London's Arts Labs and the 60s Avant-Garde

London's Arts Labs and the 60s Avant-Garde

Author: David Curtis

Publisher: John Libbey Publishing

Published: 2020-11-24

Total Pages: 177

ISBN-13: 0861969804

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This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967–69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko / John Latham / Takis / Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show / Freehold / Jane Arden's Vagina Rex and the Gas Oven / Will Spoor Mime Theatre). The Robert Street 'New Arts Lab' (1969–71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher / Malcolm Le Grice / Sally Potter / Carolee Schneemann / Peter Gidal). It staged J G Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response – in the context of a popular press already hostile to youth culture, experimental art and the 'underground'. With a Foreword by Andrew Wilson, Curator Modern & Contemporary British Art and Archives, Tate Gallery.


Public Policy and the Arts: A Comparative Study of Great Britain and Ireland

Public Policy and the Arts: A Comparative Study of Great Britain and Ireland

Author: Ruth-Balandina M. Quinn

Publisher: Routledge

Published: 2018-08-20

Total Pages: 302

ISBN-13: 0429823304

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First published in 1998, this volume considers the subject of arts policy as a subject of public policy making proper in UK and Ireland, with a particular focus on theatre as a profession rather than a mere hobby. Previous studies have placed the burden of policy improvements on the arts themselves, looking at what ‘the arts’ can do to be worthy of government funding and favourable policy, and have seen government actions as if they have a uniform effect. This study takes ‘the arts’ out of the abstract and discusses specific ways that diverse activities with even more diverse needs can be best approached with government policy, assessing the strengths and weaknesses of government initiatives. It is aimed at both political scientists and anyone with an interest in arts and cultural policy.


Cultural Capital

Cultural Capital

Author: Robert Hewison

Publisher: Verso Books

Published: 2014-11-11

Total Pages: 289

ISBN-13: 1781685924

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Britain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong? In Cultural Capital, leading historian Robert Hewison gives an in-depth account of how creative Britain lost its way. From Cool Britannia and the Millennium Dome to the Olympics and beyond, he shows how culture became a commodity, and how target-obsessed managerialism stifled creativity. In response to the failures of New Labour and the austerity measures of the Coalition government, Hewison argues for a new relationship between politics and the arts.


Unpopular Culture

Unpopular Culture

Author: Grayson Perry

Publisher: Hayward Gallery Publishing

Published: 2008

Total Pages: 0

ISBN-13: 9781853322679

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Text by Grayson Perry, Blake Morrison.


Art for the Nation

Art for the Nation

Author: Brandon Taylor

Publisher: Manchester University Press

Published: 1999

Total Pages: 346

ISBN-13: 9780719054532

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Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art, and sections or classes of the population as a whole. This study concentrates on London, and analyzes the formation of the major national art institutions at its geographical and managerial centre.


British Women Sculptors

British Women Sculptors

Author:

Publisher:

Published: 2020-04

Total Pages: 112

ISBN-13: 9781853323676

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The first contemporary survey of postwar British women sculptors from modernism to the YBA's This publication focuses on postwar British women sculptors, including Tracey Emin, Mona Hatoum, Barbara Hepworth, Kim Lim, Sarah Lucas, Cornelia Parker and Rachel Whiteread.


The Politics of the Art in Britain

The Politics of the Art in Britain

Author: C. Gray

Publisher: Springer

Published: 2000-10-11

Total Pages: 233

ISBN-13: 0333981413

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The organization and management of the arts and public-sector arts organizations in Britain have undergone major changes over the last twenty years. This book analyzes the process and politics of change in the world of the arts and develops an analytical framework for understanding an under-researched area of British political life.


Arts and Cultures

Arts and Cultures

Author: Andrew Sinclair

Publisher: Random House (UK)

Published: 1995

Total Pages: 501

ISBN-13: 9781856193429

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This text looks at the history of the Arts Council of Great Britain. It follows its fortunes from its creation by John Maynard Keynes and its first triumph at the Festival of Britain in 1951, to its recent struggles with the government over its budget of 200 million pounds.