A richly textured coming-of-age story about fathers and sons, home and family, recalling classics by Thomas Wolfe and William Styron, by a powerful new voice in fiction Just before Henry Aster’s birth, his father—outsized literary ambition and pregnant wife in tow—reluctantly returns to the small Appalachian town in which he was raised and installs his young family in an immense house of iron and glass perched high on the side of a mountain. There, Henry grows up under the writing desk of this fiercely brilliant man. But when tragedy tips his father toward a fearsome unraveling, what was once a young son’s reverence is poisoned and Henry flees, not to return until years later when he, too, must go home again. Mythic in its sweep and mesmeric in its prose, THE BARROWFIELDS is a breathtaking debut about the darker side of devotion, the limits of forgiveness, and the reparative power of shared pasts. – SIBA Okra Pick
A richly textured coming-of-age story about fathers and sons, home and family, recalling classics by Thomas Wolfe and William Styron, by a powerful new voice in fiction Just before Henry Aster’s birth, his father—outsized literary ambition and pregnant wife in tow—reluctantly returns to the small Appalachian town in which he was raised and installs his young family in an immense house of iron and glass perched high on the side of a mountain. There, Henry grows up under the writing desk of this fiercely brilliant man. But when tragedy tips his father toward a fearsome unraveling, what was once a young son’s reverence is poisoned and Henry flees, not to return until years later when he, too, must go home again. Mythic in its sweep and mesmeric in its prose, THE BARROWFIELDS is a breathtaking debut about the darker side of devotion, the limits of forgiveness, and the reparative power of shared pasts. – SIBA Okra Pick
"Just before Henry Aster's birth, his father -- outsized literary ambition and pregnant wife in tow -- reluctantly returns to the small Appalachian town in which he was raised and installs his young family in an immense house of iron and glass perched high on the side of a mountain. There, Henry grows up under the writing desk of this fiercely brilliant man. But when tragedy tips his father toward a fearsome unraveling, what was once a young son's reverence is poisoned and Henry flees, not to return until years later when he, too, must go home again" --
Have you ever been so desperate that you would do literally anything for money? This is the tragic situation Giselda finds herself in, with no money for an operation her younger brother desperately needs to save his life, and no one to turn to. Ground down by poverty she plucks up her courage to offer the only thing she has of value - her purity. Choking back her pride and knowing that she is about to forfeit his respect, she approaches her wealthy employer, the handsome Earl of Lyndhurst, who is recovering from his injuries sustained in the Battle of Waterloo. Appalled that this frail and innocent young girl should be faced with such a terrible decision, he vows to find a way to help her without offending her dignity. He knows she would never accept his charity, and she refuses to confide in him the reasons for her family's poverty. Intrigued by the air of mystery about a girl of obvious quality reduced to the role of maidservant, the Earl decides to discover why a beautiful young woman of strong principles has been reduced to such extreme measures. Discovering her to have gentle hands and wonderful nursing skills he employs her as his private nurse and turns his sharp mind to uncovering her secrets - and learns his own lessons in love in the process.
Have happier clients. Get better results. Make more money. You can have a more profitable and productive law practice by being a better manager of your clients, cases, and practice. When we are disorganized, we waste time and resources. Stop Putting Out Fires will give you ideas to have a more efficient practice, more effective relationships with your clients, and a more systematic approach for managing your caseload. If you want to be more productive, capture more of your billable time, and learn from the hard-earned lessons of others, Stop Putting Out Fires is a resource to aid you in that journey. At its core, Stop Putting Out Fires is about three things: 1. You having happier clients by better understanding your clients’ needs and establishing better relationships. 2. You getting better results through more effective case management and better litigation strategies. 3. You making more money, not by working more hours, but by working more efficiently, having set goals, and having a healthier practice.
It’s the week before Christmas when a lone robber bursts into a busy Glasgow post office carrying an AK-47. An elderly man suddenly hands his young grandson to a stranger and wordlessly helps the gunman fill bags with cash, then carries them to the door. He opens the door and bows his head; the robber fires the AK-47, tearing the grandfather in two. Detective Alex Morrow, just returned to work after the birth of her twins, arrives on the scene and finds that the alarm system had been disabled before the robbery, but none of the employees can be linked to the gunman. The grandfather—a life-long campaigner for social justice—is above reproach. As Morrow searches for the killer, she discovers a hidden, sinister political network. Soon it is chillingly clear: no corner of the city is safe, and her involvement will go deeper than she could ever have imagined.
George Hall is an unobtrusive man. A little distant, perhaps, a little cautious, not quite at ease with the emotional demands of fatherhood or of manly bonhomie. “The secret of contentment, George felt, lay in ignoring many things completely.” Some things in life can’t be ignored, however: his tempestuous daughter Katie’s deeply inappropriate boyfriend Ray, for instance, or the sudden appearance of a red circular rash on his hip. At 57, George is settling down to a comfortable retirement, building a shed in his garden and enjoying the freedom to be alone when he wants. But then he runs into a spot of bother. That red circular rash on his hip: George convinces himself it’s skin cancer. And the deeply inappropriate Ray? Katie announces he will become her second husband. The planning for these frowned-upon nuptials proves a great inconvenience to George’s wife, Jean, who is carrying on a late-life affair with her husband’s ex-colleague. The Halls do not approve of Ray, for vague reasons summed up by their son Jamie’s observation that Ray has “strangler’s hands.” Jamie himself has his own problems — his tidy and pleasant life comes apart when he fails to invite his lover, Tony, to Katie’s wedding. And Katie, a woman whose ferocious temper once led to the maiming of a carjacker, can’t decide if she loves Ray, or loves the wonderful way he has with her son Jacob. Unnoticed in the uproar, George quietly begins to go mad. The way these damaged people fall apart — and come together — as a family is the true subject of Haddon’s hilarious and disturbing portrait of a dignified man trying to go insane politely. A Spot of Bother is Mark Haddon’s unforgettable follow-up to the internationally beloved bestseller The Curious Incident of the Dog in the Night-time. Once again, Haddon proves a master of a story at once hilarious, poignant, dark, and profoundly human. Here the madness — literally — of family life proves rich comic fodder for Haddon’s crackling prose and bittersweet insights into misdirected love.
