Great Art and Culture for Everyone
Author: Arts Council of England
Publisher:
Published: 2013
Total Pages: 63
ISBN-13: 9780728715356
DOWNLOAD EBOOKRead and Download eBook Full
Author: Arts Council of England
Publisher:
Published: 2013
Total Pages: 63
ISBN-13: 9780728715356
DOWNLOAD EBOOKAuthor: David Curtis
Publisher: John Libbey Publishing
Published: 2020-11-24
Total Pages: 177
ISBN-13: 0861969804
DOWNLOAD EBOOKThis is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967–69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko / John Latham / Takis / Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show / Freehold / Jane Arden's Vagina Rex and the Gas Oven / Will Spoor Mime Theatre). The Robert Street 'New Arts Lab' (1969–71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher / Malcolm Le Grice / Sally Potter / Carolee Schneemann / Peter Gidal). It staged J G Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response – in the context of a popular press already hostile to youth culture, experimental art and the 'underground'. With a Foreword by Andrew Wilson, Curator Modern & Contemporary British Art and Archives, Tate Gallery.
Author: Ruth-Balandina M. Quinn
Publisher: Routledge
Published: 2018-08-20
Total Pages: 302
ISBN-13: 0429823304
DOWNLOAD EBOOKFirst published in 1998, this volume considers the subject of arts policy as a subject of public policy making proper in UK and Ireland, with a particular focus on theatre as a profession rather than a mere hobby. Previous studies have placed the burden of policy improvements on the arts themselves, looking at what ‘the arts’ can do to be worthy of government funding and favourable policy, and have seen government actions as if they have a uniform effect. This study takes ‘the arts’ out of the abstract and discusses specific ways that diverse activities with even more diverse needs can be best approached with government policy, assessing the strengths and weaknesses of government initiatives. It is aimed at both political scientists and anyone with an interest in arts and cultural policy.
Author: Robert Hewison
Publisher: Verso Books
Published: 2014-11-11
Total Pages: 289
ISBN-13: 1781685924
DOWNLOAD EBOOKBritain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong? In Cultural Capital, leading historian Robert Hewison gives an in-depth account of how creative Britain lost its way. From Cool Britannia and the Millennium Dome to the Olympics and beyond, he shows how culture became a commodity, and how target-obsessed managerialism stifled creativity. In response to the failures of New Labour and the austerity measures of the Coalition government, Hewison argues for a new relationship between politics and the arts.
Author: Grayson Perry
Publisher: Hayward Gallery Publishing
Published: 2008
Total Pages: 0
ISBN-13: 9781853322679
DOWNLOAD EBOOKText by Grayson Perry, Blake Morrison.
Author: Arts Council of Great Britain
Publisher:
Published: 1976
Total Pages: 236
ISBN-13:
DOWNLOAD EBOOKAuthor: Brandon Taylor
Publisher: Manchester University Press
Published: 1999
Total Pages: 346
ISBN-13: 9780719054532
DOWNLOAD EBOOKArt first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art, and sections or classes of the population as a whole. This study concentrates on London, and analyzes the formation of the major national art institutions at its geographical and managerial centre.
Author:
Publisher:
Published: 2020-04
Total Pages: 112
ISBN-13: 9781853323676
DOWNLOAD EBOOKThe first contemporary survey of postwar British women sculptors from modernism to the YBA's This publication focuses on postwar British women sculptors, including Tracey Emin, Mona Hatoum, Barbara Hepworth, Kim Lim, Sarah Lucas, Cornelia Parker and Rachel Whiteread.
Author: C. Gray
Publisher: Springer
Published: 2000-10-11
Total Pages: 233
ISBN-13: 0333981413
DOWNLOAD EBOOKThe organization and management of the arts and public-sector arts organizations in Britain have undergone major changes over the last twenty years. This book analyzes the process and politics of change in the world of the arts and develops an analytical framework for understanding an under-researched area of British political life.
Author: Andrew Sinclair
Publisher: Random House (UK)
Published: 1995
Total Pages: 501
ISBN-13: 9781856193429
DOWNLOAD EBOOKThis text looks at the history of the Arts Council of Great Britain. It follows its fortunes from its creation by John Maynard Keynes and its first triumph at the Festival of Britain in 1951, to its recent struggles with the government over its budget of 200 million pounds.