Thieves, liars, killers, and conspirators—it's a criminal world out there, and someone has got to write about it. An eclectic collection of the year's best reportage, The Best American Crime Reporting 2007 brings together the murderers and muscle men, the masterminds, and the mysteries and missteps that make for brilliant stories, told by the aces of the true crime genre. This latest addition to the highly acclaimed series features guest editor Linda Fairstein, the bestselling crime novelist and former chief prosecutor of the Manhattan District Attorney's Office's pioneering Special Victims' Unit.
Many theories--from the routine to the bizarre--have been offered up to explain the crime decline of the 1990s. Was it record levels of imprisonment? An abatement of the crack cocaine epidemic? More police using better tactics? Or even the effects of legalized abortion? And what can we expect from crime rates in the future? Franklin E. Zimring here takes on the experts, and counters with the first in-depth portrait of the decline and its true significance. The major lesson from the 1990s is that relatively superficial changes in the character of urban life can be associated with up to 75% drops in the crime rate. Crime can drop even if there is no major change in the population, the economy or the schools. Offering the most reliable data available, Zimring documents the decline as the longest and largest since World War II. It ranges across both violent and non-violent offenses, all regions, and every demographic. All Americans, whether they live in cities or suburbs, whether rich or poor, are safer today. Casting a critical and unerring eye on current explanations, this book demonstrates that both long-standing theories of crime prevention and recently generated theories fall far short of explaining the 1990s drop. A careful study of Canadian crime trends reveals that imprisonment and economic factors may not have played the role in the U.S. crime drop that many have suggested. There was no magic bullet but instead a combination of factors working in concert rather than a single cause that produced the decline. Further--and happily for future progress, it is clear that declines in the crime rate do not require fundamental social or structural changes. Smaller shifts in policy can make large differences. The significant reductions in crime rates, especially in New York, where crime dropped twice the national average, suggests that there is room for other cities to repeat this astounding success. In this definitive look at the great American crime decline, Franklin E. Zimring finds no pat answers but evidence that even lower crime rates might be in store.
"A gazetteer of American noir."- Daily Telegraph In the summer of 1989 John Williams donned a baseball cap and took off for the States to search out the mythical America of modern crime fiction-to find James Ellroy's Los Angeles, Elmore Leonard's sleazy South Beach of Miami, Sara Paretsky's Chicago, and many others on a tour of the American underbelly. The result was Into the Badlands, a riveting collection of interviews. In 2005 Williams returned to discover that much had changed in the intervening years, both in crime writing and in America as a whole. As Williams crosses America in the wake of Hurricane Katrina, he finds himself in a profoundly uneasy country. Whether their territory is inner-city DC, like George Pelecanos, or the rural white poverty of the Ozark Hills, like Daniel Woodrell, the best crime writers today are sending dispatches from the edge. John Williams brings their visions together to construct a powerful, personal portrait of America today. Includes interviews with James Lee Burke, James Ellroy, James Crumley, Sara Paretsky, Eugene Izzi, Elmore Leonard, George V. Higgins, Vicki Hendricks, Kem Nunn, Kinky Friedman, Daniel Woodrell, and George P. Pelecanos.
Thieves, liars, killers, and conspirators—it's a criminal world out there, and someone has got to write about it. An eclectic collection of the year's best reportage, The Best American Crime Reporting 2008 brings together the murderers and the masterminds, the mysteries and missteps that make for brilliant stories, told by the aces of the true-crime genre. This latest addition to the highly acclaimed series features guest editor Jonathan Kellerman, bestselling author of more than twenty crime novels, most recently Compulsion and the forthcoming Bones.
On the eve of WWII, an international plot leads to a deadly obsession: “Nobody tells a story better than Thomas H. Cook” (Michael Connelly, New York Times–bestselling author of Two Kinds of Truth). It’s 1939 and the world is on the brink of war, but Thomas Danforth is in New York City living a fortunate life. The well-traveled son of a wealthy importer, he’s in his twenties and running the family business, looking forward to a bright future. Then, during a snowy evening walk along Gramercy Park, a friend makes a fateful request—and involves Thomas in a dangerous idea that could change the fates of millions. Thomas is to provide access to his secluded Connecticut mansion, where a mysterious woman will receive training in firearms and explosives. Thus begins an international plot carried out by the strange and alluring Anna Klein—a plot that will ensnare Thomas in more ways than one. When it all goes wrong and Anna disappears, he will travel far from home once again, but this time, into a war-torn world that is far more dangerous, in this story by an Edgar Award–winning author known for his “piercing thrillers” (New York Daily News). “No other suspense writer takes readers as deeply into the heart of darkness as Thomas H. Cook.” —Chicago Tribune
The Rough Guide to Crime Fiction takes the reader on a guided tour of the mean streets and blind corners that make up the world’s most popular literary genre. The insider’s book recommends over 200 classic crime novels from masterminds Raymond Chandler and Patricia Highsmith to modern hotshots James Elroy and Patricia Cornwall. You’ll investigate gumshoes, spies, spooks, serial killers, forensic females, prying priests and patsies from the past, present, and future. Complete with extra information on what to read next, all movie adaptions, and illustrated throughout with photos and diagrams ...all the evidence that counts
