The 1st Ice Age movie introduced the world to 3 sub-zero heroes, Manny the mammoth, Sid the sloth and Diego the sabre-tooth tiger - the strangest herd its prehistoric inhabitants had ever seen - along with nut-obsessed squirrel Scrat. This book celebrates the art behind all 4 movies in the blockbuster series, along with the short films, with an exclusive in-depth look at the upcoming 5th movie, Collision Course.
This unique and remarkable work explores the extraordinary creative explosion that happened during the last European Ice Age, between 40,000 and 10,000 years ago, when the very first figurative art was created.
Contents lists index; no index found, however first [14] pages of book are repeated at end of text, and Acknowledgments page (p. xv) is pasted to p. [3] of cover.
The 1st Ice Age movie introduced the world to 3 sub-zero heroes, Manny the mammoth, Sid the sloth and Diego the sabre-tooth tiger - the strangest herd its prehistoric inhabitants had ever seen - along with nut-obsessed squirrel Scrat. This book celebrates the art behind all 4 movies in the blockbuster series, along with the short films, with an exclusive in-depth look at the upcoming 5th movie, Collision Course.
Some of the oldest art in the world is the subject of this riveting and beautiful book. Paul Bahn and Jean Vertut explore carved objects and wall art discoveries from the Ice Age, covering the period from 300,000 B.P. to 10,000 B.P., and their collaboration marks a signal event for archaeologists and lay readers alike. Utilizing the most modern analytical techniques in archaeology, Bahn presents new accounts of Russian caves only recently opened to foreign specialists; the latest discoveries from China and Brazil; European cave finds at Cosquer, Chauvet, and Covaciella; and the recently discovered sites in Australia. He also studies sites in Africa, India, and the Far East. Included are the only photographic images of many caves that are now closed to protect their fragile environments. A separate chapter in the book examines art fakes and forgeries and relates how such deceptions have been exposed. The beliefs and preoccupations of Paleolithic peoples resonate throughout this book: the importance of the hunt and the magic and shamanism surrounding it, the recording of the seasons, the rituals of sex and fertility, the cosmology and associated myths. Yet enigmas and mysteries emerge as well, particularly as new analytical techniques raise new questions and cast doubt on our earlier suppositions. A comprehensive, up-to-date analysis of all that has been discovered about Ice Age art, Bahn and Vertut's book offers a visually rich link with the past.
At the end of the Ice Age, small groups of hunter-gatherers crossed from Siberia to Alaska and began the last chapter in the human settlement of the earth. Many left little or no trace. But one group, the Early Paleo-Indians, exploded onto the archaeological record about 11,500 radiocarbon years ago and expanded rapidly throughout North America, sending splinter groups into Central and perhaps South America as well. Journey to the Ice Age explores the challenges faced by the Early Paleo-Indians of northeastern North America. A revealing, autobiographical account, this is at once a captivating record of Storck's discoveries and an introduction to the practice, challenges, and spirit of archaeology.
The many hundreds of books and thousands of academic papers on the topic of Pleistocene (Ice Age) art are limited in their approach because they deal only with the early art of southwestern Europe. This is the first book to offer a comprehensive synthesis of the known Pleistocene palaeoart of six continents, a phenomenon that is in fact more numerous and older in other continents. It contemplates the origins of art in a balanced manner, based on reality rather than fantasies about cultural primacy. Its key findings challenge most previous perceptions in this field and literally re-write the discipline. Despite the eclectic format and its high academic standards, the book addresses the non-specialist as well as the specialist reader. It presents a panorama of the rich history of palaeoart, stretching back more than twenty times as long in time as the cave art of France and Spain. This abundance of evidence is harnessed in presenting a new hypothesis of how early humans began to form and express constructs of reality and thus created the ideational world in which they existed. It explains how art-producing behaviour began and the origins of how humans relate to the world consciously.
This is the first attempt to present a truly complete, balanced and realistic picture of life during the last Ice Age, while dispelling many of the myths and inaccuracies about our early ancestors. This highly illustrated and accessible book is aimed not only at students and specialists, but also and especially the interested public.
