This book is an excellent study of the history and unique musical stylings of the Hawaiian guitar. Stacy Phillips successfully pinpoints the characteristics of Hawaiian guitar solos. A special feature is the inclusion of a superb historical survey of Hawaiian music. Written in tablature only, G tuning. DeWitt Scott comments: There are two types of Hawaiian music, the 'authentic' style and the 'tourist' style. Stacy is presenting the 'authentic' style and this is much needed to keep the Hawaiian music alive.
Volume 2 continues the exploration of the classic Hawaiian guitar solos from the Golden Age of Hawaiian music that began in Volume One of the Art of Hawaiian Steel Guitar. Contained here are precise transcriptions and playing hints of classic tunes like 'Hula Girl' and 'Kaala', by the greatest players like Sol Hoopii, the Genial Hawaiians, and many others. Together with the accompanying CD, this book is a great tool for learning this exquisite slide guitar style. Easy to use by both acoustic, resonator and electric slide players. A whole chapter of Hawaiian turnarounds is an added bonus. Most of the tunes are in major tuning but there are several in B minor and C6.
This book is an excellent study of the history and unique musical stylings of the Hawaiian guitar. Stacy Phillips successfully pinpoints the characteristics of Hawaiian guitar solos. A special feature is the inclusion of a superb historical survey of Hawaiian music. Written in tablature only, G tuning. DeWitt Scott comments: There are two types of Hawaiian music, the 'authentic' style and the 'tourist' style. Stacy is presenting the 'authentic' style and this is much needed to keep the Hawaiian music alive. Includes access to online audio.
(Fretted). The term "steel guitar" can refer to instruments with multiple tunings, 6 to 14 strings, and even multiple fretboards. To add even more confusion, the term "Hawaiian guitar" refers to an instrument played flat on the lap with a steel bar outside of Hawaii, but in Hawaii, it is the early term for the slack key guitar. Lorene Ruymar clears up the confusion in her new book that takes a look at Hawaiian music; the origin of the steel guitar and its spread throughout the world; Hawaiian playing styles, techniques and tunings; and more. Includes hundreds of photos, a foreword by Jerry Byrd, and a bibliography and suggested reading list.
Mastering the Lap Steel Guitar will take you from beginner basics such as tuning, right hand blocking, and holding the bar, to advanced techniques including bar slants, harmonics, string pulls and more. Licks, songs and the Nashville number system are covered, with additional tips and tricks Rob Haines has acquired in over 40 years of playing professionally. The book is written in standard notation as well as tablature and includes access to online video.
This book is a collection of sixteen instrumentals arranged for acoustic lap steel guitar in D and G tuning. Lovely Hawaiian tunes such as Aloha Oe are included as well as more bluesy selections such as Whistlin' Blues and Careless Love.The book even includes an Irish ballad, Down by the Sally Gardens, arranged specifically to be played on a lap steel guitar. Special techniques such as barslants, natural harmonics, and behind-the-bar-bends are carefully explained.Includes access to online audio
The inspiration for the Play It Loud exhibition at the Metropolitan Museum of Art "Every guitar player will want to read this book twice. And even the casual music fan will find a thrilling narrative that weaves together cultural history, musical history, race, politics, business case studies, advertising, and technological discovery." —Daniel Levitin, Wall Street Journal For generations the electric guitar has been an international symbol of freedom, danger, rebellion, and hedonism. In Play It Loud, veteran music journalists Brad Tolinski and Alan di Perna bring the history of this iconic instrument to roaring life. It's a story of inventors and iconoclasts, of scam artists, prodigies, and mythologizers as varied and original as the instruments they spawned. Play It Loud uses twelve landmark guitars—each of them artistic milestones in their own right—to illustrate the conflict and passion the instruments have inspired. It introduces Leo Fender, a man who couldn't play a note but whose innovations helped transform the guitar into the explosive sound machine it is today. Some of the most significant social movements of the twentieth century are indebted to the guitar: It was an essential element in the fight for racial equality in the entertainment industry; a mirror to the rise of the teenager as social force; a linchpin of punk's sound and ethos. And today the guitar has come full circle, with contemporary titans such as Jack White of The White Stripes, Annie Clark (aka St. Vincent), and Dan Auerbach of The Black Keys bringing some of the earliest electric guitar forms back to the limelight. Featuring interviews with Les Paul, Keith Richards, Carlos Santana, Eddie Van Halen, Steve Vai, and dozens more players and creators, Play It Loud is the story of how a band of innovators transformed an idea into a revolution.
Stacy Phillips is an internationally acclaimed soloist and author on Resonator Guitar. This comprehensive book took years to produce and is the culmination of Stacy's many years of playing the instrument, studying new Resonator techniques and interviewing other Resonator greats. This book achieves the following objectives: 1. to present an in-depth survey of the styles in which well-rounded lap guitarist should be competent. 2. to examine the playing styles and techniques of some of the world's greatest Resonator guitarists. 3. to catalog many of the licks that are lingua franca in the world of Resonator guitarists. 4. to indicate some of the underlying relationships between notes, keys, and chords by introducing some basic music theory as it relates specifically to the six-string guitar in G tuning. 5. to gain insights into the world of Resophonic guitar stylings and performance through interviews with some of the top players. 6. to demonstrate unconventional concepts in order to stimulate fresh approaches to playing the instrument. Tablature included.The double-CD set presents more than 90 minutes of stereo recording featuring Stacy Phillips on Dobro and Paul Howard on guitar. Play-along tracks are included for several of the tunes.
Here, after years of preparation, is the most ambitious book ever written about Hawaiian music - its roots, popularity and influences in the world, leading personalities and groups, organizations, songs, and publications. The complete story is here, from ancient chants to the flowering of the musical renaissance in Hawaii nei. Nearly 200 illustrations add to the book's appeal for Hawaiian music fans and serious students. Many rare photographs of historical interest are among the illustrations featuring singers, chanters, dancers, and instrumentalists. Musical instruments are also featured in drawings and photographs. Melody lines, chants, and rhythm patterns are illustrated by music notation. The book is organized like an encyclopedia, with about 200 entries in alphabetical order. They include biographies of musicians from every period of Hawaiian musical history - from Henry Berger, David Kalakaua, Queen Lili'uokalani, and others of her time, to the great names of the first half of the twentieth century, and on to the performers and composers of today's Hawaiian renaissance. There are major articles on chant, slack key, steel guitar, 'ukulele, himeni, Hawaiian orchestras, falsetto, humor in Hawaiian music, radio, television, and the recording industry to name a few. Definitive essays tell the story of all ancient and modern musical instruments and the most loved and important songs of the last 150 years. Much of the material is new or original and fresh insights are brought to the more familiar topics. Some myths are dispelled, long-standing controversies discussed, if not settled. For instance, the book comes closer to answering the question "what is Hawaiian music?" than anything written so far. The work also contains and extensive annotated bibliography of works on Hawaiian music, and two discographies.
