Thieves, liars, killers, and conspirators—it's a criminal world out there, and someone has got to write about it. An eclectic collection of the year's best reportage, The Best American Crime Reporting 2008 brings together the murderers and the masterminds, the mysteries and missteps that make for brilliant stories, told by the aces of the true-crime genre. This latest addition to the highly acclaimed series features guest editor Jonathan Kellerman, bestselling author of more than twenty crime novels, most recently Compulsion and the forthcoming Bones.
Thieves, liars, killers, and conspirators—it's a criminal world out there, and someone has got to write about it. An eclectic collection of the year's best reportage, The Best American Crime Reporting 2007 brings together the murderers and muscle men, the masterminds, and the mysteries and missteps that make for brilliant stories, told by the aces of the true crime genre. This latest addition to the highly acclaimed series features guest editor Linda Fairstein, the bestselling crime novelist and former chief prosecutor of the Manhattan District Attorney's Office's pioneering Special Victims' Unit.
Edited by Jeffrey Toobin, CNN’s senior legal analyst and New York Times bestselling author of The Nine, The Best American Crime Reporting 2009 is a must-have for the true crime reader, complete with the most gripping, suspenseful, and brilliant stories of the year by the masters of crime reporting. Featuring stories of fraud, murder, theft, and madness, the Best American Crime Reporting series has been hailed as “arresting reading” (People) and the best mix of “the political, the macabre, and the downright brilliant” (Entertainment Weekly).
Many theories--from the routine to the bizarre--have been offered up to explain the crime decline of the 1990s. Was it record levels of imprisonment? An abatement of the crack cocaine epidemic? More police using better tactics? Or even the effects of legalized abortion? And what can we expect from crime rates in the future? Franklin E. Zimring here takes on the experts, and counters with the first in-depth portrait of the decline and its true significance. The major lesson from the 1990s is that relatively superficial changes in the character of urban life can be associated with up to 75% drops in the crime rate. Crime can drop even if there is no major change in the population, the economy or the schools. Offering the most reliable data available, Zimring documents the decline as the longest and largest since World War II. It ranges across both violent and non-violent offenses, all regions, and every demographic. All Americans, whether they live in cities or suburbs, whether rich or poor, are safer today. Casting a critical and unerring eye on current explanations, this book demonstrates that both long-standing theories of crime prevention and recently generated theories fall far short of explaining the 1990s drop. A careful study of Canadian crime trends reveals that imprisonment and economic factors may not have played the role in the U.S. crime drop that many have suggested. There was no magic bullet but instead a combination of factors working in concert rather than a single cause that produced the decline. Further--and happily for future progress, it is clear that declines in the crime rate do not require fundamental social or structural changes. Smaller shifts in policy can make large differences. The significant reductions in crime rates, especially in New York, where crime dropped twice the national average, suggests that there is room for other cities to repeat this astounding success. In this definitive look at the great American crime decline, Franklin E. Zimring finds no pat answers but evidence that even lower crime rates might be in store.
Chosen from among the winners and finalists of the 2009 National Magazine Awards, this collection features a mixture of reviews, profiles, and reporting that caught both readers' and critics' attention.
A must for all crime aficionados, The Best American Mystery Stories 2006 spotlights the very best the genre has to offer. Notable for their dark tone, frequent plot twists, and, above all, their outright entertainment value, here are twenty of 2006's stand-out short stories by bestselling authors and newcomers alike. The veterans show us they still have new tricks up their sleeves, while the (as yet) unknowns clearly mark themselves as talents to watch.Sellected by bestselling author Scott Turrow, 2006's collection includes stories by: James Lee Burke, Jeffery Deaver, Andrew Klavan, Elmore Leonard, Ed McBain, Laura Lippman, Walter Mosely, and Joyce Carol Oates.
On the eve of WWII, an international plot leads to a deadly obsession: “Nobody tells a story better than Thomas H. Cook” (Michael Connelly, New York Times–bestselling author of Two Kinds of Truth). It’s 1939 and the world is on the brink of war, but Thomas Danforth is in New York City living a fortunate life. The well-traveled son of a wealthy importer, he’s in his twenties and running the family business, looking forward to a bright future. Then, during a snowy evening walk along Gramercy Park, a friend makes a fateful request—and involves Thomas in a dangerous idea that could change the fates of millions. Thomas is to provide access to his secluded Connecticut mansion, where a mysterious woman will receive training in firearms and explosives. Thus begins an international plot carried out by the strange and alluring Anna Klein—a plot that will ensnare Thomas in more ways than one. When it all goes wrong and Anna disappears, he will travel far from home once again, but this time, into a war-torn world that is far more dangerous, in this story by an Edgar Award–winning author known for his “piercing thrillers” (New York Daily News). “No other suspense writer takes readers as deeply into the heart of darkness as Thomas H. Cook.” —Chicago Tribune
A “marvelously tense” novel of psychological suspense centered on a long-ago crime of passion, from an Edgar Award–winning author (Publishers Weekly, starred review). With dreams of academic greatness, Lucas Paige rose from humble and sordid beginnings to attend Harvard. But his achievements since then have been meager. In St. Louis to give yet another sparsely attended reading, he discovers a face from the past he’s tried to forget: Lola Faye Gilroy, the “other woman” he long blamed for his father’s murder. Reluctantly, Luke joins Lola Faye for a drink. As one drink turns into several, these two battered souls relive, from their different perspectives, the most searing experience of their lives. They are transported back to the tiny southern town of Glenville, Alabama, where a violent crime of passion is turned in the light once more. As it turns out, there is much Luke doesn’t know. And what he doesn’t know can hurt him. Trapped in an increasingly intense exchange, Luke struggles to gain control and determine what Lola Faye is truly after—before it is too late. This “darkly powerful” (Kirkus Reviews) literary thriller, rich with Southern atmosphere, is “a knockout” (People). “Cook continues his work as one of the best fiction writers in America.” —The Plain Dealer
This “beautifully written and elegantly plotted” thriller from the Edgar Award–winning author of The Chatham School Affair is “one of his best ever” (The Globe and Mail, Toronto). Twenty years ago, Ray Campbell was a well-intentioned aid worker dedicated to improving conditions in Lubanda, a newly independent African country. Now a cautious risk-management consultant, he is forced to reconsider that year of living dangerously when an old friend is found murdered in a New York alley. Signs suggest that this recent tragedy is rooted in a more distant one—that of Martine Aubert, the only woman Ray ever loved, whose fate he’d sealed with a grievous mistake: “In Rupala, twenty years before, I had rolled the dice for a woman who was not even present at the table, and how on the outcome of that toss, a braver and more knowing heart than mine had been forfeited.” Martine Aubert was a white, native Lubandan farmer whose dream for her homeland put her in conflict with fearsome men intent on its so-called development. As Ray returns to Lubanda to investigate the cause of his friend’s murder, he also revisits the passion he’d once felt for Martine and vows, in her memory, to rectify his wrongs. A Dancer in the Dust is a gripping story of ill-fated love: one man’s love for an extraordinary woman, and one woman’s love for her troubled country. “Not since John Le Carré’s The Mission Song have I seen such a loving and sorrowful portrait of modern Africa.” —The News & Observer (Raleigh)
