By exploring the interplay among gender, religion, and modernity, this book exposes the part Chinese Christian women played in China’s quest for a strong nation in general and in Republican Beijing’s modern transformation in particular. Focusing on the Beijing Young Women’s Christian Association (YWCA), the author examines how the Association, guided by the Christian tenet “to serve, not to be served,” tailored its Western models and devised new programs to meet the city’s demands. Its enterprises ranged from providing women- and child-oriented facilities to promoting constructive recreational activities and from reforming home and family to improving public health. Through an analysis of these endeavors, the author argues that the Chinese YW women's contribution to the city's modernity was a creative embodiment of the then socially targeted missionary movement known as the Social Gospel. In the process, they demonstrated their distinctive new ideals of womanhood featuring practicality, social service, and broad cooperation. These qualities set them apart from both traditional women and other brands of the New Woman. While criticized as trivial, their efforts, however, pioneered modern social service in China and complemented what municipal authorities and other progressive groups undertook to modernize the city.
Based on seventy-five oral history interviews, Dreaming the New Woman uncovers the voices of Chinese women who attended Protestant missionary schools for girls in China in the early twentieth century. By focusing on the experience of women who attended these schools, Jennifer Bond provides fresh perspectives on the role of Christianity in the emergence of the Chinese New Woman. The book explores how girls negotiated overlapping school, patriotic, Christian, gendered, and Communist identities during China's turbulent twentieth century of wars and revolutions.
The YWCA arrived in China as a cultural interloper in 1899. How did activist Christian Chinese women maintain their identity and social relevance through the tumultuous first half of the twentieth century? The YWCA in China explores how the Young Women’s Christian Association responded to the needs of Chinese women and society both before and after the 1949 revolution ushered in a communist state. Western secretaries originally defined the Chinese YWCA movement, but successive generations of Chinese leadership localized its Western-defined organizational ethos. Over time, "the Y" became class conscious and progressive as Chinese women transformed it from a vehicle for moral and material uplift to an instrument for social action and an organizational citizen of China. And after 1949, national YWCA leaders supported the Maoist regime because they believed the social goals of the YWCA aligned with Mao’s revolutionary aims. The YWCA in China is a fascinating investigation of the lives, thinking, and action of women whose varied forms of Christian and Chinese identity were buffeted by historical events that moulded their social philosophies.
The Party Family explores the formation and consolidation of the state in revolutionary China through the crucial role that social ties—specifically family ties—played in the state's capacity to respond to crisis before and after the foundation of the People's Republic of China. Central to these ties, Kimberley Ens Manning finds, were women as both the subjects and leaders of reform. Drawing on interviews with 163 participants in the provinces of Henan and Jiangsu, as well as government documents and elite memoirs, biographies, speeches, and reports, Manning offers a new theoretical lens—attachment politics—to underscore how family and ideology intertwined to create an important building block of state capacity and governance. As The Party Family details, infant mortality in China dropped by more than half within a decade of the PRC's foundation, a policy achievement produced to a large extent through the personal and family ties of the maternalist policy coalition that led the reform movement. However, these achievements were undermined or reversed in the complex policy struggles over the family during Mao's Great Leap Forward (1958–60).
In a groundbreaking work, Klaus Muhlhahn offers a comprehensive examination of the criminal justice system in modern China, an institution deeply rooted in politics, society, and culture. In late imperial China, flogging, tattooing, torture, and servitude were routine punishments. Sentences, including executions, were generally carried out in public. After 1905, in a drive to build a strong state and curtail pressure from the West, Chinese officials initiated major legal reforms. Physical punishments were replaced by fines and imprisonment. Capital punishment, though removed from the public sphere, remained in force for the worst crimes. Trials no longer relied on confessions obtained through torture but were instead held in open court and based on evidence. Prison reform became the centerpiece of an ambitious social-improvement program. After 1949, the Chinese communists developed their own definitions of criminality and new forms of punishment. People's tribunals were convened before large crowds, which often participated in the proceedings. At the center of the socialist system was reform through labor, and thousands of camps administered prison sentences. Eventually, the communist leadership used the camps to detain anyone who offended against the new society, and the crime of counterrevolution was born. Muhlhahn reveals the broad contours of criminal justice from late imperial China to the Deng reform era and details the underlying values, successes and failures, and ultimate human costs of the system. Based on unprecedented research in Chinese archives and incorporating prisoner testimonies, witness reports, and interviews, this book is essential reading for understanding modern China.
