As Gina gets ready for her Christmas wedding, all is quiet in Steeltown. Then she's robbed, cousin Jimmy has a heart attack, and someone in the city has hijacked a transport truck full of booze. But who? And why? Gina knows bootlegging used to be a family business, but they stopped that in the '30s. Didn’t they? Gina and Nico work feverishly to keep the latest bungled family matter under wraps, but the police are closing in. And, once again, everything points to the Holy Cannoli Retirement Home. The Bootlegger's Goddaughter is the fifth book in the Gina Gallo Mystery series.
When jewelry-store owner Gina Gallo and her boyfriend Pete take a week's vacation, she leaves the store in the hands of her cousin from New York. After all, cousin Carmine is a certified gemologist—but Carmine is also in the Mob. When Gina gets back, she discovers that her cousin has spent his time switching real gems for fakes in the jewelry of some of her best customers. With her reputation on the line, what's a Mob goddaughter to do? Mastermind a string of burglaries to get the gems back, of course! But nothing ever goes entirely smoothly for Gina. Soon she and her eccentric cousin Nico are the toast of the town, as the local paper and everyone else follow the antics of their very own Pink Panthers.
In The Goddaughter Caper, Gina Gallo finds herself embroiled in her family's shady dealings when a body turns up at her uncle’s restaurant. But it’s just the beginning of her problems. Strange things keep happening in Steeltown. A body shows up in the trunk of Gina’s car. Another is mistakenly shipped to her cousin Nico’s new store. And then Gina and Nico stumble across a stash of empty coffins! Worse, everything mysteriously points to her own retired relatives from the Holy Cannoli Retirement Home. Gina is determined to get to the bottom of it. But she’ll have to act fast, because the police are right behind her. This is the fourth in a series featuring Gina Gallo, who wants nothing more than to run her little jewelry store but, try as she might to escape it, somehow Gina gets drawn into the family business, with hilarious consequences.
When gallery owner Nellie, a giving yet neurotic New Yorker, brings together the mismatched cast of characters in the opening of Ryan Whittaker’s debut, a phallic show, little does she know that she is setting the scene for odd and unpredictable relationships, much like Shakespeare in Midsummer Night’s Dream. The frenzied, magical mix-up is an outrageous farce with a deep moral message: there is a RIGHT place for everyone in this world and love and friendship cement us in it. The Art of Change is a funny, smooth reading romance, which deals with bridging differences in gender, education, social milieu, in an insane but pragmatic, modern fairytale, set in New York City. The twists of the plot are written without an ounce of cynicism but simply acknowledging that life is neither here nor there, neither black or white and all can be dealt with in real friendship and love.
“Beautifully evokes scenes of two girls adrift in the . . . bohemian beach culture . . . a breathtaking, fiercely feminine take on American magical realism.” —Interview Magazine Set in Long Beach, California, beginning in the 1970s, The Salt God’s Daughter follows Ruthie and her older sister Dolly as they struggle for survival in a place governed by an enchanted ocean and exotic folklore. Guided by a mother ruled by magical, elaborately-told stories of the full moons, which she draws from The Old Farmer’s Almanac, the two girls are often homeless, often on their own, fiercely protective of each other, and unaware of how far they have drifted from traditional society as they carve a real life from their imagined stories. Imbued with a traditional Scottish folktale and hints of Jewish mysticism, The Salt God’s Daughter examines the tremulous bonds between sisters and the enduring power of maternal love—a magical tale that presents three generations of extraordinary women who fight to transcend a world that is often hostile to those who are different. “Indeed, Ruby has written a complicated, multi-layered work that shifts shapes to bridge the relationship between tragedy and redemption.” --The Huffington Post “Three generations of indelibly original women wrestle with the confines of their lives against a shimmering backdrop of magic, folklore, and deep-buried secrets . . . To say I loved this book is an understatement.” --Caroline Leavitt, New York Times bestselling author “The selkie myth lies at the heart of Ruby’s second novel . . . This is a bewitching tale of lives entangled in lushly layered fables of the moon and sea.” --Kirkus Reviews
Follow along as reluctant mob goddaughter Gina Gallo gets dragged into one wild scheme after another by her bumbling mob family that never gets it right. This digital bundle includes the entire Gina Gallo Mystery series: The Goddaughter, The Goddaughter's Revenge (winner of the Arthur Ellis and Derringer Awards), The Artful Goddaughter, The Goddaughter Caper, The Bootlegger's Goddaughter and The Goddaughter Does Vegas. "Campbell's comic caper is just right for Janet Evanovich fans. Wacky family connections and snappy dialog make it impossible not to laugh." —Library Journal "The finest compact mystery series out there. The writing is polished, the funny bits sneak up on you and you've been had then had again before there's time to recover...A miniature gem, the work of an author at the absolute top of her game." —Canadian Mystery Reviews "Delivers a lot of tongue-in-cheek one-liners and a type of slapstick comedy one might expect in some mobster movies...Give this to readers who enjoy a deliciously funny tale." —VOYA
Jackie Vance and her daughter Ama visit Ghana at the invitation of Mae Brown, an anthropology professor on sabbatical at the University of Cape Coast Ghana. While touring the female slave quarters at Elmina Castle, the largest castle in Africa built by the Portuguese in 1482, Jackie, channeling an Ashanti princess who was captured during the British-Ashanti war, goes into a reverie about the horrifying experiences of the women who lived there several hundred years ago.