The Besom Maker and Other Country Folk Songs

The Besom Maker and Other Country Folk Songs

Author: Heywood Sumner

Publisher: Read Books Ltd

Published: 2017-11-13

Total Pages: 51

ISBN-13: 1473344298

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"The Besom Maker and Other Country Folk Songs" is a collection of traditional English countryside songs first published in 1888. The songs of this collection are such as would have been sung in the fields and meadows for generations, and perhaps are still known to some. With beautiful illustrations and complete lyrics and sheet music, this volume is not to be me missed by those with an interest in learning and playing traditional English songs. The songs include: "The Besom Maker", "God Speed the Plough", "The Wassail Song", "My Johnnie was a Shoemaker", "The Reaphook & the Sickle", "Mobblety Bobblety", "The Two Young Men of Kenilworth", "Forty Dukes a Riding", "The Jolly Ploughboy", and more. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction on folk music.


Victorian Songhunters

Victorian Songhunters

Author: E. David Gregory

Publisher: Rowman & Littlefield

Published: 2006

Total Pages: 458

ISBN-13: 0810857030

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Victorian Songhunters is a history of popular song collecting and ballad editing from 1820 to 1883. It is a comprehensive telling of the Victorian vernacular song revival leading up to the Eduardian folksong festival, and includes information on the folksong revival in Scotland.


The Voice of the People

The Voice of the People

Author: Matthew Campbell

Publisher: Anthem Press

Published: 2013-11-01

Total Pages: 232

ISBN-13: 1783080612

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‘The Voice of the People’ presents a series of essays on literary aspects of the European folk revival of the eighteenth and nineteenth centuries, and focuses on two key practices of antiquarianism: the role that collecting and editing played in the formation of ethnological study in the European academy; and the business of publishing and editing, which produced many ‘folkloric’ texts of dubious authenticity. The volume also presents new readings of various genres, including the epic, song, tale and novel, and contributes to the study of several crucial European literary figures. Above all, it investigates the great anonymous authors of the European folk tradition – in narrative and lyric art – and their relation to the cultural movements and imagined identities of the peoples of the emerging nineteenth-century European nation.