Natural Curiosity
Natural Curiosity

Author: Louise Anemaat

Publisher: NewSouth

Published: 2014-04-01

Total Pages: 256

ISBN-13: 1742246788

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Parrots and lorikeets swoop down, vivid, bright and colourful. Black swans glide through the air. Owls stare out from pages, wide-eyed. A sense of awe swept through natural history circles in eighteenth-century London when the first ships returned from Sydney with their cargo of exotic animals, birds and plants – and striking watercolour illustrations. The sudden emergence, in 2011, of a large number of these watercolour illustrations has revealed much about the early years of the colony. In Natural Curiosity, Louise Anemaat uncovers never-before-published works from the artists of the First Fleet, including convicts-turned-watercolourists Thomas Watling and John Doody, and the anonymous 'Port Jackson Painter'. She unravels the complex network of natural history collectors who spanned the globe – eagerly acquiring, copying and exchanging these artworks – from New South Wales Surgeon-General John White to passionate British collector Aylmer Bourke Lambert.

The Art of the First Fleet & Other Early Australian Drawings
The Art of the First Fleet & Other Early Australian Drawings

Author: Bernard Smith

Publisher:

Published: 1988

Total Pages: 264

ISBN-13:

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In 1788, the First Fleet landed in New South Wales, and European settlement in Australia began. Among those on board the eleven ships of the fleet were artists who recorded their impressions of the land, its indigenous people, its flora and fauna, and incidents or events which they considered significant.

First Fleet Artist
First Fleet Artist

Author: Linda Groom

Publisher: National Library Australia

Published: 2009

Total Pages: 158

ISBN-13: 0642276811

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"The life of George Raper and the discovery of his artwork of birds and plants dating from the time of the First Fleet."--Provided by publisher.

Australian Women Artists
Australian Women Artists

Author: Caroline Ambrus

Publisher:

Published: 1992

Total Pages: 246

ISBN-13: 9780646095134

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First generation 1788-1900 - Second generation 1880-1920 - Education and marriage - Separation and aesthetics - Crafts - Third generation 1918-1930 - Fourth generation 1928-1948 - Art and Politics.

Beth
Beth

Author: Mark Wilson

Publisher: Lothian Children's Books

Published: 2017-01-10

Total Pages: 32

ISBN-13: 9780734417442

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A story of the First Fleet, from the acclaimed author of MY MOTHER'S EYES and ANGEL OF KOKODA.Beth is a child convict, caught stealing on the streets of London and sent to Australia on the First Fleet. Through Beth's story, we discover the unbearable hardships those first convicts suffered, not only on the long journey to Sydney Cove but also in the two years of near-famine following their arrival. The story also explores the new arrivals' relationship with the Indigenous population, and the devastation that the Europeans brought with them.But through Beth's experiences we also see the sense of hope that many in the new colony held for the future, and how they survived - and in some cases thrived.

The First Fleet
The First Fleet

Author: Alan Frost

Publisher: Black Inc.

Published: 2012-12-12

Total Pages: 274

ISBN-13: 1921870575

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“Alan Frost is the myth-buster of Australian history...His work should be studied not only by students but anyone interested in the birth of a nation.” — the Age In 1787 a convoy of eleven ships, carrying about 1400 people, set out from England for Botany Bay. According to the conventional account, it was a shambolic affair: under-prepared, poorly equipped and ill-disciplined. Robert Hughes condemned the organisers’ “muddle and lack of foresight”, while Manning Clark described scenes of “indescribable misery and confusion”. In The First Fleet: The Real Story, Alan Frost draws on previously forgotten records to debunk these persistent myths. He shows that the voyage was in fact meticulously planned – reflecting its importance to the British government’s secret ambitions for imperial expansion. He examines the ships and supplies, passengers and behind-the-scenes discussions. In the process, he reveals the hopes and schemes of those who planned the voyage, and the experiences of those who made it. ‘It is almost certain that Frost knows more than anybody else about the early maritime history of this land ... This book will surely alter the way Sydney sees its history.’ — Geoffrey Blainey, The Weekend Australian

A Companion to Australian Art
A Companion to Australian Art

Author: Christopher Allen

Publisher: John Wiley & Sons

Published: 2021-04-27

Total Pages: 564

ISBN-13: 1118767586

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A Companion to Australian Art is a thorough introduction to the art produced in Australia from the arrival of the First Fleet in 1788 to the early 21st century. Beginning with the colonial art made by Australia’s first European settlers, this volume presents a collection of clear and accessible essays by established art historians and emerging scholars alike. Engaging, clearly-written chapters provide fresh insights into the principal Australian art movements, considered from a variety of chronological, regional and thematic perspectives. The text seeks to provide a balanced account of historical events to help readers discover the art of Australia on their own terms and draw their own conclusions. The book begins by surveying the historiography of Australian art and exploring the history of art museums in Australia. The following chapters discuss art forms such as photography, sculpture, portraiture and landscape painting, examining the practice of art in the separate colonies before Federation, and in the Commonwealth from the early 20th century to the present day. This authoritative volume covers the last 250 years of art in Australia, including the Early Colonial, High Colonial and Federation periods as well as the successive Modernist styles of the 20th century, and considers how traditional Aboriginal art has adapted and changed over the last fifty years. The Companion to Australian Art is a valuable resource for both undergraduate and graduate students of the history of Australian artforms from colonization to postmodernism, and for general readers with an interest in the nation’s colonial art history.