The Art of Bikaner features about 60 paintings. Executed in Bikaner style, the works have clearly been impacted by Mughal traditions. The artist's observations during his sojourns to Khumbh or at Ganga Sagar Mela or at the famous holy Dargah shrine at Ajmer were developed into paintings. The repertoire also encompasses 24 distinct avatars or godly incarnations based on studies of Bhagwat Puran. The book brings alive the richness in the art tradition of Bikaner and offers a journey through an India full of mystery and spirituality through intricately delineated paintings.
A Companion to Asian Art and Architecture presents a collection of 26 original essays from top scholars in the field that explore and critically examine various aspects of Asian art and architectural history. Brings together top international scholars of Asian art and architecture Represents the current state of the field while highlighting the wide range of scholarly approaches to Asian Art Features work on Korea and Southeast Asia, two regions often overlooked in a field that is often defined as India-China-Japan Explores the influences on Asian art of global and colonial interactions and of the diasporic communities in the US and UK Showcases a wide range of topics including imperial commissions, ancient tombs, gardens, monastic spaces, performances, and pilgrimages.
The Mughals Brought Miniature Painting, An Offshoot Of Manuscript Painting, To India In The 14Th-15Th Centuries. It Took Deep Root In What Is Known Today As Rajasthani Painting. Its Implantation In Rajasthan Is Mainly Due To The Close Political And Social Contacts Between The Mughal Rulers Of North India And Feudal Rajput Princelings Who Flourished In Northwestern India Between The 15Th And 18Th Centuries. Many Rajput Rulers And Their Courtiers Were Highly Cultivated, And Their Courts Were Centers Where The Arts And Artists Received Unstinted Encouragement From Their Royal Patrons. This Was Particularly So Of Painting, And What Began As An Offshoot Of Mughal Painting Because In The Years Between The Inception Of Mughal Rule And The British Occupation Of India From The 18Th Century, There Was A Rich Flowering Of Many Schools And Styles Of Miniature Painting Which Have Found Avid Admirers Among Connoisseurs Of Art The World Over. Unfortunately, Although Rajasthani Paintings Are Treasured Art Collectors Items Much Sought After By Discerning Lovers Of Art Because Of Their Intrinsic Merit, Little Effort Has Been Expended To Delve Deep Into The Various Modes Of This Painting And Present An Overall Picture Of The Numerous Schools, Styles And Substyles Which Are The Priceless Heritage Today Not Only Of Rajasthan, Their Place Of Birth, But Also Of India As A Whole. Art Experts, Mainly Foreign Savants, Have Written Knowledgeable Accounts About Various Aspects Of Rajasthani Painting, But Nobody, It Is Worth Recording, Has Undertaken To Produce A Comprehensive Study In Depth Of This Vast Cultural Field. This Is Absolutely Essential As No Study Of Indian Civilization Is Complete Without It. The Present Study Does Not Claim To Fulfil This Requirement. That Would Need Much More Intensive, Detailed And Patient Research. But It Provides A Good Point Of Takeoff For Such A Study. In Splendour Of Rajasthani Painting, Assembled Obviously With Great Care And Deep Love Of The Subject, Dr. Jai Singh Neeraj Has Laid The Ground Work For Such A Project. He Has Succeeded In Conveying To The Art-Loving Reader The Fact That Rajasthani Art Is A Many-Splendoured Thing That Deserves Much More Attention Than It Has Received So Far.
This book evokes the romance of the rugged desert kingdom of Bikaner and its Rajput royal family. It is a richly woven tapestry encompassing five generations of an aristocratic family's past and present. Tales of valour, battles and coronations, the splendour of the royal courts, the culture and traditions that made this Rathore state preeminent in the world, all set against the backdrop of imposing palaces, rugged forts and hunting lodges, the magnificence of the gilded age of the Maharajas. The author describes her formative years during the sixties when seismic changes in the world were taking place and which were to take her on an adventurous journey from her home in Bikaner to life in London. The author brings to life a treasure trove of anecdotes and introduces us to a world of elegance, sportsmanship and cosmopolitan culture.
- A comprehensive book on the miniature paintings of Rajasthan, it highlights the distinctiveness of the painting style - This volume contains an exquisite collection of paintings, painstakingly sourced from museums and private collectors - The study covers the various regions and rulers of Rajasthan, their influence on this style and the significant themes of the miniature paintings A large bulk of Indian miniature paintings comes from Rajasthan. These miniatures are endowed with warm colors, primitive vigor, directness of expression and all that corresponds to the unique land of Rajasthan. They encompass its fun and festivities, the charming women and heroic men who fought with valour, loved with great zeal and warmth, celebrated each moment of life and died like great heroes. The major schools of miniatures of Rajasthan are Mewar, Bikaner, Jodhpur, Nagaur, Jaipur, Alwar, Bundi, Kotah, Kishangarh and Nathdwara. The Rajasthani painter saw hardly any contradiction in combining romance with religion, or the mundane with the transcendental. Rajasthani Miniatures: The Magic of Strokes and Colors presents, through a detailed narrative and exquisite photographs, a glimpse into this art that has spanned several millennia. It traces the stylistic sources of Rajasthani miniatures, discovering elements that go beyond geography and time to reveal Rajasthani art's generic growth. The miniatures have varying styles, belong to different schools and have been painted under many succeeding patrons with different tastes and preferences. This book reflects the uniqueness of Rajasthani art, where shades and strokes come together in what almost appears as a divine interplay to create magic. Contents: Preface; Introduction; Stylistic Sources; Perception of Nature; Medium, Style and Color; Significant Themes; Schools of Rajasthani; Paintings; Acknowledgements; Glossary; Bibliography; Index.
Naveen Patnaik's fascinating text brings fresh meaning to this incredible visual record of a lost and exotic world. A Desert Kingdom is essential reading for anybody interested in the colorful life of the great subcontinent and a unique, evocative reminder of its past.
