The Art of Poetry

The Art of Poetry

Author: Kenneth Koch

Publisher: University of Michigan Press

Published: 1996

Total Pages: 224

ISBN-13: 0472066056

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Essays, interviews, parodies and cartoons by a distinguished poet and teacher


The Art of Poetry

The Art of Poetry

Author: Shira Wolosky

Publisher: Oxford University Press

Published: 2008-09-19

Total Pages: 245

ISBN-13: 0199707839

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In The Art of Poetry, Shira Wolosky provides a dazzling introduction to an art whose emphasis on verbal music, wordplay, and dodging the merely literal makes it at once the most beguiling and most challenging of literary forms. A uniquely comprehensive, step-by-step introduction to poetic form, The Art of Poetry moves progressively from smaller units such as the word, line, and image, to larger features such as verse forms and voice. In fourteen engaging, beautifully written chapters, Wolosky explores in depth how poetry does what it does while offering brilliant readings of some of the finest lyric poetry in the English and American traditions. Both readers new to poetry and poetry veterans will be moved and enlightened as Wolosky interprets work by William Shakespeare, John Donne, William Blake, William Wordsworth, Emily Dickinson, Robert Frost, Sylvia Plath, and others. The book includes a superb two-chapter discussion of the sonnet's form and history, and represents the first poetry guide to introduce gender as a basic element of analysis. In contrast to many existing guides, which focus on selected formal aspects like metrics or present definitions and examples in a handbook format, The Art of Poetry covers the full landscape of poetry's subtle art while showing readers how to comprehend a poetic text in all its dimensions. Other special features include Wolosky's consideration of historical background for the developments she discusses, and the way her book is designed to acquaint or reacquaint readers with the core of the lyric tradition in English. Lively, accessible, and original, The Art of Poetry will be a rich source of inspiration for students, general readers, and those who teach poetry.


An Introduction to English Poetry

An Introduction to English Poetry

Author: James Fenton

Publisher: Macmillan

Published: 2002

Total Pages: 151

ISBN-13: 0374528896

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An introduction to poetry makes use of prisoner's work songs, Broadway show tunes, and the cries of street vendors to introduce readers to the rhythms of poetry.


The Art of Love Poetry

The Art of Love Poetry

Author: Erik Irving Gray

Publisher: Oxford University Press

Published: 2018

Total Pages: 221

ISBN-13: 0198752970

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The first study to offer an integral theory of love poetry, examining why it is that poetry, even more than other arts, is so consistently associated with romantic love.


Borrowed Objects and the Art of Poetry

Borrowed Objects and the Art of Poetry

Author: Denis Ferhatovic

Publisher:

Published: 2024-03-26

Total Pages: 0

ISBN-13: 9781526179142

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This study uses examinations of Exeter riddles, Old English religious verse and Beowulf to formulate the poetics of spolia - creative transformations of martial and architectural plunder serving to signal metatextual reflection.


How Poets See the World

How Poets See the World

Author: Willard Spiegelman

Publisher: Oxford University Press

Published: 2005-06-23

Total Pages: 256

ISBN-13: 0190291834

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Although readers of prose fiction sometimes find descriptive passages superfluous or boring, description itself is often the most important aspect of a poem. This book examines how a variety of contemporary poets use description in their work. Description has been the great burden of poetry. How do poets see the world? How do they look at it? What do they look for? Is description an end in itself, or a means of expressing desire? Ezra Pound demanded that a poem should represent the external world as objectively and directly as possible, and William Butler Yeats, in his introduction to The Oxford Book of Modern Verse (1936), said that he and his generation were rebelling against, inter alia, "irrelevant descriptions of nature" in the work of their predecessors. The poets in this book, however, who are distinct in many ways from one another, all observe the external world of nature or the reflected world of art, and make relevant poems out of their observations. This study deals with the crisp, elegant work of Charles Tomlinson, the swirling baroque poetry of Amy Clampitt, the metaphysical meditations of Charles Wright from a position in his backyard, the weather reports and landscapes of John Ashbery, and the "new way of looking" that Jorie Graham proposes to explore in her increasingly fragmented poems. All of these poets, plus others (Gary Snyder, Theodore Weiss, Irving Feldman, Richard Howard) who are dealt with more briefly, attend to what Wallace Stevens, in a memorable phrase, calls "the way things look each day." The ordinariness of daily reality is the beginning of the poets' own idiosyncratic, indeed unique, visions and styles.