining and often irreverent in style, Clare Wright's The Forgotten Rebels of Eureka is a fitting tribute to the unbiddable women of Ballarat - women who made Eureka a story for us all. Clare Wright is an historian who has worked as a political speechwriter, university lecturer, historical consultant and radio and television broadcaster. Her first book, Beyond the Ladies Lounge: Australia’s Female Publicans, garnered both critical and popular acclaim and her second, The Forgotten Rebels of Eureka, won the 2014 Stella Prize. She researched, wrote and presented the ABC TV documentary Utopia Girls and is the co-writer of the four-part series The War That Changed Us which screened on ABC1. 'Lively, incisive and timely, Clare Wright's account of the role of women in the Eureka Stockade is an engrossing read. Assembling a tapestry of voices that vividly illuminate the hardscrabble lives endured on Ballarat's muddy goldfields, this excellent book reveals a concealed facet of one of Australia's most famous incidences of colonial rebellion. For once, Peter Lalor isn't the hero: it's the women who are placed front and centre...The Forgotten Rebels links the actions of its heroines to the later fight for female suffrage, and will be of strong relevance to a contemporary female audience. Comprehensive and full of colour, this book will also be essential reading for devotees of Australian history.' Bookseller and Publisher 'This is a wonderful book. At last an Australian foundation story where women are not only found, but are found to have played a fundamental role.' Chris Masters 'Brilliantly researched and fun to read. An exhilarating new take on a story we thought we knew.' Brenda Niall 'Fascinating revelations. Beautifully told.' Peter FitzSimons ‘The best source on women at Eureka.’ Big Smoke
