The Art of Criticism

The Art of Criticism

Author: Henry James

Publisher: University of Chicago Press

Published: 1986-06-15

Total Pages: 524

ISBN-13: 0226391973

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A collection of "the most important" of Henry James' Prefaces; "his studies of Hawthorne, George Eliot, Balzac, Zola, de Maupassant, Turgenev, Sainte-Beuve, and Arnold; and his essays on the function of criticism and the future of the novel."--P. [4] of cover.


Practical Art Criticism

Practical Art Criticism

Author: Edmund Burke Feldman

Publisher: Pearson

Published: 1994

Total Pages: 100

ISBN-13:

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Unique features: criticism as a sequential process; forming an interpretation; separating interpretation from judging; critical errors; the critics ethics; criteria for judging greatness.


An Introduction to Art Criticism

An Introduction to Art Criticism

Author: Kerr Houston

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780205835942

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'An introduction to art criticism' offers a thorough overview of art criticism as it has been practiced since the 1700s. The text is built around excerpts from the work of hundreds of historical and contemporary critics, including a substantial history of art criticism and chapters on the fundamental aspects of criticism and the formation of an individual voice.


Bad New Days

Bad New Days

Author: Hal Foster

Publisher: Verso Books

Published: 2015-09-29

Total Pages: 239

ISBN-13: 1784781460

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One of the world’s leading art theorists dissects a quarter century of artistic practice Bad New Days examines the evolution of art and criticism in Western Europe and North America over the last twenty-five years, exploring their dynamic relation to the general condition of emergency instilled by neoliberalism and the war on terror. Considering the work of artists such as Thomas Hirschhorn, Tacita Dean, and Isa Genzken, and the writing of thinkers like Jacques Rancière, Bruno Latour, and Giorgio Agamben, Hal Foster shows the ways in which art has anticipated this condition, at times resisting the collapse of the social contract or gesturing toward its repair; at other times burlesquing it. Against the claim that art making has become so heterogeneous as to defy historical analysis, Foster argues that the critic must still articulate a clear account of the contemporary in all its complexity. To that end, he offers several paradigms for the art of recent years, which he terms “abject,” “archival,” “mimetic,” and “precarious.”


Feminist Art Criticism

Feminist Art Criticism

Author: Arlene Raven

Publisher: Routledge

Published: 2018-02-23

Total Pages: 385

ISBN-13: 0429980124

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From the Preface:"The essays in Feminist Art Criticism are theoretical, and we selected them for several reasons. First, they show a diversity of concerns. These include spirituality, sexuality, the representation of women in art, the necessary inter-relationship of theory and action, women as artmakers, ethnicity, language itself, so-called postfeminism and critiques of hte art world, the discipline of art history and the practice of art criticism. Second, the contributors' work has not been either widely disseminated or readily available. Third, the essays, especially arranged as they are (chronologically), demonstrate a continuous feminist discourse in art from the early 1970s through the present, a discourse that is neither monolithic nor intellectually trendy but that rather exhibits many elements, the polemical, Marxist, lyrical, and poststructuralist being only a few."


What Happened to Art Criticism?

What Happened to Art Criticism?

Author: James Elkins

Publisher: Prickly Paradigm

Published: 2003

Total Pages: 87

ISBN-13: 9780972819633

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Art criticism was once passionate, polemical and judgmental: now critics are more often interested in ambiguity, neutrality, and nuanced description. And while art criticism is ubiquitous in newspapers, magazines, and exhibition brochures, it is also virtually absent from academic writing. Here, James Elkins surveys the last fifty years of art criticism, proposing some interesting explanations for these startling changes.


On Criticism

On Criticism

Author: Noel Carroll

Publisher: Routledge

Published: 2009-06-02

Total Pages: 239

ISBN-13: 1134221304

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In a recent poll of practicing art critics, 75 percent reported that rendering judgments on artworks was the least significant aspect of their job. This is a troubling statistic for philosopher and critic Noel Carroll, who argues that that the proper task of the critic is not simply to describe, or to uncover hidden meanings or agendas, but instead to determine what is of value in art. Carroll argues for a humanistic conception of criticism which focuses on what the artist has achieved by creating or performing the work. Whilst a good critic should not neglect to contextualize and offer interpretations of a work of art, he argues that too much recent criticism has ignored the fundamental role of the artist's intentions. Including examples from visual, performance and literary arts, and the work of contemporary critics, Carroll provides a charming, erudite and persuasive argument that evaluation of art is an indispensable part of the conversation of life.


Better Living Through Criticism

Better Living Through Criticism

Author: A. O. Scott

Publisher: Penguin

Published: 2017-02-07

Total Pages: 306

ISBN-13: 0143109979

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The New York Times film critic shows why we need criticism now more than ever Few could explain, let alone seek out, a career in criticism. Yet what A.O. Scott shows in Better Living Through Criticism is that we are, in fact, all critics: because critical thinking informs almost every aspect of artistic creation, of civil action, of interpersonal life. With penetrating insight and warm humor, Scott shows that while individual critics--himself included--can make mistakes and find flaws where they shouldn't, criticism as a discipline is one of the noblest, most creative, and urgent activities of modern existence. Using his own film criticism as a starting point--everything from his infamous dismissal of the international blockbuster The Avengers to his intense affection for Pixar's animated Ratatouille--Scott expands outward, easily guiding readers through the complexities of Rilke and Shelley, the origins of Chuck Berry and the Rolling Stones, the power of Marina Abramovich and 'Ode on a Grecian Urn.' Drawing on the long tradition of criticism from Aristotle to Susan Sontag, Scott shows that real criticism was and always will be the breath of fresh air that allows true creativity to thrive. "The time for criticism is always now," Scott explains, "because the imperative to think clearly, to insist on the necessary balance of reason and passion, never goes away."


The Artist as Critic

The Artist as Critic

Author: Oscar Wilde

Publisher: University of Chicago Press

Published: 1982

Total Pages: 475

ISBN-13: 0226897648

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Reprint. Originally published: New York: Random House, [1969]