Set in 18th century Calcutta, the second city of the Empire is teeming with scandalous gossip and rumour. Abravanel Ben Obadiah Ben Aharon Kabariti, Sephardic Jew from Syria and trader in novelties, befriends the British officers and the local elite by day and records their escapades at night.
In the heart of Lutyens' Delhi sits Jehangir Rangoonwalla, enlightened dispenser of tea, wisdom, and second-hand books. Among his customers are Brighu, a postmodern Ibn Batuta looking for obscure collectibles and a love life; Digital Dutta who lives mostly in his head, torn between Karl Marx and an H1-B visa; and the newly-married Shintu, looking for the ultimate aphrodisiac in the seedy by-lanes of old Delhi. Played out in the corridors of Connaught Place and Calcutta, the story captures the alienation and fragmented reality of urban life through an imaginative alchemy of text and image.
A Homeric tale of a man's journey to the centre of the earth in search of the mythical river Saraswati, this graphic novel is set against the fictitious yet ever-so-real Water Wars of Delhi. It is a dystopian landscape where neighbourhoods fight brutal battles against each other and even victory must end in defeat.
Why was the appreciation of gardens considered a symbol of Victorian aristocracy? Why do the Japanese find it easy to power-nap in public spaces? Why did Charles Baudelaire ascribe Samuel Taylor Coleridge's restless nocturnal wanderings to a pathological dread of returning home? Why is a tense Gurgaon CEO hitting anxiety-laden golf balls into the night? Why was an obscure ninth-century Arab scholar's library confiscated? And what do any of these mean for the average person immersed in the 'daily decathlon' of life? Employing a philosopher's mind and an artist's eye, Banerjee takes us to still places in a moving world, the place where two rivers (do ab) meet and forests write themselves into history.
‘I realised that I had to do something in my life so that people would stop looking at me with pity’ National level volleyball player Arunima Sinha had a promising future ahead of her. Then one day she was shoved from a moving train by thieves as she attempted to fight them off. The horrific accident cost the twenty-four-year-old her left leg and sporting career, but it never deterred her. Two years later she had retrained as a mountaineer and become the first female amputee to reach Mount Everest. This is her unforgettable story of hope, courage and resilience.
Sauptik: Blood and Flowers is a revisionist retelling of some of our oldest tales which have inspired and guided generations of people. The sequel to Adi Parva, which was chosen as one of 2012's Best Graphic Novels by comic book historian Paul Gravett, this book combines breath-taking art with classic storytelling. Based on the Mahabharata, the Puranas and the tradition of oral storytellers, Sauptik is also very contemporary. The narrative, with its lush visuals, emphasizes, over and over, our forgotten connection with the soil, with rivers, with forests, with fire. In book one, Adi Parva: Churning of the Ocean, the celestial river Ganga narrates events from the beginning of time and in its sequel, Sauptik: Blood and Flowers, Ashwatthama carries the story forward after surviving the Kurukshetra battle.