The Barbaric Triumph examines all aspects of the life and work of Robert E. Howard -- the originator of the sword-&-sorcery antasy genre and the creator of Conan the Barbarian. Featured are essays by Leo Grin, Edwrad A. Waterman, Charles Hoffman, Paul Spencer, Mark Finn, Steven R. Trout, Lauric Guillaud, Scott Connors, George Knight, Don Herron, and more. From the phantoms of Hate simmering beneath Howard's blood-drenched prose to Howard's lifelong interest in philosophy, from Howard's visionary use of the American Frontier Myth to his tales of boxing, The Barbaric Triumph builds on the pioneering research of Heron's previous book on Howard, The Dark Barbarian and takes it to new levels.
The Barbaric Triumph examines all aspects of the life and work of Robert E. Howard -- the originator of the sword-&-sorcery antasy genre and the creator of Conan the Barbarian. Featured are essays by Leo Grin, Edwrad A. Waterman, Charles Hoffman, Paul Spencer, Mark Finn, Steven R. Trout, Lauric Guillaud, Scott Connors, George Knight, Don Herron, and more. From the phantoms of Hate simmering beneath Howard's blood-drenched prose to Howard's lifelong interest in philosophy, from Howard's visionary use of the American Frontier Myth to his tales of boxing, The Barbaric Triumph builds on the pioneering research of Heron's previous book on Howard, The Dark Barbarian and takes it to new levels.
This is the first comprehensive study of the revival and appropriation of the Roman triumph from the 1580s to the 1650s. English versions of the triumph included ceremonial re-enactments, poetic or pictorial representations, and stage performances. As well as many non-canonical writers, Spenser, Marlowe, Shakespeare, Marvell, and Milton all produced versions. The book includes an original survey of ancient literary models and the work of humanist antiquarians, and shows how all its texts are implicated in contemporary political conflicts and discourses.
The Triumph of Democracy in Spain tells a gripping story of the tortuous creation of Spain's constitutional monarchy. The book provides an authoritative account of the tribulations of the forces of progress, beginning in 1969 with the disintegration of Franco's dictatorship and ending with the remarkable Socialist election victory in 1982.
How early modern theatrical practice helped construct the category of “pagan” as a tool of European self-definition and colonial ambition In Making Pagans, John Kuhn argues that drama played a powerful role in the articulation of religious difference in the seventeenth century. Tracing connections between the history of stagecraft and ethnological disciplines such as ethnography, antiquarianism, and early comparative religious writing, Kuhn shows how early modern repertory systems that leaned heavily on thrift and reuse produced an enduring theatrical vocabulary for understanding religious difference through the representation of paganism—a key term in the new taxonomy of world religions emerging at this time, and a frequent subject and motif in English drama of the era. Combining properties such as triumphal chariots, trick alters, and moving statues with music, special effects, and other elements, the spectacular set-pieces that were mostly developed for plays set in antiquity, depicting England’s pre-Christian past, were frequently repurposed in new plays, in representations of Native Americans and Africans in colonial contact zones. Kuhn argues that the recycling of these set-pieces encouraged audiences to process new cultural sites through the lens of old performance tropes, and helped produce fictitious, quasi-ethnographic knowledge for spectators, generating the idea of a homogeneous, trans-historical, trans-geographical “paganism.” Examining the common scenes of pagan ritual that filled England's seventeenth-century stages—magical conjurations, oracular prophecies, barbaric triumphal parades, and group suicides—Kuhn traces these tropes across dozens of plays, from a range of authors including Ben Jonson, Christopher Marlowe, John Dryden, and Philip Massinger. Drawing together theater history, Atlantic studies, and the history of comparative religion, Making Pagans reconceptualizes the material and iterative practices of the theater as central to the construction of radical religious difference in early modernity and of the category of paganism as a tool of European self-definition and colonial ambition.
Robert E. Howard published primarily in pulp magazines, creating memorable characters like Conan of Cimmeria. After his suicide at the age of 30, pulps continued publishing Howard material posthumously. His first hardcover book appeared in 1937, a year after his death. That book, A Gent from Bear Creek, is the holy grail for Howard collectors--only 12 original copies are known to exist. This invaluable resource for Howard collectors has information for every known published work. Initial chapters provide a biography, discuss Howard's literary legacy, and give basic tips about book collecting and selling. The main body of the work is a bibliography of Howard's published works from 1925 through 2005. A thorough index locates the publication of every Howard story or poem.
Were the Chinese the first to discover America in 1421? Did Jesus and Mary Magdalene have children together? Did extraterrestrials visit the earth during prehistory and teach humans how to build pyramids and stone structures? These are only a few of the controversial and intriguing questions that Ronald H. Fritze investigates in Invented Knowledge. This incredible exploration of the murky world of pseudo-history reveals the proven fact, the informed speculation, and the pure fiction behind lost continents, ancient super-civilizations, and conspiratorial cover-ups—as well as the revisionist historical foundations behind religions such as the Nation of Islam and the Church of Jesus Christ of the Latter-day Saints. Drawing on the best scholarship available, Fritze shows that in spite of strong, mainstream historical evidence to the contrary, many of these ideas have proved durable and gained widespread acceptance. As the examples in Invented Knowledge reveal, pseudo-historians capitalize on and exploit anomalies in evidence to support their claims, rather than examining the preponderance of research as a whole. From Indiana Jones and the Kingdom of the Crystal Skull to 10,000 B.C., the sensationalist topics of pseudo-history captivate audiences and permeate popular culture. Invented Knowledge offers many entertaining and enthralling examples of spurious narratives, artificial chronologies, and ersatz theories in a book guaranteed to intrigue, open eyes, and spark conversation among readers—skeptics and believers alike.
Robert E. Howard penned a series of fantasy stories in 1932 featuring Conan, a hulking warrior from "Cimmeria" who roamed the mythical Hyborian Age landscape engaging in heroic adventures. More than the quirky manifestation of Depression-era magazines, Conan the Barbarian has endured as a cultural mainstay for over 70 years. This multidisciplinary collection offers the first scholarly investigation of Conan, from Howard's early stories, through midcentury novels and Arnold Schwarzenegger's iconic films, to the 2011 cinematic remake of Conan the Barbarian. Drawing on disciplines such as stylometry, archeology, cultural and folklore studies and literary history, the essays examine statistical analyses of the words in Conan texts, the literary genesis of Conan, later-day parodies, Conan video games, and much more. This volume reveals the hidden scholarly depth of this seemingly unsophisticated fictional character.
