Discover the captivating history and practice of printing in this comprehensive guide to the technique and art of the antiquated craft. First published in 1933, this illustrated volume features practical instructions, clear diagrams, and historical context for anyone interested in the art of printing. Featuring an introduction by William Morris and an essay on the history of bookbinding, this book unlocks the mysteries of the printing press. This volume is divided into four sections: Letterpress Bookbinding Machine Running Stationery Binding Edition Case Binding and Blocking and Casing-In
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Third Platoon is a series of vignettes about the Vietnam War by a corpsman (medic) who served with 1st battalion, 26th marines. You will find few accounts of heroic exploits here. This is not the memoir of a decorated hero but rather a frank disclosure of one who held on by a thread, witnessing the horror without hope of redemption. The reader is presented with a remarkable portrayal of the conflict from a unique perspective.The linocut illustrations are by the author.
Gum Printing: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a two-part book on gum bichromate written by the medium’s leading expert, Christina Z. Anderson. Section One provides a step-by-step description of the gum printing process. From setting up the "dimroom" (no darkroom required!) to evaluating finished prints, it walks the reader through everything that is needed to establish a firm gum practice with the simplest of setups at home. Section Two showcases contemporary artists’ works, illustrating the myriad ways gum is conceptualized and practiced today. The works in these pages range from monochrome to colorful and from subtle to bold, representing a variety of genres, including still lifes, portraits, nudes, landscapes, urbanscapes and more. Featuring over 80 artists and 400 full-color images, Gum Printing is the most complete overview of this dynamic and expressive medium that has yet appeared in print. Key topics covered include: The history of gum Simple digital negatives for gum, platinum, and cyanotype Preparing supplies Making monochrome, duotone, tricolor, and quadcolor gum prints Printing gum over cyanotype Printing gum over platinum Troubleshooting gum Advice on developing a creative practice
Salted Paper Printing: A Step-by-Step Manual Highlighting Contemporary Artists makes one of the oldest known photographic processes easy for the 21st century using simple digital negative methods. Christina Z. Anderson's in-depth discussion begins with a history of salted paper printing, then covers the salted paper process from beginner to intermediate level, with step-by-step instructions and an illustrated troubleshooting guide. Including cameraless imagery, hand-coloring, salt in combination with gum, and printing on fabric, Salted Paper Printing contextualizes the practice within the varied alternative processes. Anderson offers richly-illustrated profiles of contemporary artists making salted paper prints, discussing their creative process and methods. Salted Paper Printing is perfect for the seasoned photographer looking to dip their toe into alternative processes, or for the photography student eager to engage with photography's rich history.
Guiding us to better communication about illness, treatment, and health through simple art practices Living at the intersection of medicine and art, medical illustration is a field that is not well understood by most--especially by physicians and other healthcare practitioners. In this comprehensive and practical guide to medical illustration, pediatric surgeon François I. Luks provides a useful overview of the field and explains its essential function in facilitating true communication between healthcare providers and their patients. MedSpeak Illuminated: The Art and Practice of Medical Illustration begins with a history of the field, including some of its historical controversies and darker aspects, such as the relative lack of diversity in medical illustrations. Currently, Luks asserts, an increased recognition that medical illustration has long been complicit in promoting a single (white, male) view of health and disease has begun to result in changes to practice and content. He argues that increasing diversity and equity--in illustration and among illustrators--is ultimately good for our health. As he moves forward to describe its place in our current healthcare systems and educational programs, Luks also points to the scientific breakthroughs specifically made by illustrators. In addition, he highlights trends in medical education that emphasize humanism and compassion, thus making the need for better methods of communication even more urgent. MedSpeak Illuminated offers simple advice and techniques that can be followed by even the nonartists among us to use illustration in medical settings as part of our conversations. Like the illuminated manuscripts of old, MedSpeak Illuminated provides visual components for better and deeper understanding, an invaluable resource for students, practitioners, and all those committed to becoming better communicators and more caring professionals.
Extending the Book introduces the largely-forgotten art of extra-illustration -- individually adding portraits or other illustrations to published books -- and explores what this personalized form of book design reveals about the history of reading. It includes a brief introduction to the concept of designing and creating a unique book by adding external material and an overview of the phenomenon's history and its heyday in the later eighteenth and nineteenth centuries. The works of Shakespeare -- the most popular single author for extra-illustration -- exemplify the practice as it changed over time. From the beginning, extra-illustrators had to defend the "exquisite handicraft" (in the words of an 1890 proponent) against accusations of "breaking up a good book to illustrate a worse one" (in the words of an 1892 critic). This book examines the art and the practice of extra-illustration, from crudely altered books to beautiful new creations.
Printmaking is a practical and comprehensive guide to printmaking techniques with clear step–by–step illustrations. This fully updated second edition contains new images throughout, including improved process shots and examples of the latest work from contemporary printmakers. There are expanded chapters on digital and mixed media processes, as well as a brand new 'Print & Make' chapter, which explores the opportunities for creative expression within the many processes available to print makers. For example, this edition includes a new, detailed section on Japanese moku hanga woodblock printing while the more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed. The addition of new images showing a broader range of subject matter, include more contemporary prints and international artists. Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up–to–date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike. Special attention is given to safe practices, addressing the important concern for health and safety. Step–by–step illustrations provide an enhanced visual reference – either photographic or diagrams for clarity – and the authors have supplied more information on safer and more sustainable practices. Since nontoxic alternatives are a rapidly growing and ever–evolving landscape, Printmaking 2nd Edition presents products and practices that are accessible worldwide. Praise for Printmaking 2nd Edition 'A lavishly illustrated large–format volume that constitutes a veritable printmaker's bible.' – The West Australia News