What are the ingredients of a hard-boiled detective story? "Savagery, style, sophistication, sleuthing and sex," said Ellery Queen. Often a desperate blond, a jealous husband, and, of course, a tough-but-tender P.I. the likes of Sam Spade or Philop Marlowe. Perhaps Raymond Chandler summed it up best in his description of Dashiell Hammett's style: "Hammett gave murder back to the kind of people that commit it....He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes." Hard-Boiled: An Anthology of American Crime Stories is the largest and most comprehensive collection of its kind, with over half of the stories never published before in book form. Included are thirty-six sublimely suspenseful stories that chronicle the evolutiuon of this quintessentially American art form, from its earliest beginnings during the Golden Age of the legendary pulp magazine Black Mask in the 1920s, to the arrival of the tough digest Manhunt in the 1950s, and finally leading up to present-day hard-boiled stories by such writers as James Ellroy. Here are eight decades worth of the best writing about betrayal, murder, and mayhem: from Hammett's 1925 tour de force "The Scorched Face," in which the disappearance of two sisters leads Hammett's never-named detective, the Continental Op, straight into a web of sexual blackmail amidst the West Coast elite, to Ed Gorman's 1992 "The Long Silence After," a gripping and powerful rendezvous involving a middle class insurance executive, a Chicago streetwalker, and a loaded .38. Other delectable contributions include "Brush Fire" by James M. Cain, author of The Postman Always Rings Twice, Raymond Chandler's "I'll Be Waiting," where, for once, the femme fatale is not blond but a redhead, a Ross Macdonald mystery starring Macdonald's most famous creation, the cryptic Lew Archer, and "The Screen Test of Mike Hammer" by the one and only Micky Spillane. The hard-boiled cult has more in common with the legendary lawmen of the Wild West than with the gentleman and lady sleuths of traditional drawing room mysteries, and this direct line of descent is on brilliant display in two of the most subtle and tautly written stories in the collection, Elmore Leonard's "3:10 to Yuma" and John D. MacDonald's "Nor Iron Bars." Other contributors include Evan Hunter (better known as Ed McBain), Jim Thompson, Helen Nielsen, Margaret Maron, Andrew Vachss, Faye Kellerman, and Lawrence Block. Compellingly and compulsively readable, Hard-Boiled: An Anthology of American Crime Stories is a page-turner no mystery lover will want to be without. Containing many notable rarities, it celebrates a genre that has profoundly shaped not only American literature and film, but how we see our heroes and oursleves.
This “beautifully written and elegantly plotted” thriller from the Edgar Award–winning author of The Chatham School Affair is “one of his best ever” (The Globe and Mail, Toronto). Twenty years ago, Ray Campbell was a well-intentioned aid worker dedicated to improving conditions in Lubanda, a newly independent African country. Now a cautious risk-management consultant, he is forced to reconsider that year of living dangerously when an old friend is found murdered in a New York alley. Signs suggest that this recent tragedy is rooted in a more distant one—that of Martine Aubert, the only woman Ray ever loved, whose fate he’d sealed with a grievous mistake: “In Rupala, twenty years before, I had rolled the dice for a woman who was not even present at the table, and how on the outcome of that toss, a braver and more knowing heart than mine had been forfeited.” Martine Aubert was a white, native Lubandan farmer whose dream for her homeland put her in conflict with fearsome men intent on its so-called development. As Ray returns to Lubanda to investigate the cause of his friend’s murder, he also revisits the passion he’d once felt for Martine and vows, in her memory, to rectify his wrongs. A Dancer in the Dust is a gripping story of ill-fated love: one man’s love for an extraordinary woman, and one woman’s love for her troubled country. “Not since John Le Carré’s The Mission Song have I seen such a loving and sorrowful portrait of modern Africa.” —The News & Observer (Raleigh)
This year's Best American Magazine Writing features articles on politics, culture, sports, sex, race, celebrity, and more. Selections include Ta-Nehisi Coates's intensely debated "The Case For Reparations" (The Atlantic) and Monica Lewinsky's reflections on the public-humiliation complex and how the rules of the game have (and have not) changed (Vanity Fair). Amanda Hess recounts her chilling encounter with Internet sexual harassment (Pacific Standard) and John Jeremiah Sullivan shares his investigation into one of American music's greatest mysteries (New York Times Magazine). The anthology also presents Rebecca Traister's acerbic musings on gender politics (The New Republic) and Jerry Saltz's fearless art criticism (New York). James Verini reconstructs an eccentric love affair against the slow deterioration of Afghanistan in the twentieth century (The Atavist); Roger Angell offers affecting yet humorous reflections on life at ninety-three (The New Yorker); Tiffany Stanley recounts her poignant experience caring for a loved one with Alzheimer's (National Journal); and Jonathan Van Meter takes an entertaining look at fashion's obsession with being a social-media somebody (Vogue). Brian Phillips describes his surreal adventures in the world of Japanese ritual and culture (Grantland), and Emily Yoffe reveals the unforeseen casualties in the effort to address the college rape crisis (Slate). The collection concludes with a work of fiction by Donald Antrim, exploring the geography of loss. (The New Yorker).
A “marvelously tense” novel of psychological suspense centered on a long-ago crime of passion, from an Edgar Award–winning author (Publishers Weekly, starred review). With dreams of academic greatness, Lucas Paige rose from humble and sordid beginnings to attend Harvard. But his achievements since then have been meager. In St. Louis to give yet another sparsely attended reading, he discovers a face from the past he’s tried to forget: Lola Faye Gilroy, the “other woman” he long blamed for his father’s murder. Reluctantly, Luke joins Lola Faye for a drink. As one drink turns into several, these two battered souls relive, from their different perspectives, the most searing experience of their lives. They are transported back to the tiny southern town of Glenville, Alabama, where a violent crime of passion is turned in the light once more. As it turns out, there is much Luke doesn’t know. And what he doesn’t know can hurt him. Trapped in an increasingly intense exchange, Luke struggles to gain control and determine what Lola Faye is truly after—before it is too late. This “darkly powerful” (Kirkus Reviews) literary thriller, rich with Southern atmosphere, is “a knockout” (People). “Cook continues his work as one of the best fiction writers in America.” —The Plain Dealer
