A collection of the year’s best short stories, selected by Pulitzer Prize winner Andrew Sean Greer and series editor Heidi Pitlor. Andrew Sean Greer, “an exceptionally lovely writer, capable of mingling humor with sharp poignancy” (Washington Post), selects twenty stories out of thousands that represent the best examples of the form published the previous year.
A collection of the year's best stories selected by celebrated two-time National Book Award winner Jesmyn Ward In her introduction to The Best American Short Stories 2021, guest editor JesmynWard says that the best fiction offers the reader a "sense of repair."The stories in this year's collection accomplish just that, immersing the reader in powerfully imagined worlds and allowing them to bring some of that power into their own lives. From a stirring portrait of Rodney King's final days to a surreal video game set in the Middle East, with real consequences, to an indigenous boy's gripping escape from his captors, this collection renders profoundly empathetic depictions of the variety of human experience. These stories are poignant reminders of the possibilities of fiction: as you sink into world after world, become character after character, as Ward writes, you"forget yourself, and then, upon surfacing, know yourself and others anew. The Best American Short Stories 2021 includes GABRIEL BUMP - BRANDON HOBSON - DAVID MEANS- JANE PEK - TRACEY ROSE PEYTON - GEORGE SAUNDERS - BRYAN WASHINGTON - KEVIN WILSON - C PAM ZHANG and others
America's most talented storytellers share their most courageous, compelling, unputdownable work in a collection made for story lovers. Praised early on by Billy Lynn's Long Halftime Walk author Ben Fountain and The Weight of Blood author Laura McHugh, COOLEST AMERICAN STORIES is a new annual short story anthology whose guiding philosophy is that a collection of interesting "full meal" short stories could, as one @JustCoolStories Twitter follower put it, "make America cool again." Toward this end, COOLEST AMERICAN STORIES 2022 features a previously unpublished story by the multi-major-book-award-winning author of Blacktop Wasteland S. A. Cosby; the timeless, previously unpublished short story that led Tina Brown to sign Frances Park's When My Sister Was Cleopatra Moon; and Pulitzer Prize finalist Lee Martin's heartfelt rendering of married life that apparently was too startling for the editors of several university-affiliated literary magazines. And since interesting storytelling―rather than a list of publishing credits―matters most to story-hungry readers, COOLEST AMERICAN STORIES 2022 also includes a page-turner about dating in Hollywood written by MFA student Megan Ritchie; Brooklyn native D.Z. Stone's very first published fiction, a hilarious love story that celebrates the power of women; a heartbreaking account of adult siblinghood authored by David Ebenbach―among others in this treasure trove of unputdownable, sharply written, sometimes comic, sometimes frightening, always suspenseful stories loaded with twists and turns. "Coolest American Stories 2022 is a helluva lot of fun. These stories bump and brim with rambunctious energy and show that the American short story is alive and well. Many thanks to Mark Wish and Elizabeth Coffey for this breath―or let's call it a gale―of fresh literary air." --Ben Fountain, winner of the PEN/Hemingway Award and the National Book Critics’ Circle Award, author of Billy Lynn’s Long Halftime Walk "Extraordinarily rich storytelling from fresh, vibrant voices―Coolest American Stories promises to be an annual force." --Laura McHugh, internationally bestselling author of The Weight of Blood and What’s Done in Darkness "Love short stories? This collection is for you. Not yet sure how to feel about short stories? This collection is definitely for you. Whoever you are, wherever you are: read these stories!" --Lori Ostlund, Flannery O’Connor Award winner and author of After the Parade and The Bigness of the World
NATIONAL BESTSELLER • The prestigious annual story anthology includes prize-winning stories by Chimamanda Ngozi Adichie, Lorrie Moore, Olga Tokarczuk, Joseph O'Neill, and Samanta Schweblin. "Widely regarded as the nation's most prestigious awards for short fiction." —The Atlantic Monthly Continuing a century-long tradition of cutting-edge literary excellence, this year's edition contains twenty prizewinning stories chosen from the thousands published in magazines over the previous year. Guest editor Valeria Luiselli has brought her own refreshing perspective to the prize, selecting stories by an engaging mix of celebrated names and emerging voices and including stories in translation from Bengali, Greek, Hebrew, Norwegian, Polish, Russian, and Spanish. The winning stories are accompanied by an introduction by Luiselli, observations from the winning writers on what inspired them, and an extensive resource list of magazines that publish short fiction. AN ANCHOR BOOKS ORIGINAL. THE WINNING STORIES: “Screen Time,” by Alejandro Zambra, translated from the Spanish by Megan McDowell “The Wolves of Circassia,” by Daniel Mason “Mercedes’s Special Talent,” by Tere Dávila, translated from the Spanish by Rebecca Hanssens-Reed “Rainbows,” by Joseph O’Neill “A Way with Bea,” by Shanteka Sigers “Seams,” by Olga Tokarczuk, translated from the Polish by Jennifer Croft “The Little Widow from the Capital,” by Yohanca Delgado “Lemonade,” by Eshkol Nevo, translated from the Hebrew by Sondra Silverston “Breastmilk,” by ‘Pemi Aguda “The Old Man of Kusumpur,” by Amar Mitra, translated from the Bengali by Anish Gupta “Where They Always Meet,” by Christos Ikonomou, translated from the Greek by Karen Emmerich “Fish Stories,” by Janika Oza “Horse Soup,” by Vladimir Sorokin, translated from the Russian by Max Lawton “Clean Teen,” by Francisco González “Dengue Boy,” by Michel Nieva, translated from the Spanish by Natasha Wimmer “Zikora,” by Chimamanda Ngozi Adichie “Apples,” by Gunnhild Øyehaug, translated from the Norwegian by Kari Dickson “Warp and Weft,” by David Ryan “Face Time,” by Lorrie Moore “An Unlucky Man,” by Samanta Schweblin, translated from the Spanish by Megan McDowell
