A girl born in the back woods of a small town in Georgia before World War II, Edna learns what it's like to be poor and not even know it. She doesn't know she's being discriminated against. She doesn't realize there are countries who want to take her country away from the people, or country to whom it belongs. She doesn't know there is a different lifestyle out there in the world, much like the one her grandfather preached and taught his biological family, and church family to avoid patterning after. Things you don't know may hurt you if you become involved to an extent greater than what you ought. Be careful with your life . . . it is precious!
#1 NEW YORK TIMES BESTSELLER • The brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time, in his own words—featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death NAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN • NOMINATED FOR THE NAACP IMAGE AWARD Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince’s early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince’s evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to the book’s images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince’s ideas and vision, his voice and image—his undying gift to the world.
“God will never be mad at you!” Although the Bible assures us that God’s essential nature is love, how seldom one hears such encouraging words in church. Maybe you are one of the many people who have dropped out of the church because of its prevalent portrayal of God as an unfriendly old man who is always angry with those who don’t shape up and, worse yet, plans to punish those who don’t believe and behave correctly with eternal conscious torment. If you’ve ever wondered whether the Bible supports such an irritated image of God, this book is for you. Looking closely at major beliefs and key passages of Scripture, author Morgan Roberts introduces us to a friendlier God, a God who is incapable of anything other than love, a God who will never give up on anyone—a God who even loves our enemies! Such a beautiful view of God is the result of the author’s lifetime journey as a pastor and teacher, a journey that began when, as a teenager, he happened to find a copy of the New Testament and began reading about a God who is endlessly, foolishly, and incredibly merciful.
"Break free from tangles of logic and markup in your views, and implement your user interface in Rails cleanly and maintainably. Build up solid, sustainable layouts with HTML5. Then learn to manage your forms and keep your markup clean. Learn when (and when not) to use Presenters, and how to tame HTML emails. Master the asset pipeline introduced in Rails 3.1 as you use Sass and CoffeeScript to create easy-to-manage code for enjoyable user interfaces"--P. [4] of cover.
Instant New York Times and Indie Bestseller! New York Times bestselling author Renée Ahdieh returns with a sumptuous, sultry and romantic new series set in 19th century New Orleans where vampires hide in plain sight. In 1872, New Orleans is a city ruled by the dead. But to seventeen-year-old Celine Rousseau, New Orleans is a safe haven after she's forced to flee her life as a dressmaker in Paris. Taken in by the sisters of the Ursuline convent in the middle of the carnival season, Celine is quickly enraptured by the vibrant city, from its music to its fancy soirées and even its danger. She becomes embroiled in the city's glitzy underworld, known as La Cour des Lions, after catching the eye of the group's enigmatic leader, Sébastien Saint Germain. When the body of one of the girls from the convent is found in Sébastien's own lair--the second dead girl to turn up in recent weeks--Celine battles her attraction to Sébastien and suspicions about his guilt along with the shame of her own horrible secret. After a third murder, New Orleans becomes gripped by the terror of a serial killer on the loose--one who has now set Celine in his sights. As the murderer stalks her, Celine finally takes matters into her own hands, only to find herself caught in the midst of an age-old feud between the darkest creatures of the night, where the price of forbidden love is her life. At once a sultry romance and a decadent, thrilling mystery, master storyteller Renée Ahdieh embarks on her most potent fantasy series yet.
Roberto Benigni's romantic comedy Life is Beautiful enjoyed tremendous success everywhere it was shown. In addition to winning almost every possible film award, including three Oscars, lavish praise and film reviews, it grossed over a quarter of a billion dollars—the most profitable Italian movie ever. Very few have questioned the movie—until now. With sharp, uncompromising logic and eye-opening insight, Niv analyzes the film and its script scene-by-scene to show why Life is Beautiful is very far from being the innocent, charming, and heartwarming film it appears to be. The author argues that the film not only lends support to the central arguments of Holocaust deniers, but is actually a quasi-theological, Christian parable which seeks to justify the extermination of Jews in the 20th century as divine punishment for the sin of the crucifixion of Jesus two thousand years ago. Life is Beautiful, But Not for Jews is a riveting book that simply and concisely raises some important and complex ideas about film and psychology in post-Holocaust civilization. It also serves as an elementary course in the appreciation of films and artistic texts in general and in deciphering their deeper meanings, teaching the reader to more clearly grasp the hidden significance of cultural processes. This is the first English translation of the Hebrew text.
Arguing that the two traditions comprised not only painterly but literary theory and practice, Paulson explores the innovations of Henry Fielding, John Cleland, Laurence Sterne, and Oliver Goldsmith, which followed and complemented the practice in the visual arts of Hogarth and his followers.
He really did not expect that after receiving so many blows, he would become dispirited. On the day of the distant Elder Male Cousin's wedding, not only had he mistakenly entered the bridal chamber, but he had also created a huge joke. In order to make the people of the village think highly of him, but also for the woman he loved, he had, under the encouragement of the cousin sister-in-law, embarked on a path of counter-attack.
The Wheel of Ideals shows three families of ideals, the heroic, civic and altruistic, that sometimes work together and sometimes conflict. Every ideal has its true believers, and unbelievers: some people believe in it strongly, others less strongly, and others not at all--or so they claim. As ideals divide, people also divide. We can't all get along, perfectly, all the time, even with ourselves. Why not? Do we need conflict to make progress? Is perfect peace too peaceful? As ideals can be ignored or betrayed, they can also be carried too far, into decadence: dionysian overheating and the apollonian deep freeze. If you carried an ideal too far, how would you come to realize your mistake? How would you feel the gravity, the balancing pull, of the ideal calling you home? Without failure, without going too far, what is lost? What is the good of all these ideals, and these forms of decadence? The Wheel of Ideals suggests that we will go on asking these questions.
The setting of the book is in the Blue Ridge Mountains of western Virginia. It concerns the settling of an old man's estate by its heirs, his two sons. The two sons expected it to be a very simple matter to handle the disposition of the small estate consisting of a two room mountain cabin and a few acres of land on the side of a mountain. Little did they dream what a hard and exciting task it would be. Mystery and mayhem occurred at "Pop's cabin" as the two brothers referred to it. They found themselves involved in "wild west" excitement through no fault of theirs. Never in their wildest dreams would they have expected to encounter such excitement as occurred to them in their efforts to settle the estate centered around "Pop's cabin". The reader will be wondering what will happen next to the two brothers.
