In the aftermath of the brutal violence that gripped western India in 2002, Karsan Dargawalla, heir to Pirbaag – the shrine of a mysterious, medieval sufi – begins to tell the story of his family. His tale opens in the 1960s: young Karsan is next in line after his father to assume lordship of the shrine, but he longs to be “just ordinary.” Despite his father's pleas, Karsan leaves home behind for Harvard, and, eventually, marriage and a career. Not until tragedy strikes, both in Karsan's adopted home in Canada and in Pirbaag, is he drawn back across thirty years of separation and silence to discover what, if anything, is left for him in India.
The man behind the prophecy Tsosin Ruus had only ever wanted to pursue his studies and to make his family proud of him. Sometimes life defeats the best of intentions. Caught up in the turmoil of the most turbulent time in the world’s history, the studious mage was forced to engage in warfare on behalf of the Souveni Empire, using magic in defiance of his conscience and beliefs. Causing untold death and destruction. In the midst of the battles and the killing, Tsosin received what would become known as the greatest prophecy in the history of Dizhelim. At an unspecified time, the very existence of the world would be at stake, with dark creatures from another world attempting to end all life, with only one way to survive it. Tsosin Ruus, prophet, archmage, and hero of the War of Magic would need to turn his back on everything that had ever been important to him and dedicate his entire life to preparing for the Days of Darkness, a time he knew would come long after he was dead and gone. This is a companion story to the Song of Prophecy and Hero Academy series. Pick it up today and see where it all started.
Stephen Sondheim is one of the best-known and most-loved musical theatre composers, but also one of the most misunderstood, often being labelled as 'distant' or 'cynical'. Careful the Spell You Cast instead argues that Sondheim firmly belongs to the Broadway aspirational tradition, in that many of his characters are defined by their dreams: to abandon one's dream (as Ben does in Follies, Frank does in Merrily We Roll Along, and Addison does in Road Show) is to lose one's soul. Rather than take the established view of Sondheim as a cynic, this book contends that throughout Sondheim's work, letting go of one's illusions is a process that his characters need to go through, that they must cast off illusions and false dreams, without becoming cynical and destroying their genuine dreams in the process. In turn this view aligns Sondheim's work as being aspirational and a logical continuation from the work of his mentor, Oscar Hammerstein II. Following the trajectory of Sondheim's career, Careful the Spell You Cast shows how Sondheim has dramatized this process throughout his writing life alongside different collaborators. From his work as a lyricist with the musicals Gypsy and West Side Story through to his later collaborations with Hal Prince (Company, Follies) and James Lapine (Into the Woods, Sunday in the Park with George), this book reframes the established view through lyrical and structural analysis in relation to the characters within each of these celebrated works of musical theatre, arguing that Sondheim is, in the popular sense of the word, a romantic within the tradition of the Broadway musical.
Yun Qianliang is a wicked girl who is famous in capital city. With the imperial will, she was lucky to marry the master Jin. Unexpectedly, the master Jin was hooked up with her sister.She was also framed by the master Jin to marry an traitor. She hanged herself in despair. However, another person actually merged into Yun Qianliang's body after crossing. In this case, Yun Qianliang, who had a powerful soul, started her wonderful life in resistance.☆About the Author☆Su Ranmu, a new online novelist, has attracted everyone's attention with her excellent writing skills. Her work Evil Lady: My Hubby is a Traitor is loading. Her writing is delicate and her characters are deeply portrayed, which is highly praised.
MTV utterly changed the movies. Since music television arrived some 30 years ago, music videos have introduced filmmakers to a new creative vocabulary: speeds of events changed, and performance and mood came to dominate over traditional narrative storytelling. Popular Music and the New Auteur charts the impact of music videos on seven visionary directors: Martin Scorsese, Sofia Coppola, David Lynch, Wong Kar-Wai, the Coen brothers, Quentin Tarantino, and Wes Anderson. These filmmakers demonstrate a fresh kind of cinematic musicality by writing against pop songs rather than against script, and allowing popular music a determining role in narrative, imagery, and style. Featuring important new theoretical work by some of the most provocative writers in the area today, Popular Music and the New Auteur will be required reading for all who study film music and sound. It will be particularly relevant for readers in popular music studies, and its intervention in the ongoing debate on auteurism will make it necessary reading in film studies.
