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Author: Melinda Takeuchi
Publisher: Stanford University Press
Published: 2004
Total Pages: 290
ISBN-13: 9780804743556
DOWNLOAD EBOOK"The book also addresses issues of canon formation: by what complex process are some artists and objects singled out to communicate rhetorical or aesthetic meaning while others lapse into the background."--BOOK JACKET.
Author: Melinda Takeuchi
Publisher: Stanford University Press
Published: 1994-03-01
Total Pages: 238
ISBN-13: 9780804720885
DOWNLOAD EBOOKThis lavishly illustrated book on one of Japan's preeminent painters focuses on the relationship between topography and the language of visual symbols a painter manipulates, or must invent, to suggest specific places.
Author: Brian Ashcraft
Publisher: Tuttle Publishing
Published: 2016-07-12
Total Pages: 163
ISBN-13: 146291859X
DOWNLOAD EBOOKThinking of getting a Japanese-style tattoo? Want to avoid a permanent mistake? Japanese Tattoos is an insider's look at the world of Japanese irezumi (tattoos). Japanese Tattoos explains the imagery featured in Japanese tattoos so that readers can avoid getting ink they don't understand or, worse, that they'll regret. This photo-heavy book will also trace the history of Japanese tattooing, putting the iconography and kanji symbols in their proper context so readers will be better informed as to what they mean and have a deeper understanding of irezumi. Tattoos featured will range from traditional tebori (hand-poked) and kanji tattoos to anime-inspired and modern works--as well as everything in between. For the first time, Japanese tattooing will be put together in a visually attractive, informative, and authoritative way. Along with the 350+ photos of tattoos, Japanese Tattoos will also feature interviews with Japanese tattoo artists on a variety of topics. What's more, there will be interviews with clients, who are typically overlooked in similar books, allowing them to discuss what their Japanese tattoos mean to them. Those who read this informative tattoo guide will be more knowledgeable about Japanese tattoos should they want to get inked or if they are simply interested in Japanese art and culture.
Author: Joshua S. Mostow
Publisher: University of Hawaii Press
Published: 2003-01-01
Total Pages: 336
ISBN-13: 9780824825720
DOWNLOAD EBOOKIn this, the first collection in English of feminist-oriented research on Japanese art and visual culture, an international group of scholars examines representations of women in a wide range of visual work. The volume begins with Chino Kaori's now-classic essay Gender in Japanese Art, which introduced feminist theory to Japanese art. This is followed by a closer look at a famous thirteenth-century battle scroll and the production of bijin (beautiful women) prints within the world of Edoperiod advertising. A rare homoerotic picture-book is used to extrapolate the grammar of desire as represented in late seventeenth-century Edo. In the modern period, contributors consider the introduction to Meiji Japan of the Western nude and oil-painting and examine Nihonga (Japanese-style painting) and the role of one of its famous artists. The book then shifts its focus to an examination of paintings produced for the Japanese-sponsored annual salons held in colonial Korea. The post-war period comes under scrutiny in a study of the novel Woman in the Dunes and its film adaptation. The critical discourse that surrounded women artists of the late twentieth-century - the Super Girls of Art - i
Author: Justin Jesty
Publisher: Cornell University Press
Published: 2018-09-15
Total Pages: 357
ISBN-13: 1501715062
DOWNLOAD EBOOKNo detailed description available for "Art and Engagement in Early Postwar Japan".
Author: Midori Yoshimoto
Publisher: Rutgers University Press
Published: 2005-04-28
Total Pages: 269
ISBN-13: 0813541050
DOWNLOAD EBOOKThe 1960s was a time of incredible freedom and exploration in the art world, particularly in New York City, which witnessed the explosion of New Music, Happenings, Fluxus, New Dance, pop art, and minimalist art. Also notable during this period, although often overlooked, is the inordinate amount of revolutionary art that was created by women. Into Performance fills a critical gap in both American and Japanese art history as it brings to light the historical significance of five women artists—Yoko Ono, Yayoi Kusama, Takako Saito, Mieko Shiomi, and Shigeko Kubota. Unusually courageous and self-determined, they were among the first Japanese women to leave their country—and its male-dominated, conservative art world—to explore the artistic possibilities in New York. They not only benefited from the New York art scene, however, they played a major role in the development of international performance and intermedia art by bridging avant-garde movements in Tokyo and New York. This book traces the pioneering work of these five women artists and the socio-cultural issues that shaped their careers. Into Performance also explores the transformation of these artists' lifestyle from traditionally confined Japanese women to internationally active artists. Yoshimoto demonstrates how their work paved the way for younger Japanese women artists who continue to seek opportunities in the West today.
Author: Katy Coope
Publisher: Tangerine Press
Published: 2002
Total Pages: 64
ISBN-13: 9780439317450
DOWNLOAD EBOOKA how-to book for drawing Japanese comic art includes chapters on getting started, faces, expressions, bodies, finishing touches, and materials. Original.
Author: Kate T. Williamson
Publisher: Princeton Architectural Press
Published: 2006
Total Pages: 198
ISBN-13: 9781568985404
DOWNLOAD EBOOKNew York City-based writer and illustrator Williamson shares discoveries about Japan and its culture based on a recent year spent in Kyoto as a postgraduate student. The text combines the author's colorful illustrations with brief descriptions presented in a script-style text. The end result is a charming, journal-like publication in which Williams
Author: Chelsea Foxwell
Publisher: University of Chicago Press
Published: 2015-07-20
Total Pages: 296
ISBN-13: 022611080X
DOWNLOAD EBOOKIntroduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion.
Author: J. Thomas Rimer
Publisher: University of Hawaii Press
Published: 2012
Total Pages: 516
ISBN-13: 9780824835828
DOWNLOAD EBOOKResearch outside Japan on the history and significance of the Japanese visual arts since the beginning of the Meiji period (1868) has been, with the exception of writings on modern and contemporary woodblock prints, a relatively unexplored area of inquiry. In recent years, however, the subject has begun to attract wide interest. As is evident from this volume, this period of roughly a century and a half produced an outpouring of art created in a bewildering number of genres and spanning a wide range of aims and accomplishments. Since Meiji is the first sustained effort in English to discuss in any depth a time when Japan, eager to join in the larger cultural developments in Europe and the U.S., went through a visual revolution. Indeed, this study of the visual arts of the nineteenth and twentieth centuries suggests a fresh history of modern Japanese culture--one that until now has not been widely visible or thoroughly analyzed outside that country. In this extensive collection, which includes some 190 black-and-white and color reproductions, scholars from Japan, Europe, Australia, and America explore an impressive array of subjects: painting, sculpture, prints, fashion design, crafts, and gardens. The works discussed range from early Meiji attempts to create art that referenced Western styles to postwar and contemporary avant-garde experiments. There are, in addition, substantive investigations of the cultural and intellectual background that helped stimulate the creation of new and shifting art forms, including essays on the invention of a modern artistic vocabulary in the Japanese language and the history of art criticism in Japan, as well as an extensive account of the career and significance of perhaps the best-known Japanese figure concerned with the visual arts of his period, Okakura Tenshin (1862-1913), whose Book of Tea is still widely read today. Taken together, the essays in this volume allow readers to connect ideas and images, thus bringing to light larger trends in the Japanese visual arts that have made possible the vitality, range, and striking achievements created during this turbulent and lively period.