This innovative and widely praised volume uses the dramatic occupation of Tiananmen Square as the foundation for rethinking the cultural dimensions of Chinese politics. Now in a revised and expanded second edition, the book includes enhanced coverage of key issues, such as the political dimensions of popular culture (addressed in a new chapter on Chinese rock-and-roll by Andrew Jones) and the struggle for control of public discourse in the post-1989 era (discussed in a new chapter by Tony Saich). Two especially valuable additions to the second edition are art historian Tsao Tsing-yuan's eyewitness account of the making of the Goddess of Democracy, and an exposition of Chinese understandings of the term ?revolution? contributed by Liu Xiaobo, one of China's most controversial dissident intellectuals. The volume also includes an analysis (by noted social theorist and historical sociologist Craig C. Calhoun) of the similarities and differences between the ?new? social movements of recent decades and the ?old? social movements of earlier eras.TEXT CONCLUSION: To facilitate classroom use, the volume has been reorganized into groups of interrelated essays. The editors introduce each section and offer a list of suggested readings that complement the material in that section.
"Although Russell's own political vision may have narrowed over the years, Garner's reconstruction of her life broadens our understanding of U.S.-China relations during the twentieth century. Not only did Russell come to see her own country through the eyes of an ideological antagonist, she also brought to that vantage point the experiences of a modern American woman. As Garner shows, even if one did not agree with Russell's views, one could not deny the fervor of her commitment to gender equality, social justice, and internationalism."--BOOK JACKET.
A most remarkable change took place in the first half of the twentieth century in China--women journalists became powerful professionals who championed feminist interests, discussed national politics, and commented on current social events by editing independent periodicals. The rise of modern journalism in China provided literate women with a powerful institution that allowed them articulate women's presence in the public space. In editing women's periodicals, women writers transformed themselves from traditional literary women (cainü) to professional women journalists (nübaoren) in the period of 1898-1937 when journalism became increasingly independent of and resistant to state control. The women's media writings in the early decades of the twentieth century not only reveal the historical diversity and complexity of feminist issues in China but also casts light upon important feminist topics that have survived the Nationalist, Communist, and economic reform eras. Today, public debate on women's issues in Mainland China and Taiwan is shaped by past feminist discourse and uses a vocabulary and language familiar to readers of an earlier era. This book examines how women journalists constructed Chinese feminism and debated patriarchy and women's roles in the newly created public space of print media during the period of 1898-1937. It studies Chinese women's public writings in periodicals edited and staffed by women journalists in four major urban centers-Shanghai, Tokyo, Beijing, and Tianjin at a time when urban society underwent major transformation and experienced drastic political, social, and cultural changes. The revolution that overthrew the imperial government in 1911; an attack on patriarchy by cultural radicals in 1915-1919; and the advocacy of nationalism, liberalism, socialism, and feminism by intellectuals who received a Western-style education all worked together to undermine the Confucian notions of gender hierarchy, spatial separation of the sexes, and female domesticity among the well-educated urban classes. Doors of political participation, public activism, and production cracked open for courageous women who ventured into urban public spaces. From 1898 to 1937, urban women of the upper, middle, and working classes became increasingly visible at modern schools, as well as in career and production fields, political activism, and women's movements. At the same time, women edited independent periodicals and championed women's rights. Women's periodicals provided a site where writers negotiated with nationalism, patriarchy, and party lines to define and defend women's interests. These early feminist writings captured how activists perceived themselves and responded to the social and political changes around them. This book takes a historical approach in its examination and uses gender as an analytical category to study the significance of women's press writings in the years of nation building. Treating women journalists as agents of change and using their media writings as primary sources, this book explores what mattered to women writers at different historical junctures, as well as how they articulated values and meaning in a changing society and guided social changes in the direction they desired. It delineates the transformation of women journalists from political-minded Confucian gentry women to professional journalists, and of women's periodicals from representing women journalists' views to addressing the concerns and needs of the majority of women. It analyzes how the concepts of "feminism" and "nationalism" were embodied with different--even contesting--meanings at given historical junctures, and how women journalists managed to advance various feminist agendas by tapping on the various meanings of nationalism. This is an important book for collections in Asian studies, journalism history, and women's studies.
Twentieth Century China: New Approaches is an important revisionist study of China's recent past. The chapters throw light on a variety of subjects within the field, which has recently undergone considerable change. The three major parts of this reader take into account the historical shape of the century, local perspectives on national history, and reflections on cultural history. The chapters in this volume reflect a move away from a Western-centred analysis of Chinese history, as well as the new wealth of archival material made accessible over the last decade. They highlight in challenging ways important topics that have generated considerable excitement among historians. Subjects discussed include the watershed date of 1949, feminism, the revolutions, the discourse of the communist party, and political theatre in modern China.
