1. Wotton vs. Temple -- 2. Bentley vs. Christ Church -- 3. Stroke and Counterstroke -- 4. The Querelle -- 5. Ancient Greece and Modern Scholarship -- 6. Pope's Iliad -- 7. Pope and the Quarrel between the Ancients and the Moderns -- 8. Bentley's Milton -- 9. History and Theory -- 10. Ancients -- 11. Moderns -- 12. Ancients and Moderns.
'Agincourt! Agincourt! Know ye not Agincourt?' So began a ballad of around 1600. Since the event itself (25 October 1415), Agincourt has occupied a special place in both English and French consciousness. Some early French writers could not bring themselves to mention it by name, using instead descriptions such as 'the accursed day'. For the English, it was one of the greatest military successes ever, and thus was celebrated and commemorated in many forms over the centuries which followed. In the First World War, there were stories of angelic Agincourt bowmen giving support and inspiration to the British army. Much ink has been spilt on the battle but do we really know Agincourt? Many historical works have relied on one or two well known sources or even on Shakespeare. Not since Harris Nicolas's History of the Battle of Agincourt was published (1827-33) has there been a full attempt to survey the sources. This book brings together, in translation and with commentary, English and French narrative accounts and literary works of the fifteenth century. It also traces the treatment of the battle in sixteenth -century English histories and in the literary output of, amongst others, Shakespeare and Drayton. After examining how later historians interpreted the battle, it concludes with the first full assessment of the extremely rich administrative records which survive for the armies which fought 'upon Saint Crispin's day'.
A Source Book for Mediæval History is a scholarly piece by Oliver J. Thatcher. It covers all major historical events and leaders from the Germania of Tacitus in the 1st century to the decrees of the Hanseatic League in the 13th century.
Written by a team of leading international scholars, The Cambridge Companion to Shakespeare and War illuminates the ways Shakespeare's works provide a rich and imaginative resource for thinking about the topic of war. Contributors explore the multiplicity of conflicting perspectives his dramas offer: war depicted from chivalric, masculine, nationalistic, and imperial perspectives; war depicted as a source of great excitement and as a theater of honor; war depicted from realistic or skeptical perspectives that expose the butchery, suffering, illness, famine, degradation, and havoc it causes. The essays in this volume examine the representations and rhetoric of war throughout Shakespeare's plays, as well as the modern history of the war plays on stage, in film, and in propaganda. This book offers fresh perspectives on Shakespeare's multifaceted representations of the complexities of early modern warfare, while at the same time illuminating why his perspectives on war and its consequences continue to matter now and in the future.