The Art of War in the Middle Ages, A. D. 378-1515 - Scholar's Choice Edition
The Art of War in the Middle Ages, A. D. 378-1515 - Scholar's Choice Edition

Author: Charles William Chadwick Oman

Publisher:

Published: 2015-02-18

Total Pages: 152

ISBN-13: 9781297165016

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Art of War in the Middle Ages
The Art of War in the Middle Ages

Author: Charles Oman

Publisher: DigiCat

Published: 2023-12-13

Total Pages: 136

ISBN-13:

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The Art of War has been very simply defined as 'the art which enables any commander to worst the forces opposed to him.' It is therefore conversant with an enormous variety of subjects: Strategy and Tactics are but two of the more important of its branches. Besides dealing with discipline, organization, and armament, it is bound to investigate every means which can be adapted to increase the physical or moral efficiency of an army. Contents: The Transition from Roman to Mediæval Forms in War - A.D. 378–582. The Early Middle Ages - A.D. 476–1066–81. The Byzantines and their Enemies - A.D. 582–1071. The Supremacy of Feudal Cavalry - A.D. 1066–1346. The Swiss - A.D. 1315–1515. The English and their Enemies - A.D. 1272–1485.

The Art of War in the Middle Ages, A. D. 378-1515
The Art of War in the Middle Ages, A. D. 378-1515

Author: Charles William Chadwick Oman

Publisher: Legare Street Press

Published: 2022-10-26

Total Pages: 0

ISBN-13: 9781015480216

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

ART OF WAR IN THE MIDDLE AGES
ART OF WAR IN THE MIDDLE AGES

Author: Charles William Chadwick Sir Oman, 186

Publisher: Wentworth Press

Published: 2016-08-24

Total Pages: 160

ISBN-13: 9781360421391

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.