The Art of Astonishment

The Art of Astonishment

Author: Alice Brittan

Publisher: Bloomsbury Publishing USA

Published: 2022-02-24

Total Pages: 232

ISBN-13: 1501383590

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Part literary history, part personal memoir, Alice Brittan's beautifully written The Art of Astonishment explores the rich intellectual, religious, and philosophical history of the gift and tells the interconnected story of grace: where it comes from and what it is believed to accomplish. Covering a remarkable range of materials-from The Epic of Gilgamesh, The Iliad, and the tragedies of Classical Greece, through the brothers Grimm and Montaigne, to C. S. Lewis, Toni Morrison, J. M. Coetzee, Elena Ferrante, Karl Ove Knausgaard, and Jhumpa Lahiri-Brittan moves with ease from personal story to myth, to theology, to literature and analysis, examining the nature of social and communal obligation, the role of the intellectual in times of crisis, and the pleasures of reading. In the 21st century, we might imagine grace as a striking and refined quality that is pleasurable to encounter but certainly not fundamental to anyone's existence or to the beliefs and practices that hold us together or drive us apart. For millennia, though, it has been recognized as essential to the vitality of inner life, as well as to the large-scale shifts in perspective and legislation that improve the way we live as a society. Grace is also astonishing-always-as the enormously insightful readings in The Art of Astonishment show. Brittan reveals the concept's breadth as sacred and secular, ancient and recent, lived and literary. And in so doing, she shows us how the act of reading is like grace-social but personal, pleasurable and essential.


The Art of the Actor

The Art of the Actor

Author: Jean Benedetti

Publisher: Routledge

Published: 2012-11-12

Total Pages: 258

ISBN-13: 1136556192

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How did acting begin? What is its history, and what have the great thinkers on acting said about the art and craft of performance? In this single-volume survey of the history of acting, Jean Benedetti traces the evolution of the theories of the actor's craft drawing extensively on extracts from key texts, many of which are unavailable for the student today. Beginning with the classical conceptions of acting as rhetoric and oratory, as exemplified in the writing of Aristotle, Cicero and others, The Art of the Actor progresses to examine ideas of acting in Shakespeare's time right through to the present day. Along the way, Benedetti considers the contribution and theories of key figures such as Diderot, Stanislavski, Meyerhold, Brecht, Artaud and Grotowski, providing a clear and concise explanation of their work illustrated by extracts and summaries of their writings. Some source materials appear in the volume for the first time in English. The Art of the Actor will be the essential history of acting for all students and actors interested in the great tradition of performance, both as craft and as art.


The Art of the Short Story

The Art of the Short Story

Author: Rudolph Amsel

Publisher: Elsinore Books

Published: 2020-04-13

Total Pages: 2030

ISBN-13:

