Fear Street -- Where Your Worst Nightmares Live... Emily wants to like her stepsister, but it hasn't been easy. As soon as Jessie moves in, she takes over Emily's room, steals Emily's clothes, and lies to everyone. Then Emily picks up Jessie's diary and learns a horrifying secret. Is Jessie really capable of murder? Emily tries to tell her parents, but no one believes her. So it's up to Emily to expose the "real" Jessie -- if she can stay alive.
Goosebumps now on Disney+! Brooke's best friend, Zeke, has been given the lead role in the school play, "The Phantom." Zeke's totally into it. He loves dressing up in the grotesque phantom costume. And scaring the other members of the cast. Brooke thinks Zeke's getting a little too into it. But then really scary things start happening. A message appears on a piece of scenery: "The Phantom Strikes!" A stage light comes crashing down.Is someone trying to ruin the play?Or is there really a phantom living under the stage?
Commissioned by Ferdinand Peck and produced by architects Louis Sullivan and Dankmar Adler--soon to be leaders of the Chicago School--in 1889, the Auditorium Building was a wondrous complex, housing a hotel, offices, stores, and a theater. Adler's engineering skills overcame the problem of a foundation that had to support an unevenly distributed weight; Sullivan designed the stunning theater, which was spanned by four elliptical arches studded with 3,500 incandescent electric lights and decorated with gold leaf. Adler created a hydraulic stage--with twenty-six lifts--and one of the first air-conditioning systems in a public building. Among the many design features in the interior of the Auditorium were murals, onyx, marble, open loggias, stained glass, filigreed vents, wainscoting, and bronze-plated posts. Scholars considered the Auditorium Building the most important single structure in Chicago. The Auditorium thrived until its closing in 1940. In 1946 Roosevelt University purchased the building, and the Auditorium Theatre Council restored the theater to its former glory. Today, the Auditorium Building is thriving as a showcase for major theatrical events, Roosevelt University concerts, and other events.
Covering the Auditorium from the early design to its opening, its later renovations, its links to culture and politics in Chicago, and its influence on later Adler and Sullivan works (including the Schiller Building and the Chicago Stock Exchange Building), The Chicago Auditorium Building recounts the tale of a building that helped to define a city and an era."--BOOK JACKET.
In January of 2018, Lisa started a new chapter of life, as her youngest child shared with the family that she is a transgender woman. After some adjustment, the Brennan family has found that when you treasure someone for who they are, it is magical and sacred. Lisa wrote a beginner's guidebook for family and friends, and to her surprise, it was widely shared, with churches, hospitals, and schools asking her to share her family's adventure of love and acceptance. This prompted Lisa to write a book about her family's journey. She hopes that it will spread some education and love into the world.
Realizing that he has become lost in a strange part of town, Skipper Matthews, a ravenous comic book collector who's favorite character is an evil super-villain, discovers a building just like the secret headquarters of his idol.
In 2021, its Diamond Jubilee year, the Association of British Theatre Technicians (ABTT) undertook to revise Theatre Buildings: A Design Guide (Routledge, 2010). This new edition (Routledge, 2023) has substantially re-written text with fresh images and entirely new reference projects, providing essential guidance for all those engaged in the design of theatre buildings. Edited by Margaret Shewring (Emeritus Reader, University of Warwick, former Director of the Postgraduate Diploma and MA in Theatre Consultancy), this new publication is written by a team of international experts, architects, theatre consultants, acousticians, engineers and industry professionals led by Tim Foster (Foster Wilson Size) and Robin Townley (CEO of the ABTT). It provides an invaluable resource for those looking to build, remodel or conserve theatre buildings, taking into account the significant changes which have taken place in the last twelve years in all aspects of theatre design and technical practice. It locates those changes in the wider context of the need for sustainability in the theatre industry in response to the climate emergency, inclusivity, diversity of access, placemaking and concerns for health and wellbeing. This new edition provides guidance for anyone who seeks inspiration and encouragement to create or improve a place of entertainment or who seeks to understand what might be required to accommodate an audience for the presentation of live performance and the successful use, operation and organisation of such a venue. Its generous format and the thirty-two new reference projects, more than 260 high-resolution colour images and 175 diagrams and specially commissioned plans make it accessible and informative both to the general reader and the professional specialist.
