With the release of their debut album in 1997, HIM and their charismatic frontman, lead singer Ville Valo, took the music world by storm, unveiling their trademark sound that eventually would make them Finland's top selling international band of all time. With a strong and loyal fan base across Europe, and after their US breakthrough in 2005, hits such as Wicked Game and Join Me have long since reached anthem status among HIM fans worldwide. In 2012, the band recorded their eighth studio album. This authentic unauthorised secret biography retraces the steps of HIM's creative mastermind and his band mates from their early days in the suburbs of Helsinki to global rock stardom. Aided by Finnish promoter legend Silke Yli-Sirniö who discovered and worked with HIM for many years, Marc Halupczok provides a comprehensive and unbiased insight into Love Metal creator and global heartthrob Ville Valo.
Secret history, with its claim to expose secrets of state and the sexual intrigues of monarchs and ministers, alarmed and thrilled readers across Europe and America from the mid-seventeenth to the mid-nineteenth century. Scholars have recognised for some time the important position that the genre occupies within the literary and political culture of the Enlightenment. Of interest to students of British, French and American literature, as well as political and intellectual history, this new volume of essays demonstrates for the first time the extent of secret history's interaction with different literary traditions, including epic poetry, Restoration drama, periodicals, and slave narratives. It reveals secret history's impact on authors, readers, and the book trade in England, France, and America throughout the long eighteenth century. In doing so, it offers a case study for approaching questions of genre at moments when political and cultural shifts put strain on traditional generic categories.
Who was Jesus Christ, and how did he make such an astonishing impact that still resonates today? Exploring evidence from the New Testament gospels, early church writings, the apocryphal gospels, Roman literature, and archaeology, readers are given a vivid portrait of Jesus’ first-century Jewish cultural context. Examining the accounts of his birth, his radical message and lifestyle, the dramatic events around his death, and the revolutionary claims made regarding his resurrection, this book offers a compelling biography of a man that his followers called the Messiah. If you have ever wondered about the impact of Jesus’ social class on his ministry; why he was at odds with religious authorities; the influence of Roman occupation; the interactions with contemporary resistance movements; or the prominent role of women in his disciple community, then allow this book to challenge and deepen your understanding of the Jesus found in the Bible.
A fascinating and comprehensive look into the life of American fashion designer Ralph Lauren, now with an afterword. “Deep-dish...sharp-clawed...honestly admiring.”—New York Times There are at least two Ralph Laurens. To the public he's a gentle, modest, yet secure and purposeful man. Inside the walls of Polo Ralph Lauren, though, he was long seen by some as a narcissist, an insecure ditherer, and, at times, a rampaging tyrant. Michael Gross, author of the bestsellers Model and 740 Park, lays bare the truths of this fashion emperor's rise, and reveals not only the secrets of his meteoric success in marketing our shared fantasies, but also a widely unknown side that's behind the designer’s chic façade.
“An in-depth biography of the world’s most famous detective that will intrigue Sherlockians and non-Sherlockians alike.” —Publishers Weekly He has been called a genius and a fraud, a hero and an addict, but who really was Sherlock Holmes? With an attention to detail that would make his subject envious, Nick Rennison combs the literature for clues, omissions, and inconsistencies in Dr. Watson’s immortal narration. He delves into Holmes’s contact with prominent historical figures—including Oscar Wilde and Sigmund Freud—and uncovers startling, new information. How did a Cambridge dropout and bit player on the London stage transform himself into a renowned consulting detective? Did he know the identity of Jack the Ripper? When did Holmes and his nemesis, Professor Moriarty, first cross paths? Did Sherlock Holmes, protector of the innocent, commit the very act he so often worked to prevent, the cold-blooded, premeditated murder of Moriarty? Sherlock Holmes: The Unauthorized Biography answers these questions and many more as it careens through the most infamous crimes and historic events of the Victorian age, all in pursuit of the real man behind the greatest detective in modern fiction—and, just perhaps, nonfiction.
Representing a broad range of ethnic diversity, these in-depth profiles present fascinating accounts of lives and careers, the circumstances under which works were produced, and their literary significance. Each profile also includes critical evaluation, a list of the author's principal works with date first published, a list of major critical works, and a portrait or photograph where available.
“Behind almost every painting is a fortune and behind that a sin or a crime.” With these words as a starting point, Michael Gross, leading chronicler of the American rich, begins the first independent, unauthorized look at the saga of the nation’s greatest museum, the Metropolitan Museum of Art. In this endlessly entertaining follow-up to his bestselling social history 740 Park, Gross pulls back the shades of secrecy that have long shrouded the upper class’s cultural and philanthropic ambitions and maneuvers. And he paints a revealing portrait of a previously hidden face of American wealth and power. The Metropolitan, Gross writes, “is a huge alchemical experiment, turning the worst of man’s attributes—extravagance, lust, gluttony, acquisitiveness, envy, avarice, greed, egotism, and pride—into the very best, transmuting deadly sins into priceless treasure.” The book covers the entire 138-year history of the Met, focusing on the museum’s most colorful characters. Opening with the lame-duck director Philippe de Montebello, the museum’s longest-serving leader who finally stepped down in 2008, Rogues’ Gallery then goes back to the very beginning, highlighting, among many others: the first director, Luigi Palma di Cesnola, an Italian-born epic phony, whose legacy is a trove of plundered ancient relics, some of which remain on display today; John Pierpont Morgan, the greatest capitalist and art collector of his day, who turned the museum from the plaything of a handful of rich amateurs into a professional operation dedicated, sort of, to the public good; John D. Rockefeller Jr., who never served the Met in any official capacity but who, during the Great Depression, proved the only man willing and rich enough to be its benefactor, which made him its behind-the-scenes puppeteer; the controversial Thomas Hoving, whose tenure as director during the sixties and seventies revolutionized museums around the world but left the Met in chaos; and Jane Engelhard and Annette de la Renta, a mother-daughter trustee tag team whose stories will astonish you (think Casablanca rewritten by Edith Wharton). With a supporting cast that includes artists, forgers, and looters, financial geniuses and scoundrels, museum officers (like its chairman Arthur Amory Houghton, head of Corning Glass, who once ripped apart a priceless and ancient Islamic book in order to sell it off piecemeal), trustees (like Jayne Wrightsman, the Hollywood party girl turned society grand dame), curators (like the aging Dietrich von Bothmer, a refugee from Nazi Germany with a Bronze Star for heroism whose greatest acquisitions turned out to be looted), and donors (like Irwin Untermyer, whose collecting obsession drove his wife and children to suicide), and with cameo appearances by everyone from Vogue editors Anna Wintour and Diana Vreeland to Sex Pistols front man Johnny Rotten, Rogues’ Gallery is a rich, satisfying, alternately hilarious and horrifying look at America’s upper class, and what is perhaps its greatest creation.
