There is nothing like the satisfaction of owning a beautiful handmade basket. They brighten any room, are useful around any home, and make cherished heirloom gifts. This magnificent collection of over 30 baskets draws on the long, rich tradition of basketmaking and uses a variety of fascinating techniques and easy-to-find materials. In a matter of hours, you can proudly produce a handsome basket that will be admired for generations to come. You'll appreciate the step-by-step instructions, including over 400 illustrations, colorful full-page photos and helpful hints and suggestions. Gorgeous watercolors of baskets are interspersed throughout, making this book as beautiful as it is useful. Book jacket.
The decorated sandals worn by prehistoric southwesterners with their complex fiber structures and designs have been dissected, described, and interpreted for a century. Nevertheless, these artifacts remain mysterious in many respects. Teague and Washburn examine these sandals as sources of information on the history of the people known as the Basketmakers. The unique sandals of early southwestern farmers appear in Basketmaker II and reach their greatest elaboration with the complex fabric structures and colorbanded designs of Basketmaker III. The appearance of this footwear coincides with the transition to fully sedentary maize agriculture. The authors address the origins of these sandals and what they may reveal about population movements onto and around the Colorado Plateau and about the cosmology of early farmers.
This major synthesis of work explores new evidence gathered at Basketmaker III sites on the Colorado Plateau in search of further understanding of Anasazi development. Since the 1960s, large-scale cultural resource management projects have revealed the former presence of Anasazi within the entire northern Southwest. These discoveries have resulted in a greatly expanded view of the BMIII period (A.D. 550-750) which immediately proceeds the Pueblo phase. Particularly noteworthy are finding of Basketmaker remains under those of later periods and in sites with open settings, as opposed to the more classic Basketmaker cave and rock shelter sites. Foundations of Anasazi Culture explores this new evidence in search of further understanding of Anasazi development. Several chapters address the BMII-BMIII transition, including the initial production and use of pottery, greater reliance on agriculture, and the construction of increasingly elaborate structures. Other chapters move beyond the transitional period to discuss key elements of the Anasazi lifestyle, including the use of gray-,red-, and white-ware ceramics, pit structures, storage cists, surface rooms, full dependence on agriculture, and varying degrees of social specialization and differentiation. A number of contributions address one or more of these issues as they occur at specific sites. Other contributors consider the material culture of the period in terms of common elements in architecture, ceramics, lithic technology, and decorative media. This work on BMIII sites on the Colorado Plateau will be useful to anyone with an interest in the earliest days of Anasazi civilization.
When she published her first book about starting a home-based gift basket business, Shirley George Frazier blazed the trail for other home-based business owners coast to coast. She also tapped a growing demand for gift baskets, the all-occasion solution for personalized and memorable presents. Her business was such a phenomenon that Frazier turned her experiences into a book to instruct readers how to make these baskets themselves, combining the creative with the practical and even providing designs for those who wanted to start their own business! This all-new revised edition features: *distinctive holiday ideas *alternate containers for gift baskets *new gift baskets geared for: the techie, the college student, the pet lover, and more! Shirley George Frazier is also the author of MARKETING STRATEGIES FOR THE HOME-BASED BUSINESS (November “07) and HOW TO START A HOME-BASED GIFT BASKET BUSINESS, 4th edition. She is a business owner and marketing expert who appears at small-business workshops across the country, and is often featured on TV network shows as an expert on home-based businesses.
The peoples of northwestern Califonia's Lower Klamath River area have long been known for their fine basketry. Two early-twentieth-century weavers of that region, Elizabeth Hickox and her daughter Louise, created especially distinctive baskets that are celebrated today for their elaboration of technique, form, and surface designs. Marvin Cohodas now explores the various forces that influenced Elizabeth Hickox, analyzing her relationship with the curio trade, and specifically with dealer Grace Nicholson, to show how those associations affected the development and marketing of baskets. He explains the techniques and patterns that Hickox created to meet the challenge of weaving design into changig three-dimensional forms. In addition to explicating the Hickoxes' basketry, Cohodas interprets its uniqueness as a form of intersocietal art, showing how Elizabeth first designed her distinctive trinket basket to convey a particular view of the curio trade and its effect on status within her community. Through its close examination of these superb practitioners of basketry, Basket Weavers for the California Curio Trade addresses many of today's most pressing questions in Native American art studies concerning individuality, patronage, and issues of authenticity. Graced with historic photographs and full-color plates, it reveals the challenges faced by early-twentieth-century Native weavers. "Extremely well written and based on an impressive amount of archival research. . . . It skillfully interweaves biography, rigorous stylistic analysis, and social history into an impressive story."--Janet Berlo, editor, The Early Years of Native American Art History Published with the assistance of The Southwest Museum, Los Angeles.
American Baskets is the first book to offer a comprehensive overview of an art form that is ten thousand years old. Basketmaking is the most basic of all crafts in its methods and material, and its development reflects specifically local traditions. Here, author Robert Shaw ("the information source on major U.S. crafts" -- "Booklist) examines the craft's history and artistry throughout the country and through various periods. Once among the most common of household objects, handmade baskets have a cachet that has never been equaled. Despite the fact that the American artisan basket has all but disappeared from daily use (the baskets that we have in our homes today are either made from synthetic materials, often by machine, or imported from overseas where labor is cheap), the genuine example of a handcrafted basket is highly prized as a beautiful and valuable object. Baskets are fixtures in the popular style of country decorating, and collectors search out fine antiques as well as outstanding contemporary basket creations. American Baskets celebrates the treasures of yesterday while exploring the work of many of the fine artists who labor over the art form today. Beautifully photographed and exhaustively researched, American Baskets analyzes the influences of both Native Americans and early settlers, including the Aleuts and Hopi as well as the Quakers and Pennsylvania Dutch. The significant contributions of early African-American East Coast culture and the rich heritage of rural Appalachia are also discussed. Paying special attention to the collectible aspect of the American basket, Robert Shaw investigates every type of basket indigenous to this country: ash splint farmbaskets, rattan "lightship" baskets, rye straw baskets, African-American rush baskets, and more. A resource guide listing museums that house basket exhibits, antiques dealers and auction houses that sell high-quality pieces, and traditional basket artisans and organizations completes the elegant package.
During the late 1920s and early 1930s, archaeologists Earl and Ann Axtell Morris discovered an abundance of sandals from the Basketmaker II and III through Pueblo III periods while excavating rockshelters in northeastern Arizona. These densely twined sandals made of yucca yarn were intricately crafted and elaborately decorated, and Earl Morris spent the next 25 years overseeing their analysis, description, and illustration. This is the first full published report on this unusual find, which remains one of the largest collections of sandals in Southwestern archaeology. This monograph offers an integrated archaeological and technical study of the footwear, providing for the first time a full-scale analysis of the complicated weave structures they represent. Following an account by anthropologist Elizabeth Ann Morris of her parents' research, textile authority Ann Cordy Deegan gives an overview of prehistoric Puebloan sandal types and of twined sandal construction techniques, revealing the subtleties distinguishing Basketmaker sandals of different time periods. Anthropologist Kelley Ann Hays-Gilpin then discusses the decoration of twined sandals and speculates on the purpose of such embellishment.