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This is an anthology for people who love story-telling. Our one hundred classic masterpieces were selected purely for their capacity to delight, instruct and charm. In this collection, readers will encounter some of the finest writing in world literature. We have chosen to arrange the stories thematically, dividing the anthology into ten parts as follows: 1) Characters 2) Animals 3) Epiphanies 4) Mystery and Adventure 5) Horror and Ghosts 6) Strange, Surreal and Fantastic 7) Humour, Satire and Tall Tales 8) Love 9) Summer Tales 10) Winter Tales Please view the preview of this book for a full listing of contents. We hope this arrangement will encourage readers to move between the different parts of the anthology as their interest takes them, discovering as they do so, the shared sensibilities of authors remote in time and place. Though these stories vary enormously in theme, tone and setting—from Russian snow storms, to spiritual epiphanies in Winesburg, Ohio—each of them has enthralled readers across generations; is exemplary in its attention to detail and evocation of mood; resists all simplistic and univocal interpretations, and remains as fresh and penetrating today as when it was first written. At Elsinore Books we pride ourselves on creating beautiful e-books, and devote great attention to formatting, and ease of navigation. This book contains a cleanly-styled contents page that permits easy movement between the stories. Contents: Part 1: Characters Gusev — Anton Chekhov Boule de Suif — Guy de Maupassant Alyosha the Pot — Leo Tolstoy Mateo Falcone — Prosper Mérimée Little Brother — Mary E. Mann Bartleby, The Scrivener — Herman Melville The Lightning-Rod Man — Herman Melville The Ambitious Guest — Nathaniel Hawthorne The Darling — Anton Chekhov A Simple Heart — Gustave Flaubert Part 2: Animals Sredni Vashta — Saki Kholstomer, The Story of a Horse — Leo Tolstoy A Dark-Brown Dog — Stephen Crane Kashtanka — Anton Chekhov The Cat That Walked By Himself — Rudyard Kipling The Black Cat — Edgar Allan Poe The Fly — Katherine Mansfield The Boar-Pig — Saki The Tiger Guest — Pu Songling Jackals and Arabs — Franz Kafka Part 3: Epiphanies Araby — James Joyce The Dead — James Joyce The Strength of God — Sherwood Anderson The Egg — Sherwood Anderson A Death in the Desert — Willa Cather Roman Fever — Edith Wharton The Story of an Hour — Kate Chopin Home Sickness — George Moore The Madonna of the Future — Henry James The Kiss — Anton Chekhov Part 4: Mystery and Adventure The Red-Headed League — Arthur Conan Doyle The Adventure of the Blue Carbuncle — Arthur Conan Doyle The Arrow of Heaven — G. K. Chesterton The Sign of the Broken Sword — G. K. Chesterton The Purloined Letter — Edgar Allan Poe The Master of Mystery — Jack London The Problem of Cell 13 — Jacques Futrelle The Three Stranger — Thomas Hardy The Diamond as Big as the Ritz — F. Scott Fitzgerald A Jury of Her Peers — Susan Glaspell Part 5: Horror and Ghosts The Body Snatcher — Robert Louis Stevenson The Signal-Man — Charles Dickens August Heat — W. F. Harvey The Monkey’s Paw — W. W. Jacobs “Oh, Whistle, and I’ll Come to You my Lad” — M. R. James The Phantom Coach — Amelia Edwards The Horla — Guy de Maupassant An Inhabitant of Carcosa — Ambrose Bierce Schalken the Painter — Sheridan Le Fanu The Cask of Amontillado — Edgar Allan Poe Please "Look inside" to see the complete listing.


Representing Justice

Representing Justice

Author: Judith Resnik

Publisher: Yale University Press

Published: 2011-01-01

Total Pages: 719

ISBN-13: 0300110960

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A remnant of the Renaissance : the transnational iconography of justice -- Civic space, the public square, and good governance -- Obedience : the judge as the loyal servant of the state -- Of eyes and ostriches -- Why eyes? : color, blindness, and impartiality -- Representations and abstractions : identity, politics, and rights -- From seventeenth-century town halls to twentieth-century courts -- A building and litigation boom in Twentieth-Century federal courts -- Late Twentieth-Century United States courts : monumentality, security, and eclectic imagery -- Monuments to the present and museums of the past : national courts (and prisons) -- Constructing regional rights -- Multi-jurisdictional premises : from peace to crimes -- From "rites" to "rights" -- Courts : in and out of sight, site, and cite -- An iconography for democratic adjudication.


Image, Text, Stone

Image, Text, Stone

Author: Nikolaus Dietrich

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2022-07-18

Total Pages: 382

ISBN-13: 311077576X

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This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and ‘decorative’ marble-objects, and through its methodological emphasis on ‘close viewing’ (and reading!) of individual objects, this volume focuses on the materiality of both sculpture and inscription. This perspective is enriched by two comparative chapters on inscribing Greek vases and Roman walls (graffiti). The intermediality of image and inscription is envisaged from various thematic angles, including the intricacies of combining image and epigram (both materially and in literary projection), the original production and reception of inscribed sculpture in its ‘long life’, the viewing and ‘reading’ of sculpture in a space of movement, the issue of (re-)naming statues, and the image and inscription in its social and gender-historical context.