Yo'oe is very very shy and rarely speaks to anyone. But when grandma teaches her how to basket weave Yo'oe gets an idea of how she can communicate with the village. This is a beautifully illustrated book for 4-8 year old readers. Proceeds from this sale benefit nonprofit organisation Library For All, helping children around the world learn to rea
The Centurions horse reared wildly, as it panicked at the noise of the busy marketplace. As his front hooves came down, crashing into Maleena's back, he sent her sprawling onto the cobblestone street, her hands stretched out in front of her. There had been no opportunity to protect her four-month pregnant belly, and the thought flashed through her mind, that she had not yet told Phineas the news, that there would soon be another mouth to feed. As she struggled through the intense pain to get up, the bright sunshine faded to blackness, and she slumped to the ground. The "story behind the story" answers some questions, as the Bible is not explicit about why there was not enough wine at the wedding of Caana, or how Doctor Luke came to be a disciple. Was Mary Magdalin "possessed" as a child, and why was Rachel, the woman at the well, married five times? How did Cara, the young woman dragged before Jesus and accused of adultery, ever get herself into such a predicament; and why did her mother, Moirah, think that just touching Jesus clothes, would heal her of a twelve-yearlong problem? How did there happen to be twelve baskets available to gather the leftovers, after Jesus used a little boy's lunch to feed a multitude? The little boy, Jebby, watches in amazement as he sees this miracle unfold before his eyes. The lives of many people, fisherman and farmers; merchants, carpenters and soldiers, are woven together to tell the "story behind the story." Humor and tragedy, adventure, drama, and romance depict the lives of the people that make up the tapestry of the "story behind the story" of the greatest story ever told.
"With the inborn wisdom that has guided them for so long through so many obstacles, Hopi men and women perpetuate their proven rituals, strongly encouraging those who attempt to neglect or disrespect their obligations to uphold them. One of these obligations is to respect the flora and fauna of our planet. The Hopi closeness to the Earth is represented in all the arts of all three mesas, whether in clay or natural fibers. What clay is to a potter's hands, natural fibers are to a basket weaver."--from the Introduction Rising dramatically from the desert floor, Arizona's windswept mesas have been home to the Hopis for hundreds of years. A people known for protecting their privacy, these Native Americans also have a long and less known tradition of weaving baskets and plaques. Generations of Hopi weavers have passed down knowledge of techniques and materials from the plant world around them, from mother to daughter, granddaughter, or niece. This book is filled with photographs and detailed descriptions of their beautiful baskets--the one art, above all others, that creates the strongest social bonds in Hopi life. In these pages, weavers open their lives to the outside world as a means of sharing an art form especially demanding of time and talent. The reader learns how plant materials are gathered in canyons and creek bottoms, close to home and far away. The long, painstaking process of preparation and dying is followed step by step. Then, using techniques of coiled, plaited, or wicker basketry, the weaving begins. Underlying the stories of baskets and their weavers is a rare glimpse of what is called "the Hopi Way," a life philosophy that has strengthened and sustained the Hopi people through centuries of change. Many other glimpses of the Hopi world are also shared by author and photographer Helga Teiwes, who was warmly invited into the homes of her collaborators. Their permission and the permission of the Cultural Preservation Office of the Hopi Tribe gave her access to people and information seldom available to outsiders. Teiwes was also granted access to some of the ceremonial observances where baskets are preeminent. Woven in brilliant reds, greens, and yellows as well as black and white, Hopi weavings, then, not only are an arresting art form but also are highly symbolic of what is most important in Hopi life. In the women's basket dance, for example, woven plaques commemorate and honor the Earth and the perpetuation of life. Other plaques play a role in the complicated web of Hopi social obligation and reciprocity. Living in a landscape of almost surreal form and color, Hopi weavers are carrying on one of the oldest arts traditions in the world. Their stories in Hopi Basket Weaving will appeal to collectors, artists and craftspeople, and anyone with an interest in Native American studies, especially Native American arts. For the traveler or general reader, the book is an invitation to enter a little-known world and to learn more about an art form steeped in meaning and stunning in its beauty.
There is nothing like the satisfaction of owning a beautiful handmade basket. They brighten any room, are useful around any home, and make cherished heirloom gifts. This magnificent collection of over 30 baskets draws on the long, rich tradition of basketmaking and uses a variety of fascinating techniques and easy-to-find materials. In a matter of hours, you can proudly produce a handsome basket that will be admired for generations to come. You'll appreciate the step-by-step instructions, including over 400 illustrations, colorful full-page photos and helpful hints and suggestions. Gorgeous watercolors of baskets are interspersed throughout, making this book as beautiful as it is useful. Book jacket.
Redwood Valley Pomo master weaver Corine Pearce describes the history, wild-crafting, distinct styles and contemporary use of traditional cradle baskets.
Discusses the Cherokee Indians, focusing on their tradition of weaving baskets. Includes a cookie recipe and instructions for playing a game and making a mat.
Lila O'Neale's Yurok-Karok Basket Weavers, first published in 1932, remains one of the finest and most comprehensive books devoted to American Indian basketry. In contrast to the typical treatment of tribal arts in her day, which saw them as homogeneous, anonymous, and conservative, O'Neale regarded the weavers as individuals, with personal styles and outlooks and a capacity for innovation. A pioneer in the study of Native American art, she presented the art from the weaver's point of view. In addition to an introduction by O'Neale scholar Margot Schevill, this edition includes an appendix listing the identities and tribal affiliations of O'Neale's 43 consultants.
With its irresistible combination of form and function, wicker basketry has captivated artisans for hundreds of years. Use these timeless techniques to make elegant and practical baskets for modern use. Whether you are a beginner or experienced weaver, illustrated step-by-step instructions offer a range of techniques and tips for making both round and oval bases, making handles, preparing to weave, and adding color. Projects include a simple plant basket, a bread basket with beads, a lidded sewing basket, and a large double-handled shopping basket. A glossary of basketry terms, a listing of suppliers, and instructions for designing your own basket is included. This book is great for weavers and crafters of all skill.