Writing the Photoplay

Writing the Photoplay

Author: Arthur Leeds

Publisher: Good Press

Published: 2023-08-22

Total Pages: 328

ISBN-13:

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Within the pages of 'Writing the Photoplay' by Arthur Leeds and J. Berg Esenwein, readers are offered a comprehensive exploration of the early 20th-century silent film scriptwriting. This anthology is rich in its diverse representation of the nascent cinematic narrative forms, highlighting the unique blend of literary and visual storytelling that defined the era. The collection provides an unparalleled window into the interplay between written narrative and visual spectacle, pulling from a variety of stylistic approaches to give a well-rounded perspective on silent film scriptwriting techniques and the broader cultural implications of this transformative period in cinematic history. The contributing authors, Leeds and Esenwein, bring a profound depth of expertise and historical knowledge to this collection. Their backgrounds as respected figures in the early film industry and as educators in the art of writing for the screen lend the anthology a considerable authority. This volume stands at the confluence of several critical cultural and literary movements of the early 20th century, synthesizing the intellectual milieus of silent era cinema, literature, and the visual arts into a cohesive whole that enriches our understanding of early filmic storytelling. 'Writing the Photoplay' is recommended for anyone with an interest in cinema history, storytelling, or screenplay writing. Beyond its historical significance, the anthology offers readers the unique opportunity to immerse themselves in the foundational aspects of cinematic narrative, seeing how textual stories were translated into visual masterpieces. This collection serves not only as an educational tool but also as an inspiration for aspiring writers and filmmakers who wish to understand the roots of cinematic storytelling and the myriad ways in which a story can be told through the silent interplay of images.


The Human Figure on Film

The Human Figure on Film

Author: Seth Barry Watter

Publisher: State University of New York Press

Published: 2023-10-01

Total Pages: 217

ISBN-13: 1438495102

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The Human Figure on Film asks what it is we look for when we look at human beings projected on a screen. People have appeared onscreen since film was invented. Nothing could be more common, and yet nothing confounds us more, than a filmed human being. Scholars and critics have attempted to reduce the mystery, creating methodologies that make this figure legible. Some of their efforts form the subject of this book. Each chapter is devoted to a single, central concept—the natural, the pictorial, the institutional, and the fictional—that viewers have used to make sense of what they see. Each concept, in turn, is tied to the work and methods of a particular kind of historical observer: the natural historian (Ray L. Birdwhistell), the aesthete or pictorialist (Victor O. Freeburg), the anthropologist of institutions (Hortense Powdermaker), and the critic of fiction (V. F. Perkins). All of these researchers have their own interests and criteria of understanding, ranging from a microscopic look at gestures to a broad view of characters. Using a combination of critical history, biography, and formal analysis, The Human Figure on Film offers a fresh approach to the problem of figuration in an age of digital cinema. It is, at once, a cross-section of the field of film studies, a handbook of methods, and an inquiry into the nature of inquiry itself.


Writing in Light

Writing in Light

Author: Joanne Bernardi

Publisher: Wayne State University Press

Published: 2001-01-01

Total Pages: 356

ISBN-13: 0814340091

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By identifying points at which "pure filmdiscourse merges with changing international trends and attitudes toward film, it offers an important resource for film, literary, and cultural historians.


The Photoplay

The Photoplay

Author: Hugo Munsterberg

Publisher: The Floating Press

Published: 2014-07-01

Total Pages: 137

ISBN-13: 1776583892

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In the early years of the twentieth century, both psychology and motion pictures were just beginning to emerge as significant cultural forces. Published in 1916, this fascinating work from prominent psychologist Hugo Munsterberg analyzes early films from a psychological point of view.